October in New Orleans means wedding season. This weekend was a double wedding weekend just like most of the next few weeks will be and I just finished what would be considered a timeline disaster, but the marquee images were not missed in large due to experience and meticulous planning. In this article I will go over methods to prepare for the unexpected and how to make sure you get everything you need despite the inevitable busted timeline.
Are you as stealthy as a fog horn? Do you have all the grace of a dirigible in a sudden windstorm? Certain genres of photography — wedding and wildlife photography in particular — require a certain physical tact, an ability to be unseen. Check out our tips on how to capture the focus of an event without becoming the focus of the event.
In the world of photography, preparation goes a long way. From creating mood boards weeks in advance, communicating with everyone who will be on set, to making sure your gear is in proper working order, there is a lot to do before you even shoot. Whether you are shooting in the studio, working on a large scale shoot, or just going for a photo walk with some friends, here is a simple list of steps to make sure you are ready the night before a shoot.
I’m sitting at my desk on a Friday and I get a phone call. It’s Saturday’s wedding venue, and they’d like for me to sign my life away. In what’s becoming an all too common practice, the venue has decided that for me to be allowed to photograph my client’s reception I should grant them a waiver of liability that allows for their potential future negligence to go unchallenged in court, even if it results in my death. Seems like a pretty fair deal for the guy showing up to take pictures, doesn’t it?
Wedding photographers often tell me how annoying it can be to get a consistent white balance across the images of the day. Shooting weddings almost every weekend during the summer myself, I used to have that problem as well. With a white dress for the bride and a white shirt for the groom, it should be easy though. The problem is I like my images to make my couple look good. Meaning I like having the same skin color and tone on every picture. During the day, their skin might change color a bit because of the sun, the emotions, and the alcohol. Switching to Capture One this year I found the perfect solution to avoid this issue: setting my white balance based on skin tones and not on a gray card anymore.
When people first get into wedding photography, one of the main pieces of advice they will hear over and over is, “You can’t reshoot a wedding." This instantly leads to photographers asking, “How do I protect my images?" Image backup and cataloging is sort of like baking a cake. Every photographer is going to have a different recipe to how they do things. Over the years my process has evolved into what it is today. This process came about in part from learning by fire, and another part came from learning from others. If you don't want to use my entire process, I at least hope part of it can become a helpful addition to your workflow.
Wedding photographers would like to hold their clients — or would-be clients, for that matter — to certain standards. As a collective, we’d love to see them shop for the best vendors, spend good money on photography, and have unplugged weddings with nary an Uncle Bob in sight. The list goes on. It would stand to reason that most of us in “the business” would probably find the idea of a bride acting as her own photographer to be pretty abhorrent. We’d chalk it up to selfie culture run amuck or DIY gone wrong, wouldn’t we? Would you? I probably would have, if I’m being honest. However, we might be wrong.
Yesterday, we posted Part 1 from our latest episode of "Critique the Community" on un-posed wedding photos. For this episode we promised to give feedback for every single image that was properly submitted. If you missed the last video, we went through a little over half the images and gave our thoughts. Today, we'll be giving feedback to the rest. Check them out below.
I came across a web app for scheduling appointments that was a complete game changer for my business! It's by far my favorite productivity tool. Every wedding photographer needs to check this out. It could be the missing link you need in your business to book more wedding photography clients. In my first week I was able to arrange seven meetings and book two clients. Wow! This changes everything.
Have you heard of Drunk History? It started out as a hilarious Youtube series and now it has become an actual show on Comedy Central. Well, this fun couple decided to skip the standard engagement photo session and create their own drunk history video which covers the story of how they met.
Night photography is something that every budding photographer will play around with at some point in their learning process. It’s a great way to get star-filled nighttime landscapes or to capture the light-painting shots in which you write in the air with sparklers. Most people don’t associate night photography with wedding photography, though, which is a shame, because it can be a good way to capture some non-traditional wedding images. These nonyraditional wedding images can help you stand out in the sea of wedding photographers and can help you book more weddings.
Through September 13th, you have a chance to submit any un-posed wedding photos to be critiqued by the Fstoppers team in a new episode of "Critique the Community." What do I mean by un-posed? Your submissions need to be candid moments of people that you captured, detail shots, locations, or any other picture where you did not position or pose your subjects. This episode we promise to critique EVERY submission, even if it takes a few videos to do so. However, to qualify you must follow the submission rules below.
In B&H's latest episode of "Wedding Photography Tips" wedding photographer Susan Stripling offers up some solid nuggets of advice for you to chew over before taking on your first wedding gig. Susan addresses some really important issues, that a lot of shooters wouldn't even consider, prior to embarking on a career in wedding photography.
Working as a wedding photographer is often an exercise in mutual respect with other vendors who have parallel, yet sometimes different, priorities in serving the bridal couple and their family. Most of time everyone is on the same team, but occasionally we photographers run into rules that don’t serve anyone properly. When those rules come from the church, it’s often hard to explain them away.