Color management is constantly an issue for photographers, digital artists, and videographers. We spend money on great monitors, only to know that we have to calibrate them and our input devices and our output devices as well. Some of us even opt for a wide gamut monitor designed specifically for those who work in the digital arts, allowing us to adjust brightness, color, and contrast like we would an image. This introduces one more, slightly more insidious potential problem: color management within our web browsers.
Dodge and burn, frequency separation, and other techniques used by high-end retouchers are great but time-consuming. Shooting and retouching weddings, as well as fashion and beauty, I sometimes find myself spending way too much time on wedding retouching. Being used to cleaning skin with dodge and burn for beauty, I tend to do the same with weddings. Which, as you can guess, is not very profitable. The same thing goes for proofing portrait sessions. I like to give lightly retouched proof images instead of pure raw files. So for weddings and portraits proofs I had to come up with a quick way to clean skin without making my images look too bad. Here is how I do it.
I’m often amazed by how many photographers don’t really know all that much about the technical aspects of operating their gear. While I’m not expecting everyone to go out and study how the mechanics of a lens works, I think it is utterly paramount when you are on a shoot that the actual act of operating your equipment to achieve a professional-quality image should be trivially easy so that you can focus on the more important aspects.
When I first looked at placing my camera into the water I noticed that there was a lot of different options. The most practical and safe method was the big and very expensive dive housings that are used for scuba diving. The cheapest, most dangerous option was the little plastic zip lock bag-type housings that can be found on eBay for $100. I wanted something that would not break the bank, but would also be safe enough that I could put in an expensive DSLR plus a lens, and trust it would be safe. These stipulations are what brought me to the Outex underwater housing.
When it comes to all things headshots and manipulating human expression, the best guy to seek council from is Peter Hurley. Peter's career has spanned about 15 years now, and over those years he has gained a tremendous amount of knowledge. Last year with the help from our friends at Profoto, Lee and I were able to film a supplemental free chapter to Peter's Illuminating the Face Tutorial. In this video Peter takes us outside to show some of the techniques he uses out on location.
For those of us who admire and look to gain a foothold into the fashion photography industry, finding reliable quality resources can be invaluable. Being a great fashion photographer goes beyond lighting and encompasses understanding the genre, trends, and the ever evolving industry as a whole. In this article we rank the top online resources for fashion photographers. All of these sites can serve as inspiration and show insight for both new and established members of the fashion photography industry.
The photo gear bag market is saturated with so many options of style and size that new products within this space really need to come out swinging with never-been-better looks and features in order to catch interest. The California-based company Booq, most known for their line of laptop bags and Apple product cases and covers, recently released the Python Catch shoulder-carry camera bag into this market. In this review I'll share my experience with the Python Catch and uncover what features it offers that separates itself from the competition.
We are our own worst enemies. As photographers and artists, we can be unfairly hard on ourselves and on our work. While it is healthy to be critical of one’s creations, it can be very difficult to stay motivated if you do not receive the right kind of encouragement from others, as well as from yourself. Slumps and dry spells of inspiration are par for the course in art, but it doesn’t have to stay that way. By initiating a few simple practices, you can give back to yourself, and recognize the many accomplishments you've made in your journey as a photographer.
One of the benefits of using layers in Photoshop is to edit pictures in a non-destructive way. However, there are a couple of techniques and filters that will require you to flatten a file or create a merged layer. The liquify tool is one of them. To use it, you must create a merged layer of the area you want to edit. Sometimes it means a merged layer of the whole image. In this article, I will show how to avoid this problem using a simple, yet very powerful tool Photoshop offers. We are going to see how to use the liquify tool in a more efficient way than on a merged layer. This way you will be able to go back into your retouching process without losing anything and even edit your liquify.
Fujifilm's lineup of fast primes is what sets it apart in the world of mirrorless cameras. Starting with the amazing XF 35mm f/1.4, and following up with the XF 23mm f/1.4 and XF 56mm f/1.2, Fuji have continued to impress with their small, lightweight, fast, sharp primes. The XF 16mm f/1.4 (24mm equivalent field of view on full frame), long talked about, was released in May this year to the excitement of many Fuji shooters. But does it hold up to the other primes in Fuji's lineup?
I'm not one to get caught up in hype. The camera world is constantly inundated with new, interesting products and technologies, many of which scream of excitement before their release, but arrive with nary a whimper. The Sony a7RII is a rare product that has caught my attention before its release.
It has always driven me insane that I had to stock multiple sets of softboxes that are largely identical but designed for use with either studio strobes (of a specific brand) or speedlights (via some sort of proprietary bracket). I even jerry-rigged some disconcertingly terrifying setups over the years involving a few Justin Clamps to mount my speedlights onto speed rings. Unsurprisingly, things didn’t go very well. That is until I discovered Cheetah Stand’s Speed Pro MKII bracket, which is a hefty bracket specifically designed to help you mount a small flash into Bowens-style speed rings.