Gear

Tamron really hit it out of the park with the 28-75mm f/2.8 Di III RXD, which offered an incredible balance between performance, image quality, portability, and, perhaps most importantly of all, price. The second iteration of the lens is now available, and it builds on the original with a range of improvements. This excellent video review takes a look at the new version and the sort of performance and image quality you can expect from it in practice.

We take ridiculously powerful autofocus that can lock onto something like a subject's eye and track it through a challenging environment for granted nowadays, and we sometimes forget that there was a time when autofocus did not even exist. However, in the late 1970s, autofocus began to appear, and even though Canon's lens mount at the time did not support it, they found a way to put it in a lens anyway. This neat video review takes a look at that lens.

I've talked about the Insta360 GO 2 a lot. And with good reason. It's an awesome little powerhouse of a camera. While the release of the "Minions Edition" of the camera doesn't fundamentally change that camera, it's just plain cool.

Apple's M1 chip turned the computing world on its head when it first arrived, and the M1 Pro and M1 Max chips took things several steps further, promising even better performance in tandem with highly impressive battery life. So, how does the latest MacBook Pro perform in practice, under the demands of a professional creative? This great video review will show you what you can expect from it.

Smartphone cameras and AI technology can produce beautiful results. Many of them can intelligently boost colors in an image, blur out a background to mimic larger optics, or even change how you look. The question is: how far is too far with smartphones and AI manipulation of images?

The Canon EOS R5 grabbed a lot of headlines when it came out, mostly for features like blazing fast autofocus, a 20 fps burst rate, and 8K raw video. And while those are all quite impressive, the EOS R5 also came with one of the best sensors the company has ever produced, making it an intriguing option for landscape photographers. This excellent video review takes a look at the EOS R5 for landscape work and the kind of image quality you can expect from it.

Nikon has announced that its new flagship full frame mirrorless camera, the Z 9, will begin shipping on December 24, though customers should probably brace themselves for delays.

50mm lenses run the gamut from under $100 to well over $1,000 and everywhere in between. Almost every new photographer is told to buy one of the budget options, a nifty fifty, but this lens offers a bit of an upgrade in performance and image quality without flirting with the stratospheric prices of top-shelf options. Is it worth the bump in price? This great video review takes a look.

How do you bring your gear for a hike while keeping yourself comfortable? This is a viable option.

Modern cameras are incredibly powerful tools, but there are still limitations to what they can do, some imposed by the current state of technology and some forever imposed by the laws of physics. That does not mean you are simply out of luck, though, as there are ways to work around these limitations. Often, this is done via bracketing, and this excellent video tutorial will show you some of the different kinds of bracketing, why they are valuable, and how to use them.

Rumors about the forthcoming Leica M11 are circulating, and one particular feature stands out: 64 gigabytes of internal memory.

How many times have you gone out after dark, wishing you had your camera with you? Night photography opens up a world of extraordinary images, and with the advanced technologies of our mobile phones today, you can get excellent image quality.

Few lenses are more classic than a wide-aperture 85mm, which is often the preferred choice of portrait photographers. Nonetheless, a good 85mm lens can be awfully expensive. There are some quite affordable options out there as well, with one such example being the Viltrox AF 85mm f/1.8, and this excellent video review takes a look at the image quality and performance you can expect from it in practice.

Some cameras are designed to be pragmatic tools, meant to reliably get the shot without fuss no matter what situation you throw them into. Other cameras put form first, offering stylish designs meant to inspire your creativity. It is a rare camera that does both equally well. This excellent video review takes a look at one such camera and why it will make you want to go out and shoot with it.

Irix has created a name for themselves by manufacturing manual focus prime lenses that are rugged, affordable, and quite sharp, making them a compelling option for any genre where autofocus is not a requirement. This excellent video review takes a look at one of the company's newer lenses, the 30mm f/1.4 Dragonfly, and the sort of performance and image quality you can expect from it in practice.

As all facets of technology take large, confident strides forward, there are many unintended synergies and applications between them. One example of this, which is still relatively new to being viable, is using a projector as a background for photography and videography.

Neither of these looks like a regular photographer’s bag. They are rugged but attractive, and no matter where you go, you'll look stylish while knowing your gear is safe and well protected.

Welcome to the next—and 6th—episode of our 8-part video tutorial series about long exposure photography and how different filters can produce dramatic results. As a reminder, each time we drop a new video, you have the chance to win some awesome prizes. Follow the instructions included in this post to enter this week's contest.

2021 brought a huge array of excellent gear. Here’s a roundup of the best and worst releases of the year, including a decision for the best stills camera that will take a lot of people by surprise.

The Sandmarc Motion Pro Variable filter can be used for both filming and photography. For me, it excels at one more than the other, not because of quality, but because of ease of use.

A 24-70mm f/2.8 is the workhorse lens of choice for a lot of photographers and filmmakers, offering a versatile focal length range and wide maximum aperture. One such lens for Fujifilm shooters is the XF 16-55mm f/2.8 R LM WR, and this excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.

Tamron has had some excellent lenses over the years but nothing quite reached the caliber of their 28-75mm f/2.8 which was extremely well-received. Now, with that previous model discontinued, Tamron has released the new version, but can it keep up the earlier model's legacy?

A 50mm lens with a wide maximum aperture is one of the most versatile lenses a photographer can own, offering a relatively neutral focal length suitable for everything from portraits to landscapes and the ability to shoot in low light or leverage subject-isolating narrow depth of field. If you are a Nikon shooter looking for the right 50mm lens, check out this great video comparison that looks at three options at a range of price points.

In September this year, Fujifilm announced a wide range of new primes, seemingly part of an ongoing effort to update its range of glass with sharper lenses complete with better autofocus and wider apertures. Has Fujifilm produced a better lens than the 33mm f/1.4 R LM WR?

In this series of articles, I'll be comparing Capture One to Lightroom to see which one is the better choice. The articles will focus predominantly on color; however, other points such as contrast and dynamic range will also be covered too.

A wide-aperture 85mm lens is always a popular choice for portrait photography, but such lenses can often run well north of $2,000. However, the Viltrox AF 85mm f/1.8 lens promises a classic optic at a much more affordable price, and this excellent video review takes a look at if it can provide the sort of performance and image quality professionals still demand.

Along with the Nikon Z 9 and Sony a1, the Canon EOS R3 is one of the hottest cameras on the market, representing the current pinnacle of the company's technology. If you would like one of your own, best to get your preorder in as soon as possible, as it may take several months to get one.

I’ve tried several 70-200mm lenses for the Sony system, and even as I stood there holding it in my hands, I could hardly believe the new 70-200mm f/2.8 II from Sony.

Modern cameras are ludicrously good at focusing automatically, able to lock on small targets and track them precisely and accurately through many challenging situations. These autofocus systems are not totally infallible, however, and there are times during which it is actually a better choice to switch to using manual focus. This great video tutorial discusses why you practice using manual focus and why it can be useful for your work.

Nikon allowed me to try out a preproduction model of the Nikon Z 9. This long-awaited camera turned out to be a marvel. During a fortnight, I came to appreciate this camera a lot. In this article, I'll tell you about my experience.

Back in 2017, my commercial work was struggling to make any impact. I got the odd big job, but mostly out of convenience rather than style — that was, until I purchased this lens.

For most people, the criteria for choosing a lens include sharpness, speed of autofocus, microcontrast, custom buttons, and weather sealing. For this photographer, the most important factor is its character.

A good macro lens is super versatile: useful for a lot more than just tiny details, including portraits, ring shots, and way more. For Sony shooters, the FE 90mm f/2.8 Macro G OSS looks to fill that role, but can it keep up with the demands of the 61-megapixel Sony a7R IV? This great video review takes a look.

Zoom lenses have made some remarkable advancements, but that does not mean primes have stagnated in the meantime. Canon's 28-70mm f/2L USM is one of the most impressive zooms in a long time, blurring the line between prime and zoom, while their RF 85mm f/1.2L USM sets the standard for 85mm portrait lenses. So, can the 28-70mm f/2L take the place of the 85mm f/1.2L, or does it still hold a special place all its own?

Full frame is generally considered the standard professional sensor size of choice, with some landscape photographers even now opting for medium format, particularly with the recent reinvention of the format. But of course, the bigger the sensor, the bigger the camera, the heavier the lenses, and the more expensive the kit. So, does a landscape photographer really need full frame?

Perhaps no type of lens generates more admiration, envy, and fighting than a wide-aperture 85mm lens. As the classic portrait focal length, such lenses often carry their respective manufacturer's best technology, offering that shallow depth of field and buttery bokeh so many photographers crave. This fantastic video takes a look at seven of the sharpest such lenses out there and which comes out on top.

A 24-70mm f/2.8 is the bread and butter lens for a huge range of photographers and filmmakers, offering a wide maximum aperture in tandem with some of the most commonly used focal lengths. Nonetheless, such lenses are rarely cheap. Samyang's 24-70mm f/2.8 AF Zoom bucks that trend, however, making it quite the interesting option for a lot of creatives, and this great video review takes a look at the image quality and performance you can expect from it in practice.

The age-old question of whether great images are made by the photographer or the camera is a boring one. However, a more interesting topic is the gap between high-end cameras and entry-level cameras and whether most people can tell the difference.

When it comes to shorter telephoto primes, 85mm is probably the most common choice, but 135mm is often a popular second option. So, which is the right choice for your work? This fantastic video takes a look at the two focal lengths and shows you some of the advantages and disadvantages of each.

While many of us hold printing photographs in high regard — myself included — digital displays of photography are becoming more prevalent, affordable, and effective. But is Samsung's range of frame TVs worth your hard-earned cash?

There have been some incredible cameras released this year and the leaked information on some upcoming release from Canon suggest it's about to get better. So, what gaps are the Canon R1 and R5c intended to fill within the industry?

A decade ago, the differences between zoom and prime lenses were stark: zooms offered convenience and versatility, while primes offered better image quality and more extreme apertures. However, the gap has closed in recent years, with zooms showing marked jumps in image quality and pushing their designs to new extremes, blurring the line between the two. So, can you get by with just zooms now? This insightful video takes a deep look at the question.

In the first part of this series of two, I introduced bokeh — out-of-focus areas — and outlined the main controls of defocus. These include sensor size, focal length, aperture, distance to subject, and distance to the backdrop. How, then, do you compare defocus between lenses and cameras? Read on.

Two years ago, Ricoh executives claimed that most users would return to DSLRs in one or two years. Two years later, that has not happened, but it has not stopped the company from continuing to march to their own unique beat, as this interview reveals.

If you’re into macro photography, you might be wondering why so many macro lenses emphasize a wide aperture; f/2.8 is nice to have, but when focused down to 1:1, it’ll leave you with no depth of field. From my point of view, Venus Optics seems to have had the same thought. They built a macro lens with a spec sheet that’s focused on delivering macro results. Is this the new best option for macro photographers?

I have never loved a fixed prime lens camera, except for the Fujifilm X100 series. Quirky, fun, and impressively capable, these small cameras have become quite respected across the industry. Now in the fifth generation, the newest version is highly refined and versatile, and this excellent video review takes a look at the sort of image quality and performance you can expect from it.

Sony kept fans waiting a long time before finally unveiling the a7 IV, and with the release date quickly approaching, a7 III users will be weighing whether it’s worth the upgrade. And what if you're pondering your first a7 camera? Should you shell out the extra cash for the newer camera?

It might not be the most exciting lens out there, but Nikon's NIKKOR Z 24-50mm f/4-6.3 is highly portable, affordable, and surprisingly sharp given its size and price. If you are looking for such a lens, check out this excellent video that takes a look at the performance and image quality you can expect from it in practice.

Knowing what equipment you should take on a job is always difficult, so I thought I would share with you what I ended up taking on a 10-day ad campaign, and more importantly, why.

There are a plethora of lenses available for Sony’s E-mount, especially when you factor in both APS-C and full frame. Here’s a list of the ten best that you can buy as we approach the end of 2021.