I, like many photographers out there, don't have a studio, or don't have the money to rent out studio space every time I want to do a shoot. While shooting inside my house or garage is always an option, I found myself wanting to experiment more with ambient and natural light. Although I love shooting in a studio, a completely controlled environment, I learned shooting outside with backdrops was a great experience and taught me a lot about light.
When a fashion photographer travels between both coasts of the U.S., shoots assignments in the Caribbean islands, and spans the continents of Europe and Asia for work, it’s safe to say he’s “made it.” Living through those experiences when the stakes are so high prepares you for anything – and that’s experience from which we are all lucky to learn.
Photography isn't always the safest pursuit, especially when you delve into the world of documentary and travel photography. Shooting out in the field can be unpredictable, from the weather and terrain, to the wildlife and the local people. The more you push the extremes of your photography, oftentimes, the more risk you'll take — to both your gear, and yourself.
Markus Andersen is back at it again on the streets of Sydney, Australia… but this time he has teamed up with fellow street photographer Elif Suyabatmaz of Istanbul, Turkey. The pair of photographers has just wrapped up a three year long project titled Mirrored where they responded to one another’s images by presenting a similar viewpoint from their respective nations. The final collection echoes the differences and similarities within the Australian and Turkish cultures through the mirrored interpretations each photographer presents.
Warm smiles and serene sun flares seem to be landing on the shoulders of portraits all over the internet nowadays. Complimented with beautiful bokeh from a shallow depth of field, the allure of a sun-kissed image image is easy to see. What happens when mother nature doesn't seem to be on your side? In this article, I am going to show you how to master "faking" sun flare.
The one and only Pepper Yandell, based in Dallas, Texas, could be called the rising star of automotive photography for some time now, and for good reason. Yandell produces some of the most striking and commercially viable automobile images I've ever seen, so recently when BMW handed him the keys to a factory fresh 2 Series and told him to get lost for 24 solid hours, it was pretty clear that this rising star had ascended to a new level.
Last week I traveled to Utah to shoot the athlete that landed the first ever double backflip on a downhill bike. Upon arriving at the Red Bull Rampage site, my mind was blown witnessing the extraordinary things these athletes are capable of. This trip has taught me more than any other sports photoshoot I have ever done.
Recently announced at the head of WPPI a couple weeks ago, was the Profoto B2 strobe system. The unit, small in comparison of its competitors, was arguably the most exciting product announcement this year at the popular photography convention. However, the burning question everyone has been asking is… is 250Ws enough for on location work like Profoto suggests?
We've had one hell of a cold, long winter this year here in North America. On top of that, I live in Houston, Texas, so this business of freezing rain in March can go die in a fire already. I enjoyed shooting moody styles outside during this extended drabness in recent months, if I'm honest. However, sunny days are coming and I couldn't happier it because summer means outdoor swimwear projects begin, which is one of my favorite styles to shoot. However, having been so bleak for so long this winter, have you gotten yourself prepped for this most popular of fashion and glamour photography seasons?
In November of last year, Coty Tarr traveled to Lake Placid in Upstate New York to document the US Bobsled team as they practiced and prepared for upcoming competitions. Coty, as per usual, has not only photographed these incredible athletes and the work that goes into this level of training, but he's done so gorgeously.
Aaron Eveland, the videographer of the wedding duo in Hawaii known as Makai Creative, set out to recreate the classic look of The Endless Summer movie poster – gigantic sunsets behind surfers on the beach – and that he did with the help of a Canon 800mm f/5.6 lens, a 2x Extender, and a lot of trial and error. It’s all worth it as you can see in his short film, Sunchasers.
The latest time-lapse by astrophotographer Brian Spencer shows us the beauty within our galaxy by highlighting the bright stars paired with the beautiful nature found in New Mexico. Using a collection of sliders, cameras, and patience, Spencer was able to capture this beautiful time-lapse highlighting both the beautiful night sky of New Mexico, and the world we view it from.
Perhaps the benchmark of “making it” in this business is to earn an assignment that would cause all but those with the strongest moral character to push both ethical and legal boundaries if an opportunity to supplant the rightful hire were to present itself. Bicoastal photographer Navid Baraty is one such photographer that might draw out said envy from his peers with the most recent addition to his client list.