Rob Whitworth builds upon his previous experience from his innovative Barcelona "flow motion" time-lapse with this new production covering the business oasis, Dubai. In his latest piece, Whitworth makes it apparent that he has perfected his craft to create the most fascinating time-lapse we've seen so far. We asked him to comment on his process. And while we got some behind-the-scenes footage and images, Whitworth simply told us, "It's always fun to keep people guessing." So by all means, let's guess.
Learning to find the perfect light is something that takes time and experience. But what do you do when the perfect light isn't there? Shooting in hard sunlight isn't always the most flattering or ideal situation. Don't settle for less than ideal results, bad light doesn't have to mean bad images. In this tutorial you'll learn how to defeat hard light by scrimming and lighting to completely reset your lighting conditions and take control of your shoot.
That's 10K – as in your 4K monitor, but not really...because it's 10K. Yes, photographer Joe Capra created a stunning 10K time-lapse with a PhaseOne IQ180 that shoots images with a resolution of 10,328 x 7,760 pixels. While this video is clearly put together in a proof-of-concept style, the clips still astound. We can't expect anyone to be able to view this at a real 10K resolution (the video is edited to 1080p and zooms in to show the full resolution), but the least you can do is view it in HD in full screen, at which point it becomes a gratifying kind of dizzying.
While on location for Red Bull's King of the Air in Cape Town, South Africa, digital art photographer Lars Daniel Terkeleson caught up with professional rider Nick Jacobsen for an incredible photo session. In a unique approach to using speedlites in sports photography, he was able to capture action in rare form against the breathtaking South African sunset.
When people walk through my living room studio , they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment. I don’t have a giant bus to haul all of my studio gear, so it’s been a trying experience to find the right tools to efficiently pack and tote my mobile studio.
Benjamin Von Wong has always been known for his elaborate, fantasy-like photo shoots. However, recreating the fairy tales that he had grown up watching took time, patience, luck, and most of all, a lot of help. These jaw-dropping photographs are bound to generate the customary "Is this Photoshopped?" question. Yet as usual, Von Wong's incredible scenes are all created in-camera, and he goes on to tell us how he pulled off a photo shoot 20 years in the making.
With last week's big news about America’s renewed relationship with Cuba came much speculation about how it’s going to affect long-established restricted travel to the country. While American photographers wait for the White House to clarify its updated policy, some such as Associated Press, Washington Post, and Time photographer Jim Graham already have a leg up on those that have yet to make the trek. Graham’s 2012 trip resulted in what may be some of the final glimpses of a Cuba before American influence seeps across its borders.
Joey L. is a photographer best known for his stunning personal work creating portraits of the peoples of Ethiopia, India, Indonesia, and other exotic places of the world. He uses studio lights on-location to achieve his unique and dramatic look for his portraits of these exotic people. Consequently, he is frequently asked about what lighting gear he takes with him for those kinds of shoots. Recently, Joey made a video and blog post outlining three major options for portable studio lighting for photographers with varying budgets who want Joey L.-esque studio lighting on the go.
Have you ever wished that you could simply walk into your studio space and immediately have perfect lighting? Japanese architecture firm FT Architects has created a gorgeous photography studio which uses diffused skylights and windows to harness ambient light and do just that. This beautiful studio located in Kanagawa, Japan seems to be the first of its kind.
It has happened to all of us. We spend countless hours planning, scheduling, and coordinating for a beautiful golden hour photo shoot only to have our parade rained on by weather or other mishaps out of our control. Perhaps you didn't plan for those mountains in the background that's cutting your shoot 30 minutes shorter than anticipated. Maybe the conditions are perfect when you leave for the shoot, but by the time you get there, clouds are hovering above. Or it could be that your client just can't shoot at the ideal time. No matter what the obstacle, this article is going to show you a super simple trick that will allow you to get that golden hour capture at any hour!
Alaskan photographer Acacia Johnson documents natural landscapes, shooting in locations like Iceland and Norway to capture the vivid beauty of these often brutally cold lands. Johnson’s “Polaris” series, shot in Alaska and Iceland, captures the “magic that I perceive in an environment that is otherwise in constant flux.”
Australian wedding photographer Jonas Peterson is one of the best around, shooting extravagant weddings in exotic locations on a regular basis. A recent wedding he shot in Kenya may be the most incredible though, described by Peterson as “easily one of the most amazing experiences of my life.” I recently contacted Jonas to ask for more information about his breathtaking images from the Masai Mara, and he was kind enough to share with me his experiences on the beautiful reserve in Kenya.
“I’ve traveled the...
For years I found myself making excuses as to why I wasn't creating the type of images that I so desperately wanted to make. I didn't have the gear, I didn't have a model, I didn't have access to a studio. At the end of the day, it came down to one simple thing, I never tried.