Since digital photography was introduced, our art has become available to most, for better or worse. Releasing a shutter doesn’t cost much anymore, the process of creating an image is easier than ever, and everyone who has a phone is now a photographer. In 2016, going back to film sounds like a crazy idea for many. However, like "One Roll of Film" shows, it still has its place, and it is different from digital.
Dodge and burn is a well-known technique amongst the retouching community. Most retouchers will use it to smooth out transitions and micro-contrast on portrait, fashion, or beauty images. However, it can be utilized for any genre of photography and broader uses than just skin cleaning. It can be used to direct the viewer’s eye and create more compelling, dramatic images with a few clicks. If you shoot and edit weddings and are looking to step up your post-processing game, this article is definitely for you!
I’m sure many of you have wished at times that you could decrease your presets' opacity in Lightroom. There isn’t any real option existing, or so I thought until I stumbled upon The Fader by Capture Monkey. It's a simple plugin which allows you to increase or reduce your presets' strength.
We have featured a few techniques to reduce noise on night sky images using multiple exposures. For a change, Greg Benz shows us how we can achieve almost similar results with images we shot in a single exposure. The process is slightly more complex than when having multiple frames, but surprisingly, the final image is quite clean! So, let’s discover the workflow offered by the maker of Lumenzia.
With digital photography, the ways to present our work have evolved and grown exponentially. Web galleries alone are numerous, and it can be difficult to find the one that matches your needs and expectations. But then, there are a few such as ShootProof that pretty much do everything most photographers need. From proofing to print ordering or even invoices and contract management, it’s a complete solution for the photographer who wants something easy to use. After a few weeks of trial, here’s my review of ShootProof.
In recent articles here on Fstoppers, you may have noticed the name DaVinci Resolve coming up on a regular basis. It’s a fantastic software for color grading video footage, and it’s evolving towards becoming a one-stop video editing solution. Some of the tools it offers are envied by photographers as they differ quite a bit from what’s available in Photoshop, Lightroom, or even Capture One. Many have been wondering if it’s possible to edit pictures with it and Ted Forbes from The Art of Photography has the answer for you: Yes. More than that, he shows you how to do it.
The traditional workflow to edit a portrait from start to finish usually requires a few different apps. But why complicate things and not just try and rely on one single software to get to the final result? Last month I reviewed ACDSee Ultimate 10 and thought it’d be a good idea to follow up with a tutorial showing how far you can go by using exclusively this photo editing solution to retouch a portrait. Discover all my steps and see how this alternative could perhaps suits your workflow better than your current one.
Many Windows users have been looking for an alternative to ScreenFlow and there might well be one available on the market. It’s called Video Studio 2 and it’s designed by ACDSee. Whether you are an online educator, a workshop teacher, or you’re simply looking for a way to record your screen and quickly edit your videos, this solution is without a doubt one you should be looking at.
DaVinci Resolve is a fantastic tool and has everything most videographers need to create perfect looking videos. However, the playback can be a bit slow and thus make the whole workflow a pain. But there is a one-click solution that will make your life much better. When I found out about it, my editing process became much faster.
Commercial shoots and photography can be quite demanding and even taxing on the body. But when I started out this art, I would have never thought it could go as far as taking out four of teeth out to create an advertising image. Well, that’s what Blair Bunting was willing to do for a campaign he shot for Discovery’s Deadliest Catch.
There are tons of photography bags available on the market, all meant to protect your gear better than the other one. When I was given the opportunity to review the Miggo Agua Versa Backpack 90 I didn’t know what to expect that I didn’t already have with my current transportation gear. However, once I had it in my hands and felt how robust it was, I thought it may offer something different that I didn’t have yet. I finally found a bag I could walk under the rain with without having to add a protection cover, use as a regular backpack as well, and that was comfortable!
When Capture One 9 was released about two years ago, one of the most noticeable features was the color balance tool. It makes color grading very visual and effortless, even if you don’t have a solid knowledge of color theory. Along with tethered capture mode, the layers introduced last December, and the default color profiles, it has become one of the primary reasons why Phase One’s software is the standard in the commercial, fashion, and beauty photography industry. In this six-minute long video, Zoë Noble will show you how it can set the mood of your images and help speed up your editing process.
The price of videography equipment has its reasons, but those justifications often remain a mystery to most of us. From cameras that cost thousands of dollars or cine lenses that are close to the price of a car, it’s hard to justify such prices to ourselves, let alone explain to your loved one why you got a new lens instead of going on vacation! In this video, Sawyer Hartman sheds light on the difference between a $100 photography lens and a $5,000 cine lens in the most comprehensive way possible.
New York City is more than a city; it’s a symbol worldwide, a place where everything seems possible but everything has already been done by someone else. As part of a personal project, Philippe Echaroux went there and tried to make something unique, unlike anything else that had been done in the Big Apple.
