"I'm really starting to get tired of how blurry and pixellated my 4k image looks," said no one ever. But in the never ending quest to squeeze the most resolute, highest quality image possible out of our (relatively) inexpensive cameras, Art Sanchez was able to get 8k video from a $2,000 Nikon D800 .
Articles written by Mike Wilkinson
No stranger to putting cameras in dangerous places, filmmaker and explorer Sam Cossman recently published a video that reveals a heart-pounding perspective into a firey abyss– the active volcano of Vanuatu. Not all gear survived the conditions, but the footage proves that it was worth it.
If you’ve worked in this industry long enough, you’ve heard the phrase that suggests why being a good businessperson is just as, if not more, important that being a good photographer. The more jobs I do, the more I see the wisdom in this statement, and this article will illustrate a few key points why.
Awesome is what happens. We have all seen the yummy slow motion footage that comes out of cameras like the Phantom, but what the Bolt High Speed Cinebot has done is integrate a precise (and repeatable) movement into those images. Imagine a giant robotic arm with a camera on the end, and you at the controls.
Stories like this make me shake my head . A public school in Detroit had a couple professional video studios built, about 10 years ago, outfitted with high-end cameras, switchers, lighting grids, and more. However, it seems that they forgot to build a curriculum to teach students how to use it. In this local news report , reporters and commnity members are again asking questions as to why no students have been allowed to use it, ever.
About a month ago I listed some of my favorite editing tricks and while experienced editors knew the deal, I got a lot of feedback saying that at least one or two of those techniques were helpful for people who have only started to edit videos in the last few years. So here are 5 more, some maybe a touch more advanced, editing tips for the video editors out there.
A group of filmmakers from Edmonton, Alberta have been working on a three-part science and nature documentary called The Great Human Odyssey . I recently spoke with some of the crew to learn more about how a production team approaches a project that involves planning and shooting in some of the most remote environments in the world. Check out their behind the scenes video, but read on for more videos and insight into their process.
During a shoot with Tony Roslund and Gary Martin for RGG+EDU this past December, I was lucky enough to operate a Movi M5 for lots of behind the scenes and "color" footage. The motion rendered from the Movi, even while running, was most impressive. Just recently though I learned of the Nebula4000 Lite , and at a fraction of the price, I think this might be the next big compact video camera accessory to have.
This video reminds me of my college days– spending time working with a friend while having next to no budget, but coming up with a fun idea for a short video that would allow us to flex some creative muscle. Corridor Digital may have a (small) budget for these, but what I enjoy about them is that the fun and creativity feels authentic, which you often only get when no agency or corporate sponsor is pushing creative decisions. In this video, you'll see the final clip, with the behind-the-scenes video inside the full post.
For a long time teleprompters were considered bulky, unweildy, and often required you to be tethered to a laptop or other control station. In the last few years, more affordable options that used wireless technology and compact mounts began to hit the market. Now, "The Parrot" might just be the most compact system I've ever seen, and it uses a device that the majority of us will already own: a smartphone.
Patrick Rochon is a world-reknowned light painting photographer who recently produced a project with Infiniti, where he used their cars as paintbrushes themselves, in a manner of speaking. This video shows off what is possible when a skilled artist is given the reigns to create compelling images of vehicles, and has the support of a technical and creative team. And to top it all off, the really cool part is that everything was done in camera– there was nothing digitally added.
As someone who has owned countless backpacks, both for photography and for trekking, I can tell you that fit and comfort are second to none when deciding what pack to purchase. My partner sometimes struggles when selecting a pack, as her options can sometimes be limited depending on the brand. F-Stop Gear has taken notice of this very thing, and is testing the market with a Kickstarter fundraiser to create a camera backpack that is built for the body type of women.
While sharing drinks with a friend, he started inquiring as to how I’m able to supplement my income with video editing projects. The more we talked, the more I realized that a lot of people have the ability and skill to do it, but they don’t understand the small things that can make or break being successful at it. In this post, I’ll share what I’ve learned about being a freelance editor.
Known for their well-built camera backpacks that cater to photographers and videographers who take their kit on outdoor adventures, F-Stop Gear is unveiling the "Shinn," a backpack that has an impressive 80 liter capacity. Made specifically for cinematographers with large camera kits, it's been field tested on expeditions around the world, and is now ready to be made available for everyone else.
As a writer for Fstoppers I hear about a lot of personal projects. This past weekend, my attention was grabbed when I read about how Denver-based photographer Dylan Burr undertook a project to create wet plate collodion photographs. It wasn't his image making process that stood out to me though- it was his subject matter. Read on to see the images Dylan created, but also hear how he is hoping to impact the community through his efforts.
What happens when you dream of a surreal image that beckons you to recreate it as a photograph? For Canon Explorer of Light, Tyler Stableford , it meant heading to Mexico in search of whale sharks, with an underwater model, ready to face the challenges that laid ahead of them them in an effort to create an image that was as compelling as it was personally rewarding.
If you've played a few shooter video games in the last two decades, chances are you've seen at least one with a point of view that is looking from the top-down. The team over at Corridor Digital wanted to recreate this style in a video short (which also meant doing it all in a single take!) so they partnered with DJI to make it happen. This video takes you behind the scenes on their shoot, but check the full post for the final video and a second BTS piece.