Having used flash for most of the work I've shot, it’s fair to say that I made a number of mistakes when starting out with a flash kit. Everything that could go wrong did, but I learned a number of techniques along the way. In this article, we will dive into some of the most common mistakes I see photographers make when using flash.
Sometimes, whether because of location, logistics, or timing, you'll want to mimic the look of natural light using strobes. This quick and fun video will show you how to recreate the look of a setting sun using nothing more than a single speedlight.
Last week photographers from around the world came together for the annual WPPI conference in Las Vegas. It is common to hear many photographers talk about their plans to hit the desert for incredible landscapes or portrait sessions in between classes and workshops. A few tips from pro boudoir photographers can help you the next time you are able to take the trip.
It has always driven me insane that I had to stock multiple sets of softboxes that are largely identical but designed for use with either studio strobes (of a specific brand) or speedlights (via some sort of proprietary bracket). I even jerry-rigged some disconcertingly terrifying setups over the years involving a few Justin Clamps to mount my speedlights onto speed rings. Unsurprisingly, things didn’t go very well. That is until I discovered Cheetah Stand’s Speed Pro MKII bracket, which is a hefty bracket specifically designed to help you mount a small flash into Bowens-style speed rings.
Warm smiles and serene sun flares seem to be landing on the shoulders of portraits all over the internet nowadays. Complimented with beautiful bokeh from a shallow depth of field, the allure of a sun-kissed image image is easy to see. What happens when mother nature doesn't seem to be on your side? In this article, I am going to show you how to master "faking" sun flare.
