The popular Mac photography software company, Macphun, released a new application for the Mac that promises incredible noise reduction processing. Noiseless comes in regular and Pro versions, the latter of which include increased capabilities like RAW processing and included plug-in support for your other editing applications.
Even if you don't know his name, you probably have seen this guy's videos. Devin Graham (now more commonly known on YouTube as Devin Supertramp) has blown up on YouTube with viral video after viral video. He's became known for his parodies of video games such as "Assassin's Creed," "Far Cry 4," and "Halo 5" in his "Real Life" series but more recently he has created a new genre: videos of people having fun in the most unique ways.
Today, Fujifilm announced the Fuji XF 16mm f/1.4 R WR lens for its XF platform cameras (such as the recently released X-T1, part of a class of APS-C mirrorless cameras popularized by the success of the acclaimed Fuji X-Pro1 back in 2012). The weather-resistant (WR) 16mm f/1.4 R WR lens gives the Fuji X-mount lineup a much-needed wide-angle addition to the wide-aperture lens lineup with a 35mm equivalent focal length of 24mm -- a focal length that street photographers will love along with several other additions.
Built on years of experience with creating the film industry's favorite high-resolution digital cinema cameras, RED now brings the Weapon upgrade in 6K variants due out this summer and in an 8K variant due to ship by the end of the year. There's quite a bit of new information to go with this announcement, but for now, we'll go over the main and most important points.
If you’re a professional in the media industry and a Mac user, you’ve undoubtedly heard of and likely love G-Technology’s storage solutions (not that PC users have a reason not to, though). While G-Tech has largely been typecast an in-studio brand (with the LaCie Rugged drives taking a bulk of the on-the-road abuse), G-Tech’s newest offerings include their ATC lineup that helps close the gap, bringing them into the “all-terrain” hard drive space.
If you don't own one, then you're currently drooling over one of Freefly Systems' MōVI systems (we know the feeling), which have gained incredible acclaim as cheaper and more nimble Steadicam alternatives. This week at NAB, Freefly introduces not one, but four completely new and exciting products, apparently striving for the industry's continued droolworthiness.
We are living in an amazing time for filmmaking and video production. The MoVi was absolutely a gamechanger when it first hit the scene, but DJI's Ronin gave it a run for it's money (actually, a bit less) in the last year. Now, DJI, makers of the Ronin, are releasing an updated version that addresses most users major issue: weight.
In September 2014, Zeiss announced their new Loxia line of manual-focus lenses for Sony’s full-frame E-mount cameras. Ever since covering the announcement, I’ve wanted to try out these stylish lenses, namely the Zeiss Loxia 2/35 because of its extended usefulness in landscape photography. I was very much interested in seeing how a modern Zeiss manual-focus lens designed for a technologically-advanced mirrorless camera would fare, and in the end I was left blown away by the results.
Popular unmanned aerial vehicle manufacturer DJI has announced the release of the new Phantom 3. With new features like a return to home button, the ability to start recording as well as playback, and exposure control all built in to the controller, the Phantom 3 is packed with a laundry list of new features all aimed at making the flying experience as simple and effortless as possible.
Pictured above is the newest addition to the Lensbaby lens family. However, this classic styled glass isn’t just another portrait lens... and how could it be coming from the Lensbaby camp? The Velvet 56 is a solid, beautiful piece of camera hardware with more than one trick up its sleeve.
The extreme wide-angle focal length is an area that I had long ignored. When I was first starting out, I just wasn’t interested in it. I was interested in people – and that meant 85mm f/1.4, 105mm, 135mm, and 200mm lenses with both great compression and bokeh. Leave it Tamron to bring me back to the wide side with the world’s first ultra-wide-angle zoom with vibration control: the Tamron SP 15-30mm f/2.8 Di VC USD.
I, like many photographers out there, don't have a studio, or don't have the money to rent out studio space every time I want to do a shoot. While shooting inside my house or garage is always an option, I found myself wanting to experiment more with ambient and natural light. Although I love shooting in a studio, a completely controlled environment, I learned shooting outside with backdrops was a great experience and taught me a lot about light.