A major announcement by Phase One has introduced an entire system of state-of-the-art products to their lineup. The all-new, highly anticipated Phase One XF camera body has arrived, along with new IQ3 digital backs, new Schneider Kreuznach 35mm f/3.5 and 120mm f/4 leaf shutter lenses, and an updated Capture One 8.3. This fully modular platform brings advancements in autofocus, power sharing digital backs, highly customizable user interfaces, and much more.
If you have not yet seen "Mad Max: Fury Road," I highly recommend seeing the film in theatres while you still can. The combination of art and action brings a rare addition to the big blockbuster-filled summer. These before-and-after shots will give you an idea of the true creativity behind the movie's polarizing set pieces and live-action stunts combined with brilliant post-processing.
Summer movie season is here, and so are the movies with the biggest budgets trying to up the wow factor against their cinematic competition. "San Andreas" is the latest disaster flick to showcase some of the best effects Hollywood has to offer right now. Sploid/Gizmodo did a few behind-the-scenes videos on how effectively shooting movies (in this case "San Andreas") with huge sets and practical effects can make even the best CGI look more realistic.
In his physical prime, Bruce Jenner and his Olympic success made him a household name. With the start of his step-daughters' show, "Keeping Up with the Kardashians," Jenner's name became familiar to a much younger audience. Today, however, we can begin our goodbyes to the Olympic legend and welcome Caitlyn Jenner, who will be introduced to the world within Vanity Fair's coming issue (due June 9) with the front cover tagline, "Call me Caitlyn."
Singer Enrique Iglesias was injured by a flying drone recording footage at one of his concerts in Tijuana, Mexico. The drone is used during his concerts to capture the audience and various points in the show for more dynamic vantage points. When Iglesias went to grab the drone to bring the camera closer to his face, which he has done before, the blades from the device severely sliced his hand calling him off stage to tend to the wound.
In just about every video I edit, during my last or second to last round of revisions I find myself having to add titles, credits, name graphics (lower thirds), and one or two other pieces of text to help explain and give context to the video. Here are my go-to techniques for cranking out decent looking graphics both quickly and efficiently.
The latest round of GoPro HERO4 cameras have been a big hit. Though one of the surprising outcomes with the recent release was the addition of a touch screen to the Silver edition and lack of screen on the higher-end Black edition. In many reviews and ratings, the ability to see your framing and review images and video from the device gave the Silver edition a leg-up over the Black. GoPro has now taken the overwhelming approval of the touch screen into account and has just announced the new Hero+ LCD.
Zach Arias has a new educational site called DEDPXL where him and a group of his friends write on their experiences, struggles, and successes. Commercial Photographer Sid Ceasar is among those writers. A few months ago he produced a video appearing as Sid "The Muppet" Ceasar and talks about inspiration, getting out and making new work, and why surrounding yourself with creative people is so important.
A couple of weeks ago I had a chance to shoot with the Broncolor Siros Monolights for the first time. Until now, my light of choice has been the Profoto D1. I, like many of you, have seen reviews on Broncolor's new monolight, and like many of you as well, have been a bit skeptical about their delve into competing with Profoto's D1 and B1 Series for the high-end monolight market. The Siros is available in two models, a 400W/s monolight and an 800W/s monolight, and for this shoot I used five Siros 800s. In this article I will give you my complete lighting setup, gear list, a retouching preview, and complete review of my experience with the Siros Monolight and BronControl app.
Whenever you work with someone new, whether it’s a member of your crew or a client, there is often that initial hesitation that comes with working with someone untested. There is a question of personalities clashing, of their skill, their expectations, and how they’ll handle direction or feedback. The sooner you are able to ramp up production and start capturing photographs, the better. Here are some best practices for making the most of the first look, and setting a great tone for your next photoshoot.
Beauty photography is something that I have become drawn to over time. Setting a mood, imagining a makeup style, and finding or even creating props to fill the frame with my model’s face is something I came to love more than anything else. In any genre of photography, I feel like it is important to develop a style that is recognizable. May that be retouching, posing, lighting, or something else, if people can tell you took the picture it means you have developed a signature style. For my beauty work I wanted to create a signature lighting setup that would be easy to recreate wherever I would go, no matter the condition or the place the shoot would take place in. Here is how I created it and how you can recreate it as well to make it your own.
A lot of people associated HDR with over-processed, surreal images. This is not always the case. Shooting HDR can be very useful in different circumstances. It is often seen in real estate and landscape photography and can be very useful to balance a wide range of light levels. There are many programs out there for merging images together to create an HDR photo, but one of the simplest ways to create these dramatic photographs is using Photoshop's built-in HDR Pro.
In my recent article " Why I Love My 20mm Lens to Shoot Weddings ," I explained why I love the 20mm focal length and also explained some of the distortion effects to be wary of. What I didn’t explain is that some of these distortion effects could be fixed by using a tilt-shift lens. In the following video, Vincent Laforet explains the basics of how to use these lenses to fix distortion, as well as how to add interesting focus effects to your images.
If you are one of the thousands of professional and amauter photographers in the industry at some point you’ve probably hit a creative rut in your work. It happens to the best of us. Lighting setups can quickly become repetitive and boring after shooting for several months. If you’re looking for some inspiration and instruction on how to kick-start your creative lighting skills I might have the perfect tutorial for you.
Never say never, but there are several quick reasons that make business cards with images a bad decision — even for a photographer. Every rule has its exceptions, but for most, a photographic business card is certainly not something you should automatically assume to need or even want.