If you're a mirrorless camera user in search of a third party lens, you could be in luck. Today, Rokinon announced the release of their new high speed 21mm f/1.4 ED AS UMC Compact and the 50mm f/1.2 AS UMC Compact “made for mirrorless” lenses. The lenses are designed specifically for mirrorless interchangeable lens cameras and compact system cameras and will be available in mounts for Sony E, Micro 4/3, Fuji X, and Canon M. The lens will also be available in black or silver.
We've all seen it and we've all judged it. Maybe you've even used it. You know what I'm talking about, the dreaded "#nofilter." It's all over in Instagram, to the tune of 135,251,455 posts at the time I wrote this sentence (and that number jumped by 20k after checking it again just a few minutes later). If you hate your life enough to actually click on this hashtag, you will be inundated with thousands, nay, MILLIONS of photos claiming to be filter-free when they are quite obviously everything but. Well I hate to break it to you, but the #nofilter crowd might just be onto something.
The Movi gimbal stabilizer by Freefly changed the video world when it was released a few years ago, and the new "Mimic" controller aims to make the system even better. Instead of controlling the camera movement with a standard controller with joysticks, you can now use your arms as though you were the one holding the camera.
During the winter months, snowboarders and skiers dream of those big powder days, where a storm leaves the mountain covered in a soft blanket of snow that’s perfect for riding. During the summer months though, mountain bikers have never been able to experience anything that can truly match a mountain that's freshly covered in snow. Until one day at Whistler Blackbomb mountain, when dirt literally fell from the skies to create the very first dirt blizzard.
The images from the September 11th tragedy are no doubt stuck in all of our minds. For most of us, the phrase "9/11" instantly reminds us of a plane hitting the World Trade Center, smoke billowing out of the two buildings, or the heroic images of rescue workers attempting to save lives after the buildings had collapsed. Among the 1000's of images taken on that day, Richard Drew's "The Falling Man" has been both the most controversial as well as the most forgotten. This powerful documentary explorers the stigma surrounding one of the most censored images in US history.
Submissions for a new episode of "Critique the Community" are now open! Between now and the end of the day on September 23rd, you have a chance to submit PRODUCT images to be critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify you must follow the submission rules below.
Aerial photography has always been something that I have found interesting. Seeing so many of our writers like David Geffin, Mike Kelley, and Noam Galai capture exciting photos and video from the sky has inspired me to finally attempt my first doors-off helicopter excursion. In just one short one-hour ride, I've learned a lot of do's and don'ts as well as a bunch of things to experiment with again. I even attempted shooting with a $7,000 lens that everyone told me would be a disaster — and it nearly was!
Understanding your fundamentals is, well, fundamental to photography just like it is in anything else. In a previous article, I discussed the basics of aperture and exposure. Now, moving forward I want to address one of the key elements of aperture which is depth of field. All variables in photography have a give and take, and with your aperture as we gain light we also lose depth of field. But aperture is not the only variable the affects depth of field, and in this article we will take a look at those other variables.
Jay P. Morgan and the Slanted Lens have a new video out, this time showing how they are combining a video clip with a motion time-lapse for a music video project. It's a great watch if you've ever wondered how to approach getting this effect, or are still learning the craft of time-lapse shooting.
The Emmys are one of the largest award ceremonies in the world and the logistics behind its production and broadcast are vast. USA Today has put together a wonderful video showing us what goes into photographing at the Emmys. This is a great behind-the-scenes look at what it takes to shoot with such an exclusive and fast paced event.
After 127 years as a purely for-information, not-for-profit publication, National Geographic has been pulled into Rupert Murdoch's media-industry fold. In a $723 million deal, 73 percent of shares in National Geographic were bought up by the media mogul who owns companies such as 21st Century Fox; only 23 percent of shares remain with the Geographic Society. Although announcements from Murdoch's son James have stated that the integrity of National Geographic will remain intact, skeptics are voicing their opinions.
Wedding photographers would like to hold their clients — or would-be clients, for that matter — to certain standards. As a collective, we’d love to see them shop for the best vendors, spend good money on photography, and have unplugged weddings with nary an Uncle Bob in sight. The list goes on. It would stand to reason that most of us in “the business” would probably find the idea of a bride acting as her own photographer to be pretty abhorrent. We’d chalk it up to selfie culture run amuck or DIY gone wrong, wouldn’t we? Would you? I probably would have, if I’m being honest. However, we might be wrong.
Since 2012, many have considered the Canon 5D Mark III to be the proverbial workhorse of the photography industry. It's a great all-around camera. It's not perfect, though. It's also three-and-a-half years old. In the meantime, manufacturers like Sony and Fujifilm have vaulted ahead in the innovation game. This is Canon's chance to take back the spotlight.