It goes without saying as photographers we prefer gear to be highly attractive in both form and function. Usually taking a hit in one department or the other due in part by price or depth in features, it's never a flawless combination. These two things for many companies is difficult as they balance high-end product design with outstanding thought in function all while fitting it inside an appropriate price point. Enter the perfect blend of both with the Union Street Camera Bag by ONA. It's not just another accessory in the world of camera gear, but rather a perfect pairing of design and functionality that I can truly stand behind and wear with distinction.
There are dozens of "How To" articles when it comes to portrait photography. Very few, if any, focus on things to avoid. With these quick tips you can steer clear of unwanted experiences and take your portraits to the next level. Here's a list that the professionals in the industry never share with you.
The Fstoppers FlashDisc has become one of the most popular off camera flash modifiers on Amazon and BH Photo. Many of our readers have been asking for international shipping, and I am excited to announce that the FlashDisc is now available through the Amazon.co.uk store. This means anyone in living throughout the European Union can have the FlashDisc shipped to their country without having to pay for expensive shipping from the US.
Recently announced at the head of WPPI a couple weeks ago, was the Profoto B2 strobe system. The unit, small in comparison of its competitors, was arguably the most exciting product announcement this year at the popular photography convention. However, the burning question everyone has been asking is… is 250Ws enough for on location work like Profoto suggests?
What happens when one of the world’s foremost portrait photographers decides to turn to photograph still life paintings instead of people? There are no two ways about it - Jill Greenberg is fascinating. Her new work is beautiful, but there is also a clear artistic statement behind it. In this exclusive, we get to understand her direction and motivations behind "Paintings", her latest body of work.
Last month, internet pioneer and Google Vice President Vint Cerf warned the world on BBC about the impermanence of our data in a digital form due to the fact that the technology that can read it today will become obsolete. He argued that in a few hundred years, we may not be able to read any of the images or videos created today for the same reason we can't read a floppy disk: because technology will have moved on without us, and without that information. But is he right?
Knowing when to stop is the hardest lesson to learn for those new to retouching. In this tutorial we will look at how to recover lost texture and over smoothed skin tones, even when your file has been flattened. In this image the texture has been over retouched resulting in a significant loss in the skin texture. The transitions between skin tones have also been slightly overdone. Frequency Separation is a term we see in retouching all the time its also a technique I'm working on using less and less and bring in as a last resort. By using frequency separation here we can borrow texture and...
We've had one hell of a cold, long winter this year here in North America. On top of that, I live in Houston, Texas, so this business of freezing rain in March can go die in a fire already. I enjoyed shooting moody styles outside during this extended drabness in recent months, if I'm honest. However, sunny days are coming and I couldn't happier it because summer means outdoor swimwear projects begin, which is one of my favorite styles to shoot. However, having been so bleak for so long this winter, have you gotten yourself prepped for this most popular of fashion and glamour photography seasons?
Brand new to Photoshop? Literally got hooked up on Adobe Creative Cloud last week? If so, more than likely you're fumbling around trying to make sense of the damn thing, and are looking for some help. Online videos about Photoshop techniques number in the hundreds of thousands, and it's quite likely you've watched at least half of those by now. If you've had trouble finding video tutorials for you, the bare bones beginner, then my Beginners Basics Series videos are for you, and I welcome you to check out Lesson #4: Healing Brushes.
So I get this question all the time, and decided today I would answer it. You see, I tend to add the client name, or the subject's name, my own logo or watermark, and even the occasional censor bar, to my images in as creative of a manner as I can. This is just a little thing I enjoy doing, and never gave it another thought when I started it. However, since then I've been asked several dozen times how I go about doing it, so today I made up a quick tutorial covering exactly how I do it.
When retouching, it is not rare to come across color problems on a model’s skin. Whether it is from a sun tan, dodge & burn, spots or skin discoloration issues, it can be really painful to treat it in post. Despite being all about having it right in camera and doing as little as possible in post, there is an easy way to correct this in Photoshop -- a method that is going to make your makeup artist want to stop correcting redness, yellowness or under-eye bags. It is so easy to use you are going to wonder why you did not think of it earlier!
Another question I get asked quite a lot, and I am only happy to answer on my channel. Achieving glamour skin tones starts on set, of course, with your subject, and how you go about shooting your image, but post work to enhance it is a must as well. I created a 20 min video reviewing exactly what it is I often do, using Capture One for RAW processing and Photoshop CC14 for further color work in regards to skin tones.
Join Patrick and Lee of Fstoppers on Spreecast TONIGHT at 8:30 EST as they talk with a few of the top photographers teaching at the 2015 Fstoppers Workshops. We will be talking about our upcoming event in the Bahamas while our guests will be answering questions from our audience. Any topic is fair game so if you want to ask questions about business, retouching, lighting, marketing, or gaining commercial clients the floor will be yours.
A lot of times, what appears to be light effects in my work is actually done in post production, using Photoshop, to enhance or exaggerate existing light sources in an image. I actually get asked a lot about this, and decided I would do a "blind video" on the subject. That is, I would add atmospheric type of effects to an image that I hadn't practiced on, thus showing the full process I go through as I figure out what I want to do with it.
Brand new to Photoshop? Literally got hooked up on Adobe Creative Cloud last week? If so, more than likely you're fumbling around trying to make sense of the damn thing, and are looking for some help. Online videos about Photoshop techniques number in the hundreds of thousands, and it's quite likely you've watched at least half of those by now. If you've had trouble finding video tutorials for you, the bare bones beginner, then my Beginners Basics Series videos are for you, and I welcome you...