It’s no secret that everyone can become burnt out on what they do. Whether we are photographers, athletes, truck drivers, or teachers. If we do something long enough, maybe unless you’re a fighter pilot, professional surfer, and/or an astronaut, almost everyone will experience a period of time in their career when they’re flat-out bored and/or they suddenly arrive at a place where they question both their work and if what they’re doing is really what they should be doing.
I know, I know. My post last Sunday also featured Zack but when you put yourself out there as much as he does, you're going to get noticed (a lesson for us all). Besides, this isn't really about him. This is about one of the greatest challenges ever conceived in the photography industry. That's right kids. It's the 2014 Gulf Photo Plus ShootOut, pitting Sara Lando against Zack Arias with cameos by some of the best shooters in the industry.
In recent years Photoshop has garnered more negative attention than any other platform that is utilized for image manipulation. Photoshop can be used to create unnatural product resulting in unrealistic expectations. As photographers and retouchers, we have the power to control what the media perceives as attractive.
Mike Kelley is an amazing architectural photographer and guest contributor at Fstoppers. Recently, Mike published an article on B&H's Explora blog about the science and magic that went into the featured image above. In his article, Mike takes you behind the scenes in a rare look at the process behind his photographs.
When we first start out on any sort of endeavor, be it creative or otherwise, we all most likely begin same way: a head full of ideas, but a distinct lack of understanding and experience of how to achieve them. Over time, through the benevolence of others, and many hours of Youtube tutorials, our ability catches up and we reach the place where creativity meets experience
Here at Fstoppers, our goal is to hire some of the very best photographers and educators in the industry to provide some insight on how they work, and what they've learned within the industry they're a part of. Recent Fstoppers Writer and Lifestyle Photographer John Schell recently met with Framed Network to show them, and us, what it's like to work on one of his photo shoots.
Rain on your wedding day can be quite a downer for most brides even though many cultures see rain as good fortune, cleansing and fertility. Often brides wonder how they are going to still get good photos if it's raining. Here are some tips for photographers that I've picked up over the years having shot numerous weddings in the rain.
A few weeks ago Pat, Lee, Lauren and myself went to the Bahamas to get ready for the upcoming Fstoppers Workshop. While we were there, we wanted to film some kind of architectural photography tutorial video, and we're happy to share that it's finally ready. The Atlantis Resort is giving us an all-access pass to photograph anything at the resort for the workshop, and
With the release of the next installment of Marvel's Captain America series "The Winter Soldier" less than two weeks away it's great to see a full sixteen minute behind the scenes video (b-roll) to prepare us for what's to be an action-packed, movie-going experience. The movie was shot with both the ARRI Alexa and RED Epic cameras with Panavision lenses.
We live in a time where photographers and filmmakers must combine powers to be competitive in todays advertising market. Recently a huge fashion client approached our production company to capture concurrent motion and still ad campaigns with supermodel Lily Aldridge, but we had to do it all in under 10 hours with 2 complete hair and makeup changes and 12+ outfits. Advertising creatives today need to be able to shoot stellar visual content and assemble bulletproof productions.
In today's post, I'm going to walk you through how I build an architectural photograph from square one. We'll discuss composition, lighting, staging, styling, and posing models in an architectural interior in order to create the image that the client has in mind. Despite appearing as a rather simple image, this shot took over an hour to finish on location with multiple steps and a lot of pre-visualization.
Erik Almås is at it again creating etherial images for clients on location in exotic places with a color palette noticeably familiar. I must say too that this location is just about as exotic as you can get without becoming flat out dangerous. This week Erik gives us a glimpse into a campaign he shot on location in Namibia, Africa. Read more about Erik's mission statement below.
In 2007, world-famous portrait photographer, Platon shot what he later described as one of the scariest assignments of his life. He was to photograph Time Magazine's person of the year: Russian president, Vladimir Putin. Recently, CNN shared the story behind the image in a rare interview with the photographer.
I'm always fascinated by what makes the best photographers think they way they do. What shapes their ways of seeing? In the current climate of photography, it's easy to get lost in everything technical. We can often lose sight of the most important thing about photography...why we photograph. In this video from Steve McCurry's Youtube channel, we get a glimpse at what goes on in the master mind of perhaps the world's greatest living photographer.