Photographer Tyler Shields sat on a 7 month waiting list to acquire a rare and in-demand $100,000 Crocodile Birkin bag... and fed it to an alligator all for the sake of art. These images are part of his fine art series “Indulgence,” which is set to premiere in galleries in Los Angeles and London shortly. See some of the final images below. What do you think of them?
One of the most trying experiences I've had since becoming a photographer has been coming to terms with the fact that there are places in our county where, quite simply, we are not allowed to take photos. Now, I’m not talking about setting up hundred-person movie sets complete with production vans and craft services tables, nor do I mean shooting on private property, sacred land, and/or Area 51-type secret military bases...
When I got a chance to try the new Fuji XF56mm f1.2 I jumped at it, not just because it was substantially cheaper and lighter than the Canon 85mm f1.2 II I’d played with last year, but because this lens is a clear shot across the bow at Canon and Nikon, with a lens aimed at professional portrait shooters. This was a new line in the sand, but could this thing play with the big boys?
One of the biggest frustrations any new professional photographer has is obtaining clients. I’m going to assume that at this point you have sufficiently nailed down your technique, you’ve built up a decent portfolio, and you have a website that is easy to navigate and shows off your work. So why are you not getting replies from your prospective clients? Well the answer may have NOTHING to do with your photography.
Last month, Lytro announced their second generation light field camera they call Illum. The Illum system is clearly geared at serious amateur and professional photographers interested in experimenting with variable focus photography. This new mini-documentary features photographers using the Illum system, the technology behind it, and their creative process.
Action/adventure sports photographer Brett Wilhelm, who comes from a long-time staff position with NCAA Photos/Clarkson Creative and currently shoots for the likes of ESPN's XGames.com, Sports Illustrated, and NCAA, takes us through a typical NCAA backboard camera setup. He shows us everything from how they reduce vibration and glare from the backboard to how to get every image to the photo room as efficiently and reliably as possible.
The deadliest day in Mt. Everest’s history came on April 18, when sixteen Sherpa guides were killed in an avalanche during a climb. National Geographic photographer Aaron Huey, alongside nine other photographers, created For Our Sherpa Friends, a fund dedicated to improving safety and education for the ethnic Sherpas who make climbing Everest possible.
In beauty and portrait retouching, one of the most important goals is to retain skin texture and keep the image from looking soft. We often however face a situation where the existing texture is unflattering and harsh. While we could heal out each pore or patch manually, this often leads to sub-par results and takes a long time. In this video I'll show you a unique, precise and fast way to target a particular texture frequency and offset it in a largely automated way.
Last month, the guys at PetaPixel reported the first successful recovery of stolen gear due to the service Lenstag. In related and more recent news, this past weekend a pawn shop in Boston, Massachusetts did a little detective work of their own to recover a stolen Nikon D3100.
This is the second part of The Ultimate Guide to the Dodge & Burn Technique. Check out Part 1, where I covered the fundamentals of light and shadow rendering in painting here.
So, now that we understand that the shadows and highlights are what makes our 2-dimensional pictures appear to have more volume and dimensions, let's move on to the technical side of the Dodge & Burn implementation in retouching.
Phlearn has debuted another really helpful and easy-to-follow tutorial about how to master motion blur in Photoshop. Early in my photography career, I would make the mistake of shooting motor sports with a high shutter speed. The cars would look sharp but they appeared to be parked on the race track. The technique shown in this video and the steps listed below would have helped add a more dynamic motion and story-telling elements to my otherwise static photographs. This is a great skill to master and can be applied in many scenarios.
Sony posted some pretty staggering losses last week, and Nikon is apparently not faring much better as the company stock value fell "4 percent to 1,567 yen, its lowest close since March 2011. The company announced net income of 46.8 billion yen for last fiscal year, missing its own forecast of 50 billion yen.*" When peering at the chart of stock value over the last year, it's not a great outlook.
As a photographer, nothing defines your talent more than your ability to capture, create, and place the right light. Award-winning portrait photographer Sue Bryce joins studio lighting wunderkind Felix Kunze for a free, live, lighting masterclass covering the universally most-used portrait scenarios. You will learn how to work with both natural and studio light — so that you are prepared to walk into any environment and take a gorgeous photograph.