Two years ago I shared something called The Client Blog . It was started by Andy Baker , Group Creative Director for the National Geographic channels. Andy has been writing, editing, producing and Creative Directing promos and print ads for the last 21 years. Andy decided to start the blog as more of a personal creative project and it's been going strong the past two years. He's grouped his ten favorite takeaways he's learned from being on both sides of the table.
Google has announced Jump at their 2015 I/O conference, a new 360-degree virtual reality platform that will be launching this summer. Google's hope is to make virtual reality more accessible. Jump will use raw video footage to assemble a 3D virtual reality space. It's aiming to be the premiere workflow for assembling virtual reality worlds.
It's never a bad day, or more often evening, when I get to Skype with Peter Coulson, an artist I am proud to say is my friend, from his place in Melbourne, Australia. However, our most recent Skype discussion was totally hinged around the controversy surrounding Richard Prince's appropriation and subsequent sale of prints featuring Instagram screenshots of photos by other photographers. One of these photos, in fact, was shot by Coulson. I asked him about it, and we chatted.
Anyone who likes to bring a light or two on-location knows the frustration of wanting soft, controllable light that won't weigh you down or break the bank. The Westcott Apollo Orb is, without a doubt, one of my favorite lighting modifiers. As you'll see below, the Apollo Orb has just about every feature you could ask for in its unique, somewhat-brolly-box-style design, all at a modest price point.
Brooklyn-based photographer Jessica Lehrman is the subject of Format’s first video in their new documentary series, InFrame. In this debut episode, Lehrman brings us into her unique childhood experience, explains her start and development in photography, and explores the inspirations to her raw style of images that she is well known for.
A major announcement by Phase One has introduced an entire system of state-of-the-art products to their lineup. The all-new, highly anticipated Phase One XF camera body has arrived, along with new IQ3 digital backs, new Schneider Kreuznach 35mm f/3.5 and 120mm f/4 leaf shutter lenses, and an updated Capture One 8.3. This fully modular platform brings advancements in autofocus, power sharing digital backs, highly customizable user interfaces, and much more.
If you have not yet seen "Mad Max: Fury Road," I highly recommend seeing the film in theatres while you still can. The combination of art and action brings a rare addition to the big blockbuster-filled summer. These before-and-after shots will give you an idea of the true creativity behind the movie's polarizing set pieces and live-action stunts combined with brilliant post-processing.
Summer movie season is here, and so are the movies with the biggest budgets trying to up the wow factor against their cinematic competition. "San Andreas" is the latest disaster flick to showcase some of the best effects Hollywood has to offer right now. Sploid/Gizmodo did a few behind-the-scenes videos on how effectively shooting movies (in this case "San Andreas") with huge sets and practical effects can make even the best CGI look more realistic.
In his physical prime, Bruce Jenner and his Olympic success made him a household name. With the start of his step-daughters' show, "Keeping Up with the Kardashians," Jenner's name became familiar to a much younger audience. Today, however, we can begin our goodbyes to the Olympic legend and welcome Caitlyn Jenner, who will be introduced to the world within Vanity Fair's coming issue (due June 9) with the front cover tagline, "Call me Caitlyn."
Singer Enrique Iglesias was injured by a flying drone recording footage at one of his concerts in Tijuana, Mexico. The drone is used during his concerts to capture the audience and various points in the show for more dynamic vantage points. When Iglesias went to grab the drone to bring the camera closer to his face, which he has done before, the blades from the device severely sliced his hand calling him off stage to tend to the wound.
In just about every video I edit, during my last or second to last round of revisions I find myself having to add titles, credits, name graphics (lower thirds), and one or two other pieces of text to help explain and give context to the video. Here are my go-to techniques for cranking out decent looking graphics both quickly and efficiently.
The latest round of GoPro HERO4 cameras have been a big hit. Though one of the surprising outcomes with the recent release was the addition of a touch screen to the Silver edition and lack of screen on the higher-end Black edition. In many reviews and ratings, the ability to see your framing and review images and video from the device gave the Silver edition a leg-up over the Black. GoPro has now taken the overwhelming approval of the touch screen into account and has just announced the new Hero+ LCD.
Zach Arias has a new educational site called DEDPXL where him and a group of his friends write on their experiences, struggles, and successes. Commercial Photographer Sid Ceasar is among those writers. A few months ago he produced a video appearing as Sid "The Muppet" Ceasar and talks about inspiration, getting out and making new work, and why surrounding yourself with creative people is so important.
A couple of weeks ago I had a chance to shoot with the Broncolor Siros Monolights for the first time. Until now, my light of choice has been the Profoto D1. I, like many of you, have seen reviews on Broncolor's new monolight, and like many of you as well, have been a bit skeptical about their delve into competing with Profoto's D1 and B1 Series for the high-end monolight market. The Siros is available in two models, a 400W/s monolight and an 800W/s monolight, and for this shoot I used five Siros 800s. In this article I will give you my complete lighting setup, gear list, a retouching preview, and complete review of my experience with the Siros Monolight and BronControl app.
Whenever you work with someone new, whether it’s a member of your crew or a client, there is often that initial hesitation that comes with working with someone untested. There is a question of personalities clashing, of their skill, their expectations, and how they’ll handle direction or feedback. The sooner you are able to ramp up production and start capturing photographs, the better. Here are some best practices for making the most of the first look, and setting a great tone for your next photoshoot.