The Nikon D750 is one of the most talked about cameras in a long time. It’s a small lightweight body that packs a major feature set and has even lured Nikon D4 shooters to "upgrade." The camera is packed full of customizations, some of which can be pretty hard to understand and even difficult to find. I’m here to explain what I feel to be the best overall setup and why. This article is geared towards the Nikon D750, however the majority of the settings, if not all, are applicable to most cameras.
In my opinion, mastering negative dodge and burn is the key to any beauty retouch. There are many steps and many hours that go into a great retouch, but negative dodge and burn is as essential, if not more so, than any of them. The term "negative dodge and burn" is one that I first heard from fellow retoucher Pratik Naik. It was the concept of having a specific process of removing distractions and smoothing tonal transitions through dodge and burn that was responsible for one of the biggest jumps in my own personal retouching game.
A few weeks ago, I wrote an article pitting the venerable Nikon D800 against a lowly Nikon D40x in a portrait shoot. The purpose of the article wasn’t to see if the D40x was as good as the D800 (it obviously isn’t), but to ascertain whether a beginner would be better off getting something cheap to start out with than starting with a behemoth of a camera.
In Spring 2015, two photographers traveled to the rugged mountains of Iceland to collaborate with a pair of elite costume artists (cosplayers) to shoot some of fiction's most iconic characters in an unforgettable location. With only a piddly $180 in the “candy budget,” the team set out to plan 24 shoots over the course of 8 days.
There’s something about old places that always leaves you with a feeling of uncertain familiarity. Old places and empty places are like ghosts drifting behind us humming childhood singsongs just an octave below audible as we pace through their halls. If you’re from Detroit, you know that these places are aplenty. Some mighty like Roman ruins, some meek and shuttering in the wind, and most begging for new life. A new life is just what you’ll notice when you look at Michigan photographer Heather Saunders' photos of the amazing art installation, "The Flower House," which documents two long-abandoned homes in Hamtramck, Mich.
Don't worry, this isn't a geometry lesson. The exposure triangle is a common way of associating the three variables that determine the exposure of a photograph: aperture, shutter speed, and ISO. One must balance all three of these to achieve a desired result, an adjustment of one requiring adjustments of at least one of the others. They do not only affect exposure, but are also the largest determiners of the global appearance of an image; thus, their mastery is absolutely crucial both for technique and composition.
Dreaming big is never a bad thing for a photographer. The more imaginative your ideas, the easier it is to stand out amongst your peers. Yet there is often a very real, and very high price tag associated with grand productions. Producing personal projects that you’re passionate about is vital for many photographers in the fashion industry. However, it can be frustrating to lack the funds necessary to bring your vision to life for more ambitious projects. Fortunately, there are many options available to photographers to help them bring that production to life, without breaking the bank in the process.
Heck yes! I'm pretty dang pumped about this post. Ever since the middle of high school, I've been immensely interested in "the process." You know, that middle bit between point A and point B that nobody but the artist ever sees. I've always loved peeking behind the scenes to see where something started and what kind of work and thought went into creating the finished product. I know I'm not the only one because a lot of you have asked to see before/after's of certain shots on my...
Every wedding photographer has their very own tricks to get their calendar fully booked each year. Websites and social networks have of course become a staple for every solid business nowadays. But sometimes we forget that brides and grooms are not connected 24 hours a day and that they might meet other vendors before coming to us. This might be the oldest trick existing to get booked, but referrals from other vendors are a strong way of getting more business.
Earlier this week, Nikon and Joe McNally announced something called the Nikon Wedding Truck. As part of the new #iamgenerationimage campaign they brought a truck into New York City and parked it in front of City Hall. Any couple who brought their certificate of marriage dated between June 1st-5th 2015 received free portraits from Joe.
Memorial Day has passed and at least here in southern New England, summer is in the air. Around this time of year I find myself outside more often than not, but that's not always the case. Sometimes, the work load is too much and I get stuck in the studio or working in front of a computer for long hours during the day. If you're anything like me you can only take so much time indoors, so getting outside is essential. If the long days, warm nights, and sunshine aren’t enough to get you into the outdoors with a camera, here are a few reasons why getting outside can help you become a better photographer.
Rings can be considered one of the most important details of a wedding day. The groom may have spent months trying to find the right ring, and even longer saving up to purchase it. When the bride first announces their engagement, all of her friends can't wait to see the ring. It’s the only item from the wedding day that most couples will have their entire lives (besides the images of course). When I take pictures of the rings, I want to capture more than just the ring sitting on a table. I want something visually interesting and unique. Here is how I do it.