We often hear how much makeup can impact the final result of a photo shoot. It can either make or break a picture depending on its quality. A great makeup artist can save you tons of time in post while a bad one will add many hours to your job. However, working with a great makeup artist doesn't necessarily mean you will get what you need. If you cannot communicate properly, his work might not suit you, and neither will the resulting pictures. Educating yourself on some of the makeup basics can save you from this kind of situation.
Matt Kloskowski from onOne has released another great Lightroom tip video that can help with recovering shadows from your images. In some situations, you might need to recover more out of the shadows than you originally intended when taking the photo. Basically, by reverting the Lightroom Process Version to 2010 or earlier you can tap into some recovery options that could make all the difference to your image.
Rob Whitworth builds upon his previous experience from his innovative Barcelona "flow motion" time-lapse with this new production covering the business oasis, Dubai. In his latest piece, Whitworth makes it apparent that he has perfected his craft to create the most fascinating time-lapse we've seen so far. We asked him to comment on his process. And while we got some behind-the-scenes footage and images, Whitworth simply told us, "It's always fun to keep people guessing." So by all means, let's guess.
Learning to find the perfect light is something that takes time and experience. But what do you do when the perfect light isn't there? Shooting in hard sunlight isn't always the most flattering or ideal situation. Don't settle for less than ideal results, bad light doesn't have to mean bad images. In this tutorial you'll learn how to defeat hard light by scrimming and lighting to completely reset your lighting conditions and take control of your shoot.
By placing 80 people along an 80 meters stretch, French filmmaker Guillaume Panariello managed to capture a whole music video in just 5 seconds. Siska's “Unconditional Rebel” was shot on a 1000 frames per second Phantom Flex 4K from a car traveling at 50kmh (or 31 mph). All that action and it only took 4 takes to get it right. Be sure to check out the below video to see what this shoot looks like in real time.
Camera manufacturers are still cramming ever more pixels into their sensors. Canon has recently announced that it is releasing a 50MP full frame camera which has left many speculating about its technical limitations due to sheer physics. One solution of course is to move up to a larger medium format sensor but prices can be prohibitive for many. Olympus, in typical Olympus fashion, decides to tackle the want for more pixels in an innovative way.
As done in the past, Nikon is now offering its "lens only" instant rebate sale at the end of their fiscal year. Now is the perfect time to snag that new lens you've been drooling over. The sale is set to expire at the end of the month, so that means you've got until February 28 to pull the trigger.
According to Forbes, a document leaked online and captured before it could be removed outlines some of the FAA's thinking with regard to the implementation of regulations for drones under 55 pounds -- a final decision about which is due by the end of the year. While the document (titled, "Notice of Proposed Rulemaking Regulatory Evaluation," and dated February 2015) could be in its early stages, one of several porposals, or something that has since been modified, it gives a glimpse into at least some of the FAA's thoughts on the subject. Specifically, the 79-page document outlines less stringent regulations as well as the fact that the FAA sees an immensely positive social and economic impact in drone use.
Nature photographer Steve Perry has released a new 14-minute video educating his audience all about lens diffraction. Beginning with a somewhat technical explanation of how diffraction occurs with your lenses, the video quickly moves into giving practical answers and examples for questions that you may have wondered when it comes to choosing f-stops and how to get the sharpest possible image.
When a client came to me and asked if I could do a composite that featured a dragon, my first response was, "Of course, no problem. This is going to be so much fun!" Immediately following the conversation, reality set in and the haunting feeling that I had bitten off more than I could chew began to overwhelm me. After a momentary panic episode, I promptly began racking my brain on how I was going to pull off this impossible feat. Luckily in the end, creativity prevailed!
Even wonder what goes on in the boardrooms of our favorite camera manufacturers? For many users over the last few years, there’s been regular questioning over decisions that the Big Two (Canon and Nikon) have made. Long term fans have been almost universal in their derision of both companies, citing lack of innovation, lack of meeting true user need, and 'interesting' pricing strategy as some of the reasons. True or not, this video showing “behind the scenes” of the DSLR video revolution and a parody of Canon exec thinking is absolutely hilarious.
Following several recent similar incidents with drones flying much higher than the FAA-mandated 400-foot recreational altitude, another incident occurred Monday as a Southwest passenger jet attempted to land. The pilot reported flying just under what seemed to be a red recreational helicopter drone at 4,000 feet: "Hey, there was just one of those radio-controlled helicopter things that went right over the top of us at 4,000."
GoPro and Allison Stokke take you for wild first-person experience into what it’s like to pole vault. The 2016 Olympic hopeful and former Cal vaulter takes you through the process from a variety of GoPro placements. In my track days I used to think that pole vaulters were nuts, and this video reinforces that sentiment.
At only 24 years old, photographer and filmmaker Toby Harriman already has an impressive resume. From his vertigo inducing aerial photography to his "Modern Surf" series, Harriman has made quite a name for himself in his very short career. His latest time-lapse film not only adds to his impressive accomplishments, but may be his most impressive project yet.
That's 10K – as in your 4K monitor, but not really...because it's 10K. Yes, photographer Joe Capra created a stunning 10K time-lapse with a PhaseOne IQ180 that shoots images with a resolution of 10,328 x 7,760 pixels. While this video is clearly put together in a proof-of-concept style, the clips still astound. We can't expect anyone to be able to view this at a real 10K resolution (the video is edited to 1080p and zooms in to show the full resolution), but the least you can do is view it in HD in full screen, at which point it becomes a gratifying kind of dizzying.