Each year Patrick and I work on one extremely large project. Two years ago we created The Art Behind The Headshot with Peter Hurley. Last year we finished our 14 hour tutorial on how to become a wedding photographer. In 2013 we teamed up with Mike Kelley to produce what I believe is the best resource available on How To Photograph Real Estate, Architecture, and Interiors.
I’m calling it. This commercial for Volvo Trucks that came out today is the best commercial of 2013. What makes it – or other commercial shoots - so successful? Beautiful, simple ideas, a great concept, seamless execution, a bit of good old nostalgia and a pinch of the unexpected all mix beautifully to give us 70 seconds of pure brilliance. With four eight twelve twenty four thirty million views and counting, let's take a look and see why this ad has been so successful.
This shoot combines two things that I really love as a photographer: motorsports and incredible shoot locations. This comprehensive behind the scenes video captured by Ron Risman really gives you a great idea of how photographer Gregor Halenda put the campaign together. The resulting images were crisp and clean, showing off the bikes and locale.
Watch this early cut of a potential series about Jimmy Nelson now. Getting past the overly-dramatic-action-movie intro, this is a show you will want to watch. "Before They Pass Away" follows Nelson around the world on his journeys to photograph indigenous tribes before they go extinct. In the first episode, Nelson and his team travel to the Vanuatu Islands where they photograph five different tribes that live on the 83-island chain.
This is it. By now, You will have been inspired, honed your ideas, found the perfect location and booked your talent. You will have taken that little bit of inspiration and nurtured it into a full fledged shoot. If you are anything like me, you will have tossed out far more ideas than you kept and you will have spent hours upon hours solidifying the few that stuck with you. It is safe to say that the hard part is over.
NYC Photographer Richard Renaldi recently embarked upon one of the most original photo projects I've ever seen. In the series Touching Strangers, Renaldi finds two strangers, whether on the street, in a restaurant, at work - and tells them to get together and pose as if they have known each other for years.
The [Framed] Network recently teamed up with photographers Brooke Shaden and Lindsay Adler for a very interesting show - "The Concept". In this show, they give Lindsay and Brooke the same missions, and they together have to decide on the concept and location. Both Lindsay and Brooke are leading names in the industry and both are amazing photographers, so it's very interesting to see how each one of them tackles the concept in a very different way. Both results are epic yet so different.
After 2 years of planning we are extremely excited to announce Fstoppers Workshop Atlantis, our first ever live workshop event. We have 10 incredible instructors and we will be limiting the size of the event to around 200 students. The best part is the location; we are throwing this event at Atlantis Resort in the Bahamas.
You may already be familiar with Dustin Farrell. If you're not, you should be. His time-lapses are incredible. Dustin's shoots all over the world, but some of his most epic are from the American West. In this video, we get to follow Dustin on location in Utah and the step-by-step process that follows.
Photo Plus Expo is upon us, and I'm here to give you an exclusive look at what all that happened yesterday. If you're in New York, you're highly encouraged to check out all that is happening. If you're not able to check it out, I am here to show you the new products, exclusive interviews and all the events and news going on in New York this week.
I'm fortunate to get to do a lot of travel with my work. However it can also be a bit of a hassle because I can't really use the same workflow I do at home. I have a very specific and efficient way I handle, capture and deliver work when I am at home, but when I travel, things change quite a bit. Most out of necessity. One of the biggest components to that is my travel workflow.
Recently I was lucky enough to have a day off, something that doesn't happen too often. I woke up that morning feeling a little burnt out from the daily non-stop marathon that is living and working as a freelancer in New York City. I dragged myself out into the kitchen, made myself some bacon and eggs and sat down to eat. Over breakfast, I realized I hadn't made a picture for myself in almost a full year.
Whether you’re a photographer or you focus on video, this article highlights the high octane visual set piece created by Slaughterhouse Pictures, who successfully combined principles of both stills and motion work to create high impact visual media with zero budget and very limited resources. Read the exclusive FStoppers article and watch the BTS video to get some simple and highly effective little tips that you will be able to apply to all aspects of your own work.
Photoshelter has some pretty sweet webinars relatively regularly, and this week they're hosting one on aerial photography: "How Eric Cheng Is Democratizing Aerial Photography." Eric Cheng spent over 10 years mastering underwater photography before deciding to try his hand at aerial videography. Now he’s already turning the industry on its head with a new innovation that allows photographers to capture above-ground footage without the massive expense of a helicopter.
When it comes to photography, it often takes a lot to truly drop my jaw, but the first image I saw of Nick Brandt's series of calcified animals from his new book "Across The Ravaged Land" (Abrams 2013) floored me. The images depict deceased animals from Lake Natron in northern Tanzania. These have to be some of the most beautifully captured images of death I have ever seen.