There are hundreds of 35mm film camera options out there. Everything from cheap drug-store point and shoots to beautiful, bespoke-feeling Leicas, to the Canon AE-1 hipsters wear around their necks with a guitar strap. The Nikon F100 is, without a doubt, one of the best 135 cameras out there and is, in my opinion, is the absolute best choice for a digital shooter to experiment with 35mm film.*
As photographic professionals, we spend a lot of time just getting work done. There are emails, phone calls, retouching, shoots, gear maintenance, backups, portfolio management, and all the other things you've heard listed by anyone giving you the sermon on photography as a business as opposed to photography for the love of the craft. The reality is, for many of us, that some of this stuff just isn't all that inspiring. Below are a few things I recommend if you start feeling that strain.
So a few weeks ago I found sometime to shoot a personal project, a summer inspired beauty shoot. The idea behind the shoot was to focus on summer and to play with bright and vibrant colors. Prior to the shoot a spent days experimenting with new techniques and different ways of introducing color into my shoot. In this article I want to share a couple of techniques I used to create colorful effects in camera and also how I recreated one of those effects in Photoshop.
While there’s never been a sure fire way to win work and sustain a living as a photographer or film maker, and particularly not today given how much change we are seeing, having your own unique vision can help set you apart from the crowd. Young film maker Paul Trillo has shown time and again how an interesting perspective can separate him and his work from the pack. After watching his recent innovative short, you'll likely never be able to look at your phone in the same way again.
When I was just eight years old I would flip through the pages of National Geographic and imagine being a photographer in Africa. I was captivated by the faces and places that seemed worlds apart from my typical Middle American hometown. Fast forward years later, and I'm living the dream as a travel photographer working throughout Africa and Europe. If you've ever wanted to travel the world with your camera, here's my advice to help you get started and thrive in professional travel photography.
The other week, I wrote that I was excited about Phase One's newest gear announcements for a multitude of reasons. Well, thanks to my friends at Digital Transitions and Phase One, I was lucky enough to do a photoshoot with the BRAND NEW Phase One XF body, the updated IQ350 50 megapixel CMOS medium format back, and their newest 35mm leaf shutter lens. As an owner of their previous generation 645DF+ body and IQ140 back, I was incredibly impressed by the notable technology advancements in their newest gear. Read below to see why.
Assisting for a photographer or videographer can be a rewarding experience filled with knowledge and new perspectives. An assistant often receives an insider's view into how a photographer runs a production, and gains networking opportunities that may not have been accessible before. However, being an effective assistant requires more than holding light stands or reflectors. Great attention to detail and a humble can-do attitude can ensure your return to set, and solidify your reputation as a reliable assistant. While every photographer varies, we will review some of my tips for proper etiquette for assistants, from a photographer's perspective.
Where do you get your inspiration from? The outdoors? The city? Or maybe human beauty? Wherever it comes from, it drives us as creatives. As visual artists, we translate this inspiration into images or videos but the process of getting there isn't always easy. Long hours, little sleep, and the added stress of paying the bills can leave us losing focus. Maybe your original passion isn’t as strong as it use to be or all the family photo sessions you have taken on leave you feeling like all the fun is gone? So what do you do when you feeling like you're loosing your creative edge? Crank up the tunes and start jammin' out because here are three ways music can transform your photography.
Great retouching is all about small details. They often make the difference between a well-retouched image and a world-class retouched image. However, seeing some of the details can be tricky. Especially when you are on the go and retouching on a laptop screen that doesn't offer the precision of a well-calibrated screen with a large color gamut. A couple of months ago I showed you a trick to see more details than what your eyes might see on an image by using a solar curve. In today's article, I am going to show you another technique that I often use to clean up small details. It is so easy you might end up wondering why you did not think of it before.
You read that right: shouldn't. Wedding photography is a field that many photographers work within at least once or twice in their budding careers. Is it for you, though? Do you have what it takes? Even some of the most seasoned professional wedding photographers have thrown in the towel and moved on to other forms of work. Why is this, you inquire? I asked several of my colleagues – wedding photographers and other professional shutterbugs alike – their thoughts on why they think shooting weddings for a living sucks. These are the top five responses I received.
Like many of you, I have a very small marketing budget. I personally cannot justify spending a ton of money to run long campaigns on Facebook or Google Ad Sense in order to promote my work. Facebook also regularly changes their algorithm for organic posts, so it’s just not always wise to throw money at them and hope for qualified leads. In this video, I’m going to share five ways that I’m marketing my photography business for under $50.
Shooting with two cameras seems to be a growing trend in the wedding industry. When I first started shooting, I saw people doing this and I just didn’t see the point. I figured I could always change lenses, and then I would be good to go. Once I gave it try I completely fell in love. Here is my “how and why” I shoot with two cameras.
Recently I was sent a YouTube video of an artist who spent a huge amount of time creating drawings using MS Paint. The end product was decent enough, even impressive if you consider the tool he was using, but if you were to eliminate knowledge of his method it would merely be a mediocre, unimpressive digital painting. How amazing could this guy’s work be if he didn’t arbitrarily limit himself? This is clearly an extremely talented artist that is limiting the quality of his work by stubbornly insisting on using an inefficient tool. Which, of course, got me to thinking about how as photographers, we have a tendency to do the exact same thing.
In the final part of the Dramatic Beauty Portrait Tutorial, we will look at how I do my Black and White conversion. This image is a dramatic image so it calls for a punchy and high-contrast black and white conversion. In this tutorial, I will show you how I stack blending modes and adjustment layers to get my image exactly where I want it. You can follow these steps in your own images or use the techniques and customize them for your own use. In the video you will also see how to use layer masks to create targeted adjustments for your high-contrast black and white portraits.