Wedding photographers often tell me how annoying it can be to get a consistent white balance across the images of the day. Shooting weddings almost every weekend during the summer myself, I used to have that problem as well. With a white dress for the bride and a white shirt for the groom, it should be easy though. The problem is I like my images to make my couple look good. Meaning I like having the same skin color and tone on every picture. During the day, their skin might change color a bit because of the sun, the emotions, and the alcohol. Switching to Capture One this year I found the perfect solution to avoid this issue: setting my white balance based on skin tones and not on a gray card anymore.
Serif released a new update today to its photo editing software Affinity Photo. It is the first major update, and it includes quite a few exciting features. To celebrate these welcome changes, Serif also announce a discount on the Mac App Store.
Current cameras' sensors are getting better year after year. Unfortunately, they cannot create noise-free images at high ISO just yet. I am sure the day will come soon, but in the meantime, there is a very simple technique using Adobe Photoshop or Affinity Photo to create the illusion of a clean file.
Slowing down while taking pictures is not always an easy thing. For those of us that learned with digital, the idea of shooting only a limited number of frames per session seems unthinkable. However, doing with what we have, and pressing the shutter only when we are sure to have a picture we are going to appreciate, is a very refreshing approach. Having just recently started shooting film, here are five tips I could give a digital portrait photographer to get better results, spend less time working, and slow down a bit.
Franck Boutonnet is a France-based photographer and has been producing stunning images for his clients for over 15 years. His knowledge, skills, and work are amazing! There is a lot to learn from his pictures, but also from him. In a short video ShotKit created, Boutonnet gives us six tips to help us improve our craft.
It’s become a tradition for Phase One to announce a major new version of Capture One during the last quarter of the year. 2016 is no exception, and the tenth edition of the professional image editing software was just released today. The already fast and very complete application is now even better thanks to a couple of new tools and enhancements.
Have you ever wondered what it’s like to shoot in -18°F? Action Photographer David Robinson brought a free runner, Jason Paul, along with him to China to experience it, and now shares his story with us. At first, you may wonder what a free runner and such cold weather have in common, and you would be entirely right to do so. But wait until you discover the pictures to see how beautiful the combination of an icy landscape and this sport is.
In one of my recent articles, I showed you how to create dynamic luminosity masks manually. In my opinion, it’s the best way to create masks based on brightness levels and confirming this idea is the introduction of a similar feature in Greg Benz’s panel, Lumenzia. The recent update of the luminosity masking panel added a couple of new features, including a "blend if" method for masking layers.
Masking plays a crucial role in the quality of your retouching. There are so many tools available to create and refine masks, that’s often times we forget the most basics and useful ones. One of them is a bit hidden and it seems like many don’t even know it exists! However, it’s probably amongst the most useful options to refine a mask and make your adjustment shine through in a more natural and convincing way. It’s the feather option and I’m going to show you how you can use it with a real-world example.
Bots have been used on social networks for as long as I can remember. They are a way of growing one’s community without much effort and getting more attention than by doing everything manually. However, it’s not organic, and thus social media companies have tried to shut them down for a while. Instagram recently launched a witch hunt and managed to get Instagress to close down. Yesterday, another big bot service, Mass Planner, was taken down. Is it the end of the bot era?
After updating their Cintiq line with the Cintiq Pro 13 and 16 inch in the previous month, Wacom announces two new products coming for the beginning of 2018. Both products will complete the Cintiq Pro range and come with brilliant 4K displays. One will be 24 inches and the second 32 inches, offering a solution for everyone.
When working with a ton of footage, culling them down and selecting just the part of them that you need can take quite a while. There a few methods to make it faster and easier, and one of them is called Pancake timelines. In this video, Justin Odisho explains to us how it works. If you are video editor with working tight deadlines or one looking for a way to speed things up, this tutorial is definitely made for you.
Being a commercial photographer means being able to deliver no matter what the conditions are and pushing the boundaries for the client. In this video, as you’ll see, French photographer Philippe Echaroux was given the challenge to go even further and create stunning portraits using only an iPhone, a flashlight, and a Big Mac box. Yes, you read that last item correctly! If you’re wondering how he did it, be sure to watch the full video.
The current trend for color grading videos is the orange and teal look. It’s not rocket science to understand why it works so well and why everyone uses it. Complementary colors are an easy choice when it comes to color grading and using orange for brighter tones allows keeping the skin tones look quite natural. In this nine-minute-long tutorial, Theo from MiesnerMedia shows us how we can achieve that trendy look using DaVinci Resolve 14.
Since TTL and other fancy features have been introduced to strobes, flash manufacturers have had to develop a different remote for each camera brand. Profoto and others have tried their best to offer as much choice as possible, but the Fujifilm compatibility was lagging behind. A few days ago, Broncolor announced their RFS 2.2 for Fuji would arrive before the end of the month, and today its Profoto turns to introduce its Air Remote TTL-F.
