In the mid-2000s, compact cameras were all the rage. Everybody had one, and they were all pretty much the same — small sensors and lackluster features. I’ve lost count of how many Canon PowerShot ELPH cameras I’ve owned that fit this mold.
In the world of drone photography, it’s hard to remember that there are players in the market that aren’t DJI. But maybe you are in the mood for something different. Maybe you’re just starting out. It might be worth it, in that case, to check out a few other options.
There's a feature with flashes that if you're in the know, is a lifesaver. High speed sync is something that allows you to shoot beyond what's considered the maximum sync speed of your camera, and to shoot wide open with flash in bright light, it's often a necessity to balance the exposure.
As a photojournalist, I often have subconscious blocks against excessive editing that seep even into other genres of photography. That’s why I often try my hand at toy photography when I want to flex my editing muscles.
Photography is about growth, and there are many times I wish that I could tell my younger self a few things about photography. While I'd start out by saying "You're not as good as you think you are," there are a few more practical tips in this video from Gear Focus.
The Micro Four Thirds system isn’t my go-to system for night sky or astrophotography, but if it’s yours, you can do far worse than photographing that sky with the Venus Optics Laowa 7.5mm f/2 lens for Micro Four Thirds.
The year’s been pretty quiet for 360 cameras, which is why the launch of the Kandao Obsidian Pro, a 12K 360 camera made up of 8 APS-C sized sensors, is pretty much an extinction-level event this year as far as 360 cameras are concerned. The specs put it easily above other all-in-one 360 solutions, but how does it stack up in the real world?
Photojournalism is ostensibly about capturing the world as we see it, as close to reality as we saw it. That reality often includes color, and the question is: does black and white photography have a place in modern photojournalism?
I have always appreciated the photo road trip. While there’s always a little bit of photo in every trip I take with family and friends, nothing beats time spent on the road in the middle of nowhere, with no one else but your camera and the scenery dictating what to shoot.
I’ve been a longtime Panasonic Lumix shooter, and while even though it may seem like Micro Four Thirds may be a standard that’s in its twilight, there are still a lot of good deals to be had for filmmakers on a budget: Witness the Panasonic Lumix G85.
Capturing the world in 360 has been a thing for years. While companies such as Ricoh and Insta360 have made the process far easier than the days of specialized tripod heads and sophisticated software, it’s still not an easily understood process or format. Vecnos aims to change that with its new IQUI 360 camera.
There are so many places I’ve wanted to fly a drone, but it’s just not possible what with all those pesky FAA regulations, permit requirements, insurance, and all. But filmmaker Karen X proves that you don’t always need a drone to get a drone-like shot. You just need some creativity.
While I personally enjoy eating my food, there are times where that food is worth a photo as much as a bite. That said, if it’s a field you are looking to get into, there’s a right way and a wrong way to go about it.
The internet is a strange and wonderful place. While there are a lot of tutorials about how to become a better photographer or what piece of gear is better than the other, sometimes, you just need to have a little fun.
There’s no shortage of lenses to choose from when it comes to the Micro Four Thirds mount, and so, for one to stand out, it’s got to offer something special. The Venus Optics Laowa 50mm f/2.8 Ultra Macro APO is a lens that just happens to have a few tricks up its sleeve to make a case for itself, namely 2:1 magnification for macro photography and the computer chips to make it play nice with Micro Four Thirds cameras.
When the pandemic started, as a professor I had a plan to record all of my lectures in a professional-style studio setup with proper mics, lighting, background, etc. While it was mostly kids and life that got in the way of doing it that way, a huge factor was also the complexity of setting up all the necessary equipment to make it happen.
Years ago, I taught a workshop on editing video for scientists. We primarily taught the shooting part of things with an iPhone and the editing part with iPads and iMovie because it would be easier to learn, not because they were particularly good tools. My how things have changed now that the new M1 iPad Pro is out.
When Canon launched the RF mount with the EOS R, your choices were limited to that one camera if you wanted to buy into Canon's stellar new lens system. While it's a bit long in the tooth, it's definitely still a viable camera, and possibly the best camera to get if you're starting out in the system.
If you're in the market for a new mirrorless camera, there are a plethora of options, and most of those options are broken down right here in this handy video from Engadget.
The floodgates for artificial intelligence’s interference (or improvements, depending on your point of view) in digital photography have opened up since Apple and Google made it mainstream, with advancements such as Portrait Mode and Night Sight. Adobe took it another direction when it added an A.I.-powered “enhance” feature that enabled the enlarging of photos beyond what’s naturally possible. But is this making photography less real than it should be?
