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Why Cloudy Days Aren't Always Best For Your Photographs

Why Cloudy Days Aren't Always Best For Your Photographs

Most photographers know that a cloudy or overcast day produces really soft light that can be flattering on the human face. But many of my wedding clients naively say "Oh it's overcast today, the photos will turn out much better!" Sometimes Most of the time overcast light is actually pretty boring and removes any and all contrast from your scene. There is a little trick I explain in our Wedding Tutorial that has saved me from producing boring, flat images on a cloudy day, and I think all photographers should have this technique in their bag of tricks.

How Commercial Photographer Corey Rich Shot CrossFit

How Commercial Photographer Corey Rich Shot CrossFit

Guest writer, Corey Rich is primarily an outdoor/adventure photographer, but last winter he decided to do something totally different and shoot CrossFit—the masochistic athletic craze sweeping the nation. More than anything, he was keen to experiment with heavy-duty artificial lighting in an indoor environment–not exactly what he's known for. His goals were simply to elevate his lighting skills, unlock his creativity in different ways, learn some new things, and have fun in the process.

Tree Speed's Time Lapse Tour In Utah

Tree Speed's Time Lapse Tour In Utah

Django Greenblatt-Seay and JJ Dreier joined together to form Tree Speed, self proclaimed as "A of couple of Mid-Western guys who spend vacation time traveling the country shooting time lapse photography."

Based out of Omaha, Nebraska, the duo recently took to the road and self produced a 10 day trip to Utah to create a series of time lapse videos. In order of appearance, the team shot in Latuda, Utah (a ghost town), Arches National Park, Canyonlands National Park, and Lake Oahe.

Confessions Of A Pro Photographer: Corey Rich’s Top 4 Photo Bombs

Confessions Of A Pro Photographer: Corey Rich’s Top 4 Photo Bombs

As a fellow commercial photographer I know that clients come to us for consistency and reliability. They hire us because when they are spending the big bucks on advertising campaigns they don’t want to leave things up to chance. It is part of our job to deliver the end product on time and free of flaws, but even a professional at the top of their game still battles with human error.

Prints for Prints Raises Money for Families to Have Photos

Prints for Prints Raises Money for Families to Have Photos

Imagine never having the keepsake of a photograph as a memento of your family. This is a common reality for many in rural areas and third world countries and Portland-based photographer Joni Kabana aims to do something about it. She founded “Prints for Prints: A Global Rally for the Printed Photograph,” a non-profit that auctions photographic prints to raise money so that people in rural areas can have their own family portraits.

How To "Read" Light In Photography - Part 1

How To "Read" Light In Photography - Part 1

One of the first very important skills I acquired in my Australian Photography course was the ability to breakdown lighting and determine approximate camera settings in images taken by other photographers. If you understand how the direction of light and its degree of diffusion are controlled and how they affect images, it should be easy for you to train yourself to "read" lighting in the images you see in magazines, on billboards and in your favorite photographers’ portfolios.

What I Learned From Photographing 35 College Football Tailgates

What I Learned From Photographing 35 College Football Tailgates

In the fall of 2010, I decided to shoot my dream assignment. I knew that no one was going to pay me to go out and tackle this subject matter, and I had not seen any photographer do what I wanted to do, so I did it. At the time, I had no idea what the assignment would turn in to or how it would change me as a photographer and a person. Here is what I learned from photographing 35 College Football Tailgates.

Developing A Light Kit For Any Situation

Developing A Light Kit For Any Situation

7 years of shooting Automotive Editorial Photography has taught me to streamline as much as possible. One area I've simplified to fit my needs is my lighting kit. I used to rent gear wherever I could, but after you use your own gear long enough you almost develop a relationship with it and now I definitely prefer to use my own lights.

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