With Fujifilm's latest release of the X-T5, I knew it wouldn't be long before brackets and mounting rigs would begin appearing online. For my own cameras, it's always been Smallrig brackets due to the build quality and considered design. So, after purchasing the X-T5, I went directly to their site to see if any were available and promptly purchased one, but that's not all they had available.
In my quest to find the best combination of lenses for my photography, I have been trying out various brands and focal lengths to see what would work for me and deliver the image quality I was after. One thing was missing, however, and that was a good, lightweight, affordable telephoto lens for the longer hikes. Enter the Fujifilm XF 70-300mm f/4-5.6 R LM OIS WR.
Color grading your images can be fun, yet, in some cases, an arduous task. The subtle nuances that it can provide can make or break an image. Learning to color grade effectively takes years, and understanding the subtle differences that adding numerical values can make to the RGB of your image is an art form.
Skin retouching takes time, so any plugin that can help speed up the process is a bonus. Infinite Skin is a Photoshop plugin from the Infinite Tools range and is probably the quickest skin-retouching plugin I've ever used, producing great results in next to no time.
The Sigma 18-50mm f/2.8 DC DN Contemporary Lens is the new addition to the Sigma range for Fuji X Mount to accompany their three existing contemporary f/1.4 prime lenses. So how does this lens fair when it comes to image quality, value for money, and useability? We test it to find out.
Compositing in Photoshop comes in many forms, from product and portrait enhancement to fantasy-style images. Every digital artist will have their own workflow, as there are many different ways to get the final results.
The Fujinon XF 16mm f/2.8 R WR is hailed to be one of the sharpest Fuji lenses for its size and very reasonable price, so how does it fair on the Fuji X-T5 with its 40mp sensor? It's one on a list of lenses that Fujifilm recommends you use to get the best out of the sensor, and if that in fact is the case it certainly does it well.
High-end retouching is normally done in Photoshop, so can similar edits be achieved in Lightroom without ever leaving the software? The following tutorial is based upon the tips and techniques provided in lesson 19 of Mastering Adobe Lightroom by Pye Jirsa and is only part of the 49 lessons available in the tutorial.
Sharpening your images can either go two ways: oversharpened or not quite the mark of what you are seeking. What if you had full control of the sharpening process in a simple, straightforward plugin? Sound interesting?
When Techart sent for review the TZM-02 Leica M to Nikon Z autofocus adapter, there was one small problem in that I couldn't source any Leica lenses for the review, only Canon EF. But the great thing about the adapter is that it can be stacked with additional adapters, allowing for versatility for a wide range of lenses, including the Canon EF mount. Armed with both adapters, I set about testing the capabilities of these on the Nikon Z 7II.
With ever-increasing lens choices from both first-party and third-party manufacturers, how do you know what lens is going to be right for you and your needs? Articles such as this on Fstoppers and YouTube videos all help in your search, but how do you narrow your search to the best lens for your requirements?
As a digital artist, being able to easily get your hands on overlays and effects for your images can sometimes be a costly experience and, at times, not provide you with enough scope of selections for your edits. One of the plugins I have in my collection is Infinite Texture, which provides a whole host of editing possibilities, from simple sky replacement to more complex edits.
Laowa now has a total of six lenses with an aperture of f/0.95, so how useful is it to have this aperture, and what are the results? As a landscape photographer mainly, this maximum aperture is something I had never really considered, although I do understand the usefulness of such an aperture for different types of photography, especially in low light and video. So, how does the lens perform throughout the apertures, and does it have the ability to provide results that are in line with or better than similar lenses in this price range? I tested it to find out.
If you have limited resources available to create your product images is there any way you can make them pop in post-production? In this step by step tutorial we walk through the editing process used to finish this image.
Since the launch of the X-T1 in 2014 Fujifilm have a range of cameras that appealed to both amateur and professional photographers alike. So with its 40MP APS-C sensor and up to 7 stops of IBIS is the new Fujifilm X-T5 the best in the range and should you consider upgrading?
Although I've watched videos and read reviews about Topaz products, I had never actually tried them, remaining faithful to my workflow and not venturing farther afield. I do like software and seeing what it can do with my images, but felt safe with what I currently use. So, what could Topaz Photo AI bring to the table that I couldn't already accomplish?
If you are a Lightroom user I'm sure by now you have experimented with most of the newly updated features. One feature, in particular, I was very interested in is the AI-powered Person Mask Option and how it actually performed.
With shorter daylight hours and longer dark, cold, and wet nights, it's time to think about what to shoot indoors: something new perhaps? For myself, it's going to be trying something new, and that's macro with the Astrhori 85mm f/2.8 Macro Tilt lens.
Fujifilm has released the highly anticipated Fujifilm X-T5 camera featuring a back-illuminated 40.2-megapixel X-Trans CMOS 5 HR sensor, 5-axis IBIS, native low ISO of 125, X-Processor 5, 4K and 6K video capabilities, a whole host of other features, plus the return of the three-way tilting screen from the X-T3. So, who is the camera aimed at?
With the latest update of both Adobe Lightroom and Photoshop, the editing curve is becoming increasingly smaller for both. Here's how to take better advantage of Lightroom.
