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Andrew Link
New York, NY
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Articles written by Andrew Link

How Photos Were Edited in the Darkroom Days

How Photos Were Edited in the Darkroom Days

Years ago the only way to print a photo was to make test strips, make a test print, go back and dodge and burn details, make more test strips, another test print and so on and so on until you got the result you were after. In these photos released by Magnum Photos in New York, you can get a closer look at the process followed by their master printer, Pablo Inirio.

Why Do Photographers Hate Photoshop?

Why Do Photographers Hate Photoshop?

According to what I've been noticing in a lot of the comments posted here on Fstoppers, there seems to be plenty of photographers who absolutely hate Photoshop. So lets have a bit of a discussion.

Technology has become part of everything in our lives. Cars get better and better. Phones have become portable and are now the size of a credit card.

High Speed Photography Made Easy

High Speed Photography Made Easy

One of the reasons I love working for a magazine is that it forces me to be a Jack of all trades. While Automotive Photography and Portraits are my focus, Product Photography, Event Photography, Documentary Photography and any other discipline you can think up will also present itself from time to time and I'll have to adapt. The image above is the perfect example of the daily challenges I face as the Photo Director of RIDES Magazine, we needed something high speed and I had a day to teach myself how to do it. Here's how I did it.

Studio Lighting for Cars

Studio Lighting for Cars

A few weeks ago, I flew to Los Angeles to shoot a commercial project for Mitsubishi. They had a custom Outlander built by RIDES Magazine and were in need of press shots. Studio shooting can be among the most challenging of all types of photography, but with a little patience and some care, its really not that difficult. Here's how we did it.

Developing A Light Kit For Any Situation

Developing A Light Kit For Any Situation

7 years of shooting Automotive Editorial Photography has taught me to streamline as much as possible. One area I've simplified to fit my needs is my lighting kit. I used to rent gear wherever I could, but after you use your own gear long enough you almost develop a relationship with it and now I definitely prefer to use my own lights.

One Light, 56 Layers, One Magazine Cover.

One Light, 56 Layers, One Magazine Cover.

Automotive Editorial Photography will teach you many things. Mostly though, it'll teach you how to make something out of nothing and how to operate quickly and efficiently. I can't tell you how many times I've shown up to shoot a car only to be told it can't be moved from where it sits. It's those situations that will really test your mettle as a photographer and I've actually grown to love those challenges. One challenge from last year that I really enjoyed was a RIDES Magazine cover that would require fitting and lighting 10 cars. Here's how I did it.

The Complete Dummy Guide to Light Painting

The Complete Dummy Guide to Light Painting

When people think of high end commercial automotive photography, they’ll sometimes call to mind images of cars with that distinct light streak down the side. That light streak that so many automotive photographers lust after is actually not a product of black magic, as it seems to be when you’re starting out, but actually incredibly easy to replicate with a technique called light painting.