Built on years of experience with creating the film industry's favorite high-resolution digital cinema cameras, RED now brings the Weapon upgrade in 6K variants due out this summer and in an 8K variant due to ship by the end of the year. There's quite a bit of new information to go with this announcement, but for now, we'll go over the main and most important points.
If you’re a professional in the media industry and a Mac user, you’ve undoubtedly heard of and likely love G-Technology’s storage solutions (not that PC users have a reason not to, though). While G-Tech has largely been typecast an in-studio brand (with the LaCie Rugged drives taking a bulk of the on-the-road abuse), G-Tech’s newest offerings include their ATC lineup that helps close the gap, bringing them into the “all-terrain” hard drive space.
If you don't own one, then you're currently drooling over one of Freefly Systems' MōVI systems (we know the feeling), which have gained incredible acclaim as cheaper and more nimble Steadicam alternatives. This week at NAB, Freefly introduces not one, but four completely new and exciting products, apparently striving for the industry's continued droolworthiness.
We are living in an amazing time for filmmaking and video production. The MoVi was absolutely a gamechanger when it first hit the scene, but DJI's Ronin gave it a run for it's money (actually, a bit less) in the last year. Now, DJI, makers of the Ronin, are releasing an updated version that addresses most users major issue: weight.
In September 2014, Zeiss announced their new Loxia line of manual-focus lenses for Sony’s full-frame E-mount cameras. Ever since covering the announcement, I’ve wanted to try out these stylish lenses, namely the Zeiss Loxia 2/35 because of its extended usefulness in landscape photography. I was very much interested in seeing how a modern Zeiss manual-focus lens designed for a technologically-advanced mirrorless camera would fare, and in the end I was left blown away by the results.
Popular unmanned aerial vehicle manufacturer DJI has announced the release of the new Phantom 3. With new features like a return to home button, the ability to start recording as well as playback, and exposure control all built in to the controller, the Phantom 3 is packed with a laundry list of new features all aimed at making the flying experience as simple and effortless as possible.
Pictured above is the newest addition to the Lensbaby lens family. However, this classic styled glass isn’t just another portrait lens... and how could it be coming from the Lensbaby camp? The Velvet 56 is a solid, beautiful piece of camera hardware with more than one trick up its sleeve.
The extreme wide-angle focal length is an area that I had long ignored. When I was first starting out, I just wasn’t interested in it. I was interested in people – and that meant 85mm f/1.4, 105mm, 135mm, and 200mm lenses with both great compression and bokeh. Leave it Tamron to bring me back to the wide side with the world’s first ultra-wide-angle zoom with vibration control: the Tamron SP 15-30mm f/2.8 Di VC USD.
I, like many photographers out there, don't have a studio, or don't have the money to rent out studio space every time I want to do a shoot. While shooting inside my house or garage is always an option, I found myself wanting to experiment more with ambient and natural light. Although I love shooting in a studio, a completely controlled environment, I learned shooting outside with backdrops was a great experience and taught me a lot about light.
Some of you thought that my post last week about photography accessories brand Photoflex suddenly closing its doors without warning after 30 years of business was a possible April Fools' joke. I wouldn't blame you since it seemed to be annouced late in the day prior to April 1st and they seemed to be a fully-functioning business right up until the final moments. I did email Photoflex to inquire about more information and they did just send back the following press release:
I will soon be releasing a start-to-finish retouching tutorial video here at Fstoppers on my most recent fashion editorial photoshoot. But before I do, I wanted to start warming our readers up with a complete gear list. In this article, I share with you everything I used on my shoot, the breakdown of costs, and where to find all the gear and extras: from the Profoto Strobe all the way down to the gaffer tape.
The One Man Crew from Redrock Micro was a treat for small interview productions, whereby a fully automated slider could capture subtle camera moves and add tremendous production value. It wasn't without a few issues though, and for the last few years we had been hearing about a version 2 that would address these. Redrock has finally delivered.
Get ready to leave your jaw on the floor. Brain Farm Cinema, the production company that is one of the global leaders for capturing ultra high quality, pioneering action sports and documentary cinematic digital video, has done something no one else has. They have just released this stunning footage showing what happens when you strap a very expensive high speed cinema camera, to a very expensive drone, and fly around trying not to have a $250,000 mishap. The footage is glorious, and is .