We are all guilty, or have been guilty, of slamming out edits right after a shoot, only to realize we don't like what we've done when we see it the next morning. As any artist can attest to, the morning after can be a sobering, if not disquieting, time for you when you recognize that your hasty post work is simply no good. Can you avoid this blunder? Yep, with a self-imposed doctrine of pre-editing your most important of project images instead of knocking out flawed or misguided finals in haste.
In Part 1 of our Dramatic Beauty Portrait Tutorial, we looked at the lighting setup, gear breakdown, and shooting of our dramatic beauty shoot. In Part 2 of the tutorial we will now look at two different ways of exporting and preparing your image for retouching. The first method involves creating versions in Lightroom and exporting directly to Photoshop. The other method utilizes Adobe Camera Raw and the ability to make variations within Photoshop. I will also discuss the overall goal of our pre-edit stage.
Pull up almost any lens review these days and one of the primary attributes people are judging is the oh-so-important bokeh. Purchases are made and lenses are brought back all because of the how a lens does or doesn't measure up in the bokeh department. Well I’m here to tell you, at least for portraiture, it’s just plain overrated.
Are you tired of using a kit lens for your video projects but don't know the first thing about what makes "Cinema" lenses all that special? In the latest video from Gear Dictionary, Zeke Kamm explains what makes these lenses different, and preferred, for filmmaking applications.
Last year I had an exciting opportunity to shoot what I am told is the first combined Jaguar and Land Rover USA ad campaign now that they are both under new combined ownership. The goal of the campaign was to create content that would appeal to the users of both car markers and promote brand loyalty. It was as if we were to say: "If you have a Land Rover, you need a sporty Jaguar for the ultimate garage!" (and vise versa). This campaign came together very quickly and the client had specific production requirements. Learn how I did it below and feel free to ask any question about the process in the comments section.
Photographer Anand Varma was always curious about the natural world and when he was a teenager he discovered that picking up a camera could help him explore it. By combining his two passions (biology and photography) Anand gets up close and personal, exposing some of the wonders nature has to offer. Anand latest work is facinating. By keeping bees in his backyard he was able to capture the first 21 days of a bee's life.
Coolors is a fantastic new app that I stumbled across the other day. It is an incredibly easy and intuitive way to generate a beautiful 5 color palette for any situation. Primarily developed for designers it has instant appeal to us photographers. We deal with colors in most of our work and knowing how to match and complement effectively can make or break the images we create.
Childhood is an adventure; a whimsically frightening maze through fields of glowing neon-green fauna and deep, daunting dungeons. Or at least that's how it can seem. Attempt to visualize your youth in the most romantic way your mind can muster. Envision how those racing emotions and that sense of adventure would have looked if painted or photographed. Such is the awe-inspiring catalog of imagination, imagery, and childhood wonder created by 10-year-old Alice Lewis with the help of her mother, photographer Kelly Lewis.
When Nashville-based photographer Jake Harsh was tasked with coming up with an original photoshoot where he could flex his artistic freedoms, things turned slightly dangerous. His brave subjects for this shoot, the electro-pop band Hand of Hearts, would stand in a room with 18 pounds of fireworks being ignited and what transpired after that would be unpredictable. Here’s a behind-the-scenes video of what happened and the resulting images.
Not long ago, learning and critiquing photography was done almost exclusively in person. With the rise of the Internet, we saw a fundamental shift in how photographers interact with one another. Yet, even with the opportunities afforded by the web, there is so much more to gain by spending time with fellow photographers in the flesh.
In many of our respective nations, we take news and the photography that accompanies it for granted. We expect to be shown anything and everything that is happening in the world around us. Our daily lives are so filled with photography; everything from our friend's meals to events from around the globe. In Taliban controlled Afghanistan, this was not the case. A media blackout was ordered, preventing photojournalists from documenting the events and history of the country. It was not until wartime when photojournalism became possible again.
Since its first version, Photoshop has changed quite a lot. The functionalities it offers are greater now than ever before. But plugins are legion and for beginners it is hard to differentiate the ones that are truly useful and those that are just a waste of money. The Retouching Academy Beauty Panel has been around for a little while and was revamped very recently. I use it all the time when retouching but I get many questions about it. I am frequently asked if it is worth its price and if it makes my retouching any better. Here is my take on the panel, why I bought it, and above all, why I keep using it everyday.
In the often collaborative world of fashion and commercial photography, there are many who contribute to the final product. From the styling of the model and the brands involved, to your crew and retoucher. No fashion image is a solo act, yet there are many who will never credit those that were a part of the production. This phenomenon is not exclusive to photographers, but to models and other creative professionals. Before you post up your next photograph without credits, give the following reasons some consideration.