I think that it’s often difficult for people to understand or see the real struggles that female and nonbinary creatives face in the photography industry. If you’ve been keeping up with current news, Canon has faced some criticism recently. They aren't the first and won't be the last to make a huge diversity misstep.
On July 14th, Canon announced that they would be relaunching their Crusader of Light program in the Philippines. Once all of their brand ambassadors for the program were announced, many readers were shocked. Not a single member of the 11 Crusader of Light team is female, non-binary, or LGBTQ+. This is not the first time that this has happened with a big name brand, and if you look across most of their ambassador lists, you will find that they are mostly male.
According to an article on The Phoblographer, here are the stats:
Number of Female Canon Ambassadors
• Canon Philippines: 0/11 female ambassadors
• Canon Hong Kong: 1/14 female ambassadors
• Canon India: 1/10 female ambassadors
• Canon Mexico: 1/6 female ambassadors
• Canon Malaysia: 2/10 female ambassadors
• Canon EMEA (Europe, Middle East, and Africa): 34/113 female ambassadors
• Canon Canada: 9/29 female ambassadors
• Canon USA: 12/38 female ambassadors
This is a real problem, and it is not just Canon; it is industry-wide and deep-rooted. In 2017, Nikon did the same thing when announcing the D850. They launched a campaign and made this statement: “Meet 32 creative individuals from Asia, Middle East, and Africa, and join them as they embark on an experience with the latest FX-format D850 in their respective genres of wedding, nature, commercial, and sports. With their expertise in photography and videography, the D850’s technology, and Nikon’s craftsmanship, this is one DSLR ready to set a new world of limitless creative imaging possibilities.”
Not a single photographer out of the entire 32 member ambassador team was female.
Olympus UK did the same thing in 2016 when they announced their Visionaries and ambassadors. Out of 13 photographers selected, only one was female.
DIY Photography made a whole article on this topic in 2016, listing all of the stats for the big brands' ambassador programs, and apparently, not much has changed.
As a female photographer, I can tell you as a matter of fact that the issue is not a lack of female photographers who are qualified and capable. Instead, it is pushback and a real choice made by organizations and companies in who they hire and promote.
In my life, I have had multiple occasions where I was not given opportunities that I felt were based on my gender or age. Here are a few examples.
There is a local photography club that I have been a member of on and off for many years. A client of mine told me that he once asked their president why, as a local photographer who has an arts degree, traveled and worked on large campaigns, and won international awards, I was never asked to speak for them. I was told that the response was “why? She has nothing to offer. What would she even have to teach?” My website then and still to this day lists my accomplishments, magazine features, articles, gallery features, and more, including my favorite, when I won the National Geographic Travel Chase Adventure Competition. The prize for that was a luxury vacation with National Geographic to any of their destinations. I chose to go to Grand Teton and Yellowstone National Parks with them. I still treasure my National Geographic badge and the gear that they gave me.
Well, in October 2020 the club reached out to me to speak for them, but said that speakers are not financially compensated. This was odd to me, as I know many photographers who have spoken for them and been paid. I reached out to a male photographer friend who had spoken for them and asked him if he was compensated for his lecture. He told me that they did pay him without issue. I went back to the club with this information and another board member contacted me to discuss it. I was told that they wanted me to do a Zoom presentation but “unfortunately, I don’t have the ability to pay you.” I politely declined. She apologized for any miscommunication and confusion. I just checked their website, and on the page listing the entire 2020-2021 speaker lineup, only two of them are females.
In October 2017, a large camera brand, who we will call Brand A, approached me to become an ambassador and instructor for them. I was so excited to have this opportunity to work with a well-known brand and felt like I was finally having a huge career breakthrough. In emails and then phone calls, we discussed the details of joining the program and made plans for me to start with a podcast and several photo workshops. They invited me to meet with Brand A team members at a large photography convention.
I met with the rep at the convention and was introduced to several other company reps where we discussed my upcoming work with them. It was then that I was invited to go to their convention afterparty, which was held at their main stage once doors, closed to the general public. This party was open to any member of the Brand A professional service program. This is one of those programs where anyone who owns their gear and is a professional can pay a yearly fee to join and get specialized gear service, loaner gear, discounts, and support. They had big banners advertising the member’s afterparty and prizes that would be given away at it, including a recently announced camera kit.
It ended up being a pretty big event and very crowded. I was super nervous. I didn’t personally know many of the people there. In the corner, by the stage, I saw a familiar face. It was a well-known photographer that I had met a few years prior. As a member of the Brand A service program, I had borrowed a camera from the local sales rep. After my project was completed, I let the rep know, and he asked me to return it at a video shoot that they were having. It was there that I met this photographer, had a brief friendly chit chat, and then left. So now, years later, at the party, I approached him, relieved to see someone that I kind of knew in a sea of complete strangers.
I was surprised to be met with immediate disdain. When I approached, I said hello and got looked at funnily right away. I thought that he didn’t recognize me. Fair enough, we had only spoken for a few minutes one time before. I reminded him of my name and that I had met him a summer or two ago at the video shoot. He said that I was wrong on the year, that it was three years ago, which is more than several, which means two. Okay.
He asked me why I was there and how I deserved to be there. I referenced being invited by the manager of their instruction program because they were hiring me. He didn’t believe me. He wanted to know my credentials. It felt like an interview where I had to prove myself. I always feel like a jerk if I say things that I have won or done. I am not sure how to bring up accomplishments without coming across as boasting, so I usually just don’t. However, there are times like in this article or at that moment it is relevant, such as when I am directly asked. So, I listed some recent competitions that I had won. I also referenced winning another photo competition by another company that he also works with so maybe it would click for him. I also reminded him that the party was open to any member of the pro service program. I did not understand why this mattered to him or why I was being interrogated.
I was straight up told, loudly: “you don’t belong here.” I was so embarrassed. People were staring. He told me that he was going to text the other company to try to get proof that I wasn’t “lying about winning” and pulled out his phone to do so. I literally went to another country with this brand as the prize. I still have all the emails and photos. I was so shocked that in minutes, this man was trying to tear into me just for being invited to a brand afterparty. I didn’t understand his angle. Why be so nasty to me? He said that the company didn’t text back right away to confirm my story. I said okay and that I wasn’t lying and didn’t understand what his problem was. I walked away into the crowd, feeling so small.
I should have stood up for myself more, but I just avoided him for the rest of the party. I didn’t know this person well, and he is a long-time ambassador of Brand A. I saw no reason for him to react this way to me saying hi to him at an event. I went from being so nervous and excited meeting with the brand and being invited to the party to being completely crushed.
Not long after the convention, I got an email that the brand “was a little behind” and they wanted to reschedule our plans. I was informed that they were having a different division schedule me to speak in California instead. I was told to wait to hear from the Ocean County division. I never received contact from that division and reached out to follow up with no response. I still have all of the emails. They just ghosted me.
In December 2020, I decided to be bold. After years of hearing nothing from Brand A, I reached out to the manager that I had been working with. I asked him directly for any insight into why things didn’t work out. I wasn’t sure that I would get a response or what it would be, but it was something that haunted me. In March 2021, he emailed me back. He was very frank and open that it boiled down to the company getting wrapped up in the mirrorless announcements, “so we kept booking people we already had in the system.” He apologized to me and explained that over the years since that happened to me, the brand had downsized its educational division until it was completely dissolved.
So, why does this matter? If you reference the statistics that I listed for the big brands, you will see that existing talent for their programs is very heavily male-dominated. So, if the choice is to keep and recycle the same people over and over, it is obvious who that leaves out.
There are also many instances when in polite company, someone asks what I do, I reply photographer. They assume instantly that I photograph weddings, and I explain no, I'm a nature photographer. They ask to see my work. They look at it and are skeptical — flat out do not believe me. I get the same comments from random strangers online: "you took all of these photos? These are really yours?” They are shocked, but I have grace towards them and gently explain that it is all my work. More often than not, I am asked to prove it, so I send them a video or a photo of me in the field. Usually, they don’t respond or block me after receiving a video showing me photographing. People don’t like when you prove them wrong.
Why do non-male genders always have to prove ourselves? Why do people not believe that females can be photographers? I have learned from this to say: “I am a nature photographer. All of the work on my site and in my portfolio has been taken by me in my travels over the years. In reality, it isn’t as luxurious as it sounds. When you see a photo of an animal in the snow, I am out there freezing, but I love what I do.”
One time, I was at a gallery opening where some of my pieces were displayed among other local artists. A woman recognized me and approached me. I knew of her as a local college art teacher. She said to me: “Don’t you think it is interesting how if you are attractive but bad, you can just get into any gallery?” I said: “What? Do you mean me?” She laughed in my face. I said: “Well whoever you mean, this was a blindly judged jury to get in here.” I let her know that this was my first time in that gallery, that multiple artists were represented on the walls, and that I had never met them in person before being selected. She just laughed again and left.
Apparently, even when you work hard and earn things, even some of your own gender just assumes it has to do with anything but your own skill. It is not the first time that a stranger has made a nasty comment when they see that I earned something — “oh it’s because she is female.” My Instagram has 273 posts, 5 of them show me, usually in the far distance. I am not advertising my body or self-image to get ahead. I am actually self-conscious and usually hate photos of myself. It is something that I am working on and has nothing to do with gender, yet people find it hard to believe that a non-male can be “good” at photography, so they just make a sexist comment.
I am speaking on my own experiences, but I have heard similar stories from other female or nonbinary photographer friends. I won't speak for them, as their stories are not mine to tell, but I will address the facts and reality of a deep-rooted issue in our industry.
When I enter photo contests or gallery competitions, most of the time, there is an impartial jury. They are shown the artwork and know nothing of who created it. They select and award their favorite based on the judging criteria and merit, and that is that. Wouldn't it be great if the ambassador programs, directors of photography, outlets, news agencies, etc. had blind hiring based solely on your portfolio?
Overall, it is difficult for women to be taken seriously and hired. What strikes me as odd is that according to CareerExplorer.com, in the United States “65% of photographers are female and 35% are male.” There is a huge disconnect here.
It is not just big brands holding onto old boys' club values making misogynistic choices time and time again, it is magazines and news outlets who hire for covers and photo stories. An entire website, Women Photograph, exists to hold accountable the companies who hire photographers and where they are choosing to give their money. There are spreadsheets of data month by month and year by year of facts showing the dismal numbers. Women Photograph looked into EOY tallies: “At the end of every year, news outlets compile galleries of their favorite images from that year.” In 2019, only 21.31% of the photographs were taken by women. Why does this keep happening every single year?
In 2018 Photoshelter looked at gender equality and compared magazine covers that year to see the percent taken by women:
• National Geographic: 0/12 (0%)
• Sports Illustrated: 0/12 (0%)
• TIME: 2/12 (16%)
• Cosmopolitan: 1/12 (8%)
• Vogue: 5/12 (41%)
• Condé Nast Traveler: 3.5/12 (29%)
• Entertainment Weekly: 0/12 (0%)
• AARP: 0/12 (0%)
The first comment to that thread reads “Don’t care.”
Look, I get it. A lot of people just do not care. This does not affect them directly, or the system as it stands works in their favor. Well, this is not for you then, this is for everyone else who does care and wants to see real change.
The industry as a whole is not giving non-male creators a fair chance.
I am just one person. I am not a well-known photographer or big name. I can only speak on my personal experiences and the statistics and ask for change. I challenge the big brands to catch up on representation, pay rates, and opportunities for nonbinary, females, POC, varied age groups, and all people. I am no one to ask, but I do so anyway. Those who refuse are making a choice for all to see. Rather than after the fact apologies when you get caught making clearly misogynistic choices, choose the COVID times to revamp your programs and hiring practices. It is 2021, and this is a time of change.
If you are reading this and care, please raise your own voice so that the outlets, brands, and companies know that you want this change. As a female creator, the 65% want to be heard. If you are a member of an underrepresented group, let them know you exist.
If you are a non-male professional photographer, have a resume of work, and want to be hired by any of the big companies, brands, or outlets, post your portfolio in the comments below. Let’s show them that there are candidates ready and waiting. There are so many talented, awesome people who deserve a chance. Don't let them have any more excuses.
How exactly is equal opportunity based on merit, the same to you as needing a special female-to-male ratio? Unless you wanna argue that females are genetically inferior at taking pictures, you've completely misunderstood her argument here.
I'm not really a fan of Peterson; however, this seems pertinent.
https://www.youtube.com/watch?v=aMcjxSThD54
What part of "I have no interest in conversing with you" was unclear?
You are an empty, embittered old man, who has nothing of any value to contribute to anything.
Go away now.
Not interested.
Still not interested. However, since you seem to be desperate for any attention at all. This was my last comment on the other post.
1. He's a retired programmer.
2. He's in his mid-70s.
3. He's being honest about his cameras.
4. His attempts to impress others on here by telling them he owns an 8x10, combined with consistent attempts to demonstrate his superiority over other at their expense, would suggest he is desperate for the respect ("esteem", as Maslow would put it) of others - an all too common motivator online.
Reading down, the fact he is using a bottom of the range DSLR from 2012 (which can be purchased for $150), would draw a solid inference he is not exactly making great money (if any) from his photography.
Further, the lack of work in the public domain is also telling. He asserts he is shooting 8x10; the clear implication that he is selling limited edition prints for significant sums; as we know, the value of such output is in the print, and has nothing to do with the low resolution jpg one would place in the Internet.
It may therefore be reasonably inferred that Mr Davis is not proud of the images he produces; his personality is such, that if he was legitimate, he would be directing others to view his images, and proudly declaring he is better than others.
Ultimately, humans all present uniquely; however, our hierarchy of motivations is universal.
Mr Davis is, in all probability, just another person who has spent his life working an unfulfilling job, and is now a lonely old man, filled with regret.
Oh, I'm really good at drawing inference about people from limited information; it's foundational to my job, and I'm very good at it. I'm pretty certain of my broad accuracy.
I'm not making a song and dance about how awesome I am with respect to my work, so I don't really have to show my work, do I... But hypothetically, were I to attach my work to a profile, I'd hardly damage my brand by having interactions like this, would I...
So again, go away now.
You haven't come out of this discussion looking any better than the person you are berating, perhaps you should look at yourself before forming such opinions about others.
I'm not trying to look good, big guy, nor am I trying to belittle everyone I can, unlike Mr Davis. This profile is maintained purely for interacting with lovely characters such as Mr Davis.
As I said above, if I had my work attached to a profile, I certainly wouldn't damage my brand by engaging in such interactions from that profile. I guess you missed that bit; however, it does imply I am aware of how I look.
Thanks for your feedback.
I don't think the word "troll" means what you think it means.
You spend your time belittelling everyone you ineract with, and making provocative and inflammatory statements, to provoke argument. That would be trolling.
I maintain this account expressly to interact with the most offensive trolls on here; I got sick of watching people like you target victim after victim, and not being able to respond. You'll note I have 27 comments, about 20 comments directed at you. You are a terrible person.
PS. I note there are a few people in this feed expressing deeply offensive views, which are easily falsifiable; if I were a troll, I would provoke them, but I can't be bothered.
The word "troll" has become a lazy way to dismiss and discredit in recent years; usually improperly.
Daaaaaaaaaaaamn son. I'd like to know what your favorite books are!
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According to New York Investment Management
51% OF PERSONAL WEALTH IN THE U.S. IS CONTROLLED BY WOMEN
According to research put together by New York Life Investment Management, 51% of the personal wealth in the U.S. is controlled by women – an estimated $22 trillion worth
What a paradox. So, not to detract from her essay, envy, playing the victim card and blame shifting seems to be at play here in her essay. I heard this. "God is fair with all people, cause is is unfair to all". Sadly, life is unfair, her lament is notable. Better get in line, many black folk (BLM) are morphing into the same cult evil as white Ku Klux Klan motif. That evil bastardized orthodox Christian Theology.
What a fantastic collection of words you just made. This is an article on the overwhelming systematic discrimination against women in the photography industry in roles such as camera ambassadors and educators. So, you can say that you don't intend to detract, but bringing up things unrelated to the systematic discrimination against women in the photography industry is in fact a detraction. Here's how you can tell: if anything you bring up proves or disproves a point in the article, it's relevant. If it doesn't, it's not relevant. So, if you can say, "Hmm...maybe the majority of the camera ambassadors are not male because according to New York Life Investment Management, 51% of the world's wealth is controlled by women...." then you would know that your point pertains to the scope of this article. So, that, God, the KKK, orthodox Christianity - all irrelevant. The only relevant part is where you believe that the facts and statistics in this article are not true becasue of envy and playing the victim card and blame shifting.
Attacking me and saying that I am envious or playing a victim card when I went through listing so many statistics and facts is telling. I have achieved and accomplished many things in my career and do not feel envious or like a victim. I do however feel and have shown with hard facts in my article that there is an issue of sexism in the photography industry. My article is not about my career or me as a person, it is about the issues and that I am a person who experienced the issue. In most of the negative comments here thus far none of you are addressing any of the facts or stats and just going after me. It is a good record for everyone to see what I wrote about at play before their very eyes.
How self centered. To think you are being attacked by me or anyone. You are not that important to me. Like you, I wrote my personal view of your essay. I know I am not important to most folks. I have mastered self pity, one of my favorite character defects. Your header "I’m Tired of Gender Inequality and Sexism". I hope you don't get to tired. Being tired will walk you into self pity real fast. I know, self pity almost did me in. Remember be important to yourself, most others don't give a rip.
Do you hate yourself?
At one time I did, after $7,000 with nut doctor. I could not afford to hate myself, lol
Why are soooo many photographers insecure, right-wing, fragile, chauvinistic, pathetic, small, men? It's certainly not the fault of any minority that you couldn't succeed in a system that was literally built to favour you.
Because it's all they have. They're pissed that they can't treat women as playtoys, and they're scared to death that a bigger man will treat them how the right-winger tiny peen male has treated women all his life.
I wonder who they are? Looks Like Eric is future tripping on himself
Kiss my retired, actual combat veteran rear.
Alex I did not know you are insecure, fragile, pathetic and small. That is some kind of indictment of yourself, but I like your honesty. When you write "sooo many photographers" you implied you are too.
Nah, ALL the adjectives used, perfectly describe you. $100 say's you voted for an orange shit stain and think you're a patriot.
That's your best shot?
Should have stayed silently seething lol.
I posted way below an example of my industry, where the opposite "seems" to be happening (a sexism against men, caused by other men, with the women in the middle used by the upper management).
At any rate though, we have to also think that tradition is a very powerful thing - social habits in a society take generations to change. Some industries are 90% women, some are 90% men, and changes happen slowly. Especially when there's no incentive. Law for example was packed with women very quickly, because of the incentive (lots of money). I don't see many women knocking the door of Photography given the little money and the risk, and I don't see many men knocking the door of nursing either. Very few - very slow changes. In Sweden after women were able to decide whatever they wanted, somehow they ended up in the more "traditionally female" jobs. So we should also consider personal preferences.
Not many people (men or women) want to be photographers anyway - so...
As far as the behavior, men are not very welcomed in jobs of 90% females and vice-versa - I think it's kind of like a tribal thing.
Women are also 51.1 percent of the population. They have a simple majority. That is also a paradox, to have the majority but still claim victim.
Yet, despite that, women are discriminated against in the industry. It's not about who is better, it's about one group (mainly middle-aged men) preventing another group (women) from progressing within the industry.
I posted way below how certain males end up discriminating against other males (through women) in my industry. I briefly described why they do it, and the mechanism through which they do it (why and how).
But I am curious "why and how" do you think these middle-aged men do it in the photography industry. In my case I did my research, I asked people, I saw the same tactics over and over again, I witnessed dozens of examples in 26 years of work, with specific acts. Specific routine daily acts.
So, how do they do it in the Photography Industry? Do you have examples of the mechanisms and methods that they use to cause business failure of women photographers?
Anything specific?
I would like to see an article like this.
Only men-canon-hong kong
-presentation of their work
Female photographers from hong kong
-presentation of their work
I don't have a problem with sex thing.
If it was 100% female I would not mind.
What I'm trying to say is that we should care about the work they are doing and not about sex. I can't see work from any photographer in this post so how could I compare it and judge if the female photographers are being kicked in the ass.
It would not be nice if some of those photographers lose their place because he is not she.
So please show me "This is female HK photographer that is shooting canon and has done better job that at least one photographer here" and she must be interested in this type of deal becase not everyone wants to be an ad holder for camera company
For anyone who says, "Well, Gender probably had nothing to do with it. The only thing that's important is the quality of the work," ask yourself why you are bringing that up. Ask yourself why you need to formulate a counterargument to begin with. Because here is what you are really saying is, "In a field that is 65% women, and yet women occupy a widely disproportionately small fraction of the leadership roles, I'm going to hold open the possibility and even assume, that it's simply because the men were just better. And, becasue I am open minded and don't see gender, I am going to look past the highly suspicious statistics and state that quality of work is, was, and should always be the only thing important." The idea that quality of work being the only important thing is kind of the point. Because if quality of work was the only criteria, you would find the ambassador and educator roles reflect more the demographic of the industry. The implication of grossly disproportionate statistics is that it is not a level playing field and quality of work is not the only factor that has been looked at by these companies - the disproportionate statistics are because they give male photographers an advantage and overlook their female counterparts.
Yes! The stats do not lie and the numbers are not reflecting even a portion of what they should if skill was really the main hiring point at play.
Why are afraid to compare quality of work ?
I'm sure that you can find female photographers taht would do better.
Do some real research and dont copy numbers
Hi Revo! There appears to be some miscommunication. We actually want to compare based on skill and work however instead a huge factor for hiring appears instead to be gender based. The numbers are only the evidence to prove who is being hired and who is not. They are statistics of A1 bylines, magazine covers, company ambassadors, educators, etc data compiled for years and years all proving that in many cases no women are considered at all or very few for these positions. If you research beyond my article there are videos, articles, blogs and more of personal accounts and times when entities got caught doing this. Recently Canon was caught and they are facing a lot of backlash about it. That is why I wrote this article. I also list when many other camera manufacturers, magazines, newspapers and large brands did this same thing. Hopefully that helps clear up your question!
Well if Canon was caught doing it deliberately, they are guilty. But you are complaining against JAPANESE companies in this forum. What do you want us to do? Personally I have no idea about the Japanese culture. Some Western democratic traditions (including women's rights) were imposed on them after the war, but deep down these cultures don't change that easily.
While Canon originated in Japan, it can hardly be seen as a Japanese company at this point. They're an international brand with headquarters all over the world and decision makers in each region they operate in. You can't really pile this all on Japan or Japanese culture.
And if these networks all happen to have middle aged men at the top of them?
Jeff cite your statistics. And i don't mean " a guy told me that...." or "I heard from,,,,"
Statistics on what?
.
Thank you for sharing your experiences. What you are writing about is a global trend and it is a real shame that politics plays a crucial role in photography as well.
I have collaborated with female photographers and saw it as a unique opportunity to expand my knowledge to become a better photographer.
I have been published twice by National Geographic, but I have not become a brand ambassador. The brand that contacted me said that they are only looking for skilled young women.
Kind Regards
Carl
Don't you think there is a huge difference between less representation in high-level posts because of discrimination and differences that exist in lower paid jobs because of deep-rooted cultural and historical norms?
Here in the UK, both men and women deliver the post. Refuse collection attracts more men, facilities cleaning is dominated by women, street cleaners are mainly men, supermarket checkout staff are mainly women.
The nursing profession attracts more women, but it has taken a long time for there to be nearly as many women who are doctors, still 20,000 short. When it comes to specialist doctors in the UK there are over 50 thousand men and under 30 thousand women.
The issue is being addressed, but, as Kate's article points out, it isn't in the photographic industry and it's about time it was.
It depends on who makes them the most money. I've never met anybody saying "this woman will make my company lots of money but I'm not hiring her because I don't like women". To even think that CEOs can think this way in the West, is disneyland thinking.
I said "the West", because the article owner is complaining against Japanese companies.