Check out this amazing photoshoot by Dina Goldstein she titled "In The Dollhouse." Dina spared no expense as her team built set after set to complete this real-life Barbie and Ken series. Just like the last Barbie series we posted, this one is also a little twisted. Apparently you can't go wrong with Barbie series because these images have already gone viral around the web.
When shooting fashion, the last thing that comes to mind is probably using the scanner as your camera of choice. Henry Hargreaves decided to use this medium for this set. Although this concept is not necessarily new, it's always fun seeing everyone's interpretation with the medium. Included are also some behind the scenes shots of the process as well.
A modern take on the little black dress, Emily Steel has found a way to make film a fashion statement. This dressed is adorned with film and backed with LED lights that give the effect. The idea was to create a wearable dress that fuses the idea of technology and art. The end result is intriguing to say the least. Check out the images and more details in the expanded post.
If you work out of a studio, you know how annoying paper seamless backdrops can be...they always wrinkle and warp. We recently changed over to the Savage Vinyl backdrops and they seem to last a lot longer. The guys over at OKstrobist have an even cheaper alternative for those looking for a DIY approach and it's pretty clever. Even though this can still cost as much as $170, you aren't stuck
Tragedy struck Kirsty Mitchell four years ago when her mother passed away from a brain tumor. As a way of processing through the grief, Kirsty decided to pick up a camera and get lost in the world of photography. With an incredible imagination and extreme patience, Kirsty created some unbelievable fairy tale images to honor her mother by recreating the stories she was told as a child.
It's that time again... who impressed us with the best images uploaded to our Fstoppers Facebook Group? We select the most compelling, best lit, or most jaw dropping images every month, and honor them with a coveted badge of their achievement. Did your photo garner the praise of your peers? Maybe it flew under the radar, but is still magnificent in its own way. Let's look at what April had to offer, and it was a heck of a month. We have more images to showcase than any month before.
Fashion photographer Melissa Rodwell has become a good friend of ours over the years. The New York based photographer lives and breathes fashion photography, and as you can see with her images it really shows. The self proclaimed "photographer who does not own a digital camera" teamed up with Kurv magazine to produce some very exotic fashion images. As with most fashion images, the retouching is pretty important with interesting
The majority of photographers I know have a love/hate relationship with post production and retouching. In fact, for most of them, it's more of the latter. As a fashion photographer/retoucher myself I find I'm often in the minority as I personally enjoy both. Quite often I enjoy retouching more than shooting even. There are of course people out there who solely retouch and don't shoot at all.
Photographer Steven Baillie is well known for his work with GQ and Playboy. Another interesting part about Steven is his ability and willingness to travel all around the world just to find new faces. Here's a behind the scenes look at some of his amazing adventures along with some of the new faces he finds and how he finds them.
Here's a behind the scenes video featuring editorial and advertising photographer Stefan Ruiz. He traveled to Monterrey, Mexico to document the "Cholombiano" youth street culture. Skip to about the ten minute mark to see the set up and capture. He shoots exclusively on 4x5 film, and is highly influenced by renaissance paintings.
As far as I'm concerned, Emily Shur can do know wrong. I've been following her work and blog for a few years now for a couple of reasons. First, I appreciate that she talks about her dog almost as much as I do. Secondly, she's got a strong portfolio of celebrity portraits - many of them taken in a blank studio without the use of props. In this particular shoot she used props of the canine variety, and faced the humans toward the backdrop.
It's easy to think that models are perfect in every way because when we see images of them they have had hours of hair and makeup, they are lit by some of the most talented photographers on the planet, and then they are retouched by the most meticulous Photoshop artists around. In this post we get to see side by side comparison shots between each model without makeup and then after the full production. Each of these models looks pretty normal except for the last one that looked incredible even without makeup.
Photographer, Michael J Moore was granted access to a creepy and abandoned state mental hospital for this fashion shoot. He used a combination of lighting setups but mainly, the Phase One 645DF camera with a Profoto 8A 2400W and various Profoto strobes. With all three different lighting set ups, Michael did a great job at capturing that Vanity Fair-esque look that we all know so well.
As photographers, we are always in search of that new unique lighting modifier to add to our bag of tricks. I recently saw this video on Strobist where Amber Gray claims her Broncolor Para FB could actually reduce the amount of post production on her models. That statement seemed a bit bold when I first heard it; usually I credit a great makeup artist for awesome skin texture rather than a specific light. I've never used a ring flash