It’s interesting times for those of us shooting photo and video. I enjoy highlighting photographers or videographers who are utilizing elements of both stills and motion work, and are pushing the creative envelope by integrating them so that the end result is more than just the sum of the individual parts. I’m going to go all in and lay my cards down here and say that the video in this post is going to be the most innovative, creative use of combining stills and video together that we’ll see in 2013. [more]
A plan which cuts about $4.1 billion of debt for Eastman Kodak was approved by US bankruptcy judge Allan Gropper yesterday. The plan allows Kodak to reorganize itself into a company that will actually provide no consumer products but will instead focus on printing technology for corporate customers. This is good news for the company on the whole by saving it from extinction, but it does nothing to compensate shareholders. [more]
I have a horrible habit of being really hard on myself when I hit a snag in my shooting or processing. Anytime I’m in a rut, things can go haywire. I get depressed, don’t feel like working, and become pessimistic. I know it’s the same for a lot of other shooters too.
One way I get over it is to go back and look at images from way back before I was shooting professionally. [more]
Certainly, we’ve talked about how to always protect your photos and watch for thieves. In fact, Fstoppers’ very own writer, Noam Galai has had his photo stolen, and turned into one of the most iconic pieces of pop art in the last 15 years. So what happens when Samsung foolishly awards a fraudulent submission a Samsung NX300 camera? [more]
Wolfe Air is a company that specializes in creating air to air footage for airlines, big-budget movie productions, the military, and private commercial clients, and they recently released their updated reel, which is absolutely mindblowing. Not many people think about what might go into these shots, so as the Fstoppers designated aviation photography dork, I’ve decided to write up a reader’s digest version of how they’re made. [more]
A few years ago when I was still new to the world of beauty photography and digital photo retouching, I prided myself on the ability to “fix it later in Photoshop.” I would welcome retouching challenges as I was still learning, but things changed forever after I started working with professional teams and shooting for commercial clients.
There are a few unarguable reasons for getting it right in camera. [more]
New York City has always been a favorite place of mine. No matter where you are or what you’re doing, you are bound to see something that will affect and inspire you in some way. Taxi-cab driver turned photographer, David Bradford calls it “the greatest stage on Earth.” [more]
Keeping up with the latest consumer demand, Wacom has just announced three new exciting products. The first two are portable Cintiq products. Thirdly, they’ve also come out with a stylus for the iPad that is pressure sensitive. [more]
So you know your business inside and out and your image quality is top notch, but there’s always room for improvement. A factor that many people overlook is the experience that a client has when they work with them, being on one side of the operations gives you a very different perspective and because of this you could be overlooking little important details that make the world of difference. I’ve been working as a full time commercial photographer for a year now, and in that time I’ve learned a lot from not only my own client interactions, but the other businesses I’ve worked with as well. [more]
“Philly is Ugly” is a timelapse photography project by Philadelphia area photographer, Nathaniel Dodson. He took an impressive amount of time to not only create this short film piece, but also to extensively document his behind the scenes process. When he sent this to me, I couldn’t help but share this with you. In addition to the video, he provides a lot of info to help you learn everything that goes into creating a proper timelapse from pre-to-post production.
Jim Jannard, the mind behind Oakley and RED Cinema camera, has “finished [his] mission” and will be leaving as the face of RED. Current President Jarred Land will be taking the reins in Jannard’s absence. “I have done my best. I saw a fatal flaw in the camera industry. We did our best to address it. I will now sink into the background, I hope with my reputation intact. I will work on the future of digital cinema… behind the scenes.” [Read Final Letter]
Shooting aerial video for commercial purposes might be iffy in the United States, but the team at Helicam, based in Finland and Estonia, make some truly epic video using a quadcopter, a RED and a custom stabilizing gimbal. The featured video is a reel showcasing shots from the system, but we also have BTS footage of the team using the copter and a video showing the custom rig being constructed. [more]
Based on what we’ve published in the past, I think it’s safe to say you guys really appreciate detailed tutorials showing how to make impressive composite scenes. My buddy at TutsPlus just showed me this amazing composition and I just had to share it. The artist combined 23 stock images to make one fantastic underwater scene. [more]
In one of the better behind the scenes videos I’ve seen recently, my friend Pepper Yandell takes viewers through a complete automotive shoot for AutoSource Dallas and HRE Wheels. [more]
Have you ever wished you had an extra hand that you could set a prop in and know that it wouldn’t move? Fortunately photographers and videographers have dozens of clamps, clips, stands, and arms that allow them to place any piece of lighting gear, lighting modifier, or prop anywhere they would like to. You could have a model or member of your crew hold a utensil in place, but there is a high chance that they will experience fatigue and drop the food. Here is a solution that uses grip gear to ensure your food will stay in place for as long as you would like.