I have only been to a fire lookout once, and it was by accident. The experience of being high above the landscape was exhilarating, and the views were outstanding, but I didn’t stay long, as I thought I was trespassing.
If you’ve ever thought about getting into astrophotography, you may have been dissuaded by the task of correctly processing your own images. There are countless guides online using a variety of programs, but they are either expensive and difficult to use, or are only available for a single operating system.
The idea of commercial use permits is ubiquitous in nearly every country. If you want to perform a commercial activity in a public space, you need permission, and probably a fee, to do so.
If you have been using your digital camera for astrophotography, you’re probably aware that there are special astro variants of some of the more popular cameras. But how exactly are these special variants different, and can you modify yours?
If you are at all interested in astrophotography, you may have wondered if your current lenses are up to the task of capturing sharp, distortion-free images of the stars. Something most modern digital lenses weren’t intended for.
Prepare to be wowed. Up until this point, Adobe has been pretty mum on the capabilities of the new AI masking coming to Lightroom and Camera Raw, except for a single “sneak peek” video that didn’t go into very much detail.
If you haven’t already heard, Instagram has recently shed some light on how to use hashtags appropriately on the platform, and what you should avoid to get the most out of adding them to your content.
Nearly everyone today knows about the effectiveness of Google Maps for finding locations anywhere in the world and even perhaps saving them for reference later. There have been countless articles, written even here on Fstoppers, which exhibit its usefulness. However, many fundamental deficiencies arise upon using Google Maps when you take away the one thing it needs to be functional: an internet connection.
Astrophotography has quickly become incredibly popular these days, with the advent of increasingly smaller and affordable star trackers, and not to mention the global pandemic, which has forced people to make do with photographing what is immediately around them, or above them.
With all the sharpening techniques available to you in Photoshop, sometimes, it can be hard to find the right one for you to use. And I am always amazed when someone finds a new way of doing something that we all thought we understood.
So, what are the best settings for wildlife photography? Most people would argue that aperture priority would be the best way to tackle shooting fast action like wildlife and sports. It gives you the best balance between automatic camera settings (like picking the correct shutter speed) and manual control (like the ability to compensate for exposure).
There is not a more confounding and mysterious element of digital photography than ISO. And just when we've all thought we've figured it out and it starts to make sense, another wrinkle appears and threatens our conceptions all over again.
