As a taxi driver in the United Kingdom, Mike Harvey sees his fair share of characters popping in an out of the back seat of his cab. Being a photographer as well, it only seemed natural to begin making images of his passengers. From “the old, the young, the rich, the poor, the sober and the high,” Harvey decided to document their faces for a photo project he aptly titled “The Taxi.”
With last week's big news about America’s renewed relationship with Cuba came much speculation about how it’s going to affect long-established restricted travel to the country. While American photographers wait for the White House to clarify its updated policy, some such as Associated Press, Washington Post, and Time photographer Jim Graham already have a leg up on those that have yet to make the trek. Graham’s 2012 trip resulted in what may be some of the final glimpses of a Cuba before American influence seeps across its borders.
Abe Van Dyke is a Milwaukee-based freelance photojournalist whose work is submitted to the Demtix Wire, which is owned by Corbis Images. You may recognize Abe's name from his work covering the rioting and demonstrations in Ferguson, Mo. or his photographs documenting the passing away of his mother earlier this year. On Friday, Dec. 19, 2014, Abe was photographing the protests in his hometown of Milwaukee when things went south with law enforcement officials quickly, resulting in the arrest of Abe along with the protestors. Abe was kind enough to make time for a brief interview to share the story behind the photos that took his freedom.
On Nov. 17, 2013, an EF-4 rated tornado ripped through central Illinois relentlessly damaging and destroying over 1,200 homes, and ultimately killing three people. The Journal Star’s photojournalist team sprung to action after the tornado subsided, taking to the streets and skies of the affected towns to document the ravaged community. One year later, they traced their steps of that tragic day to create this astonishing Then and Now photo series.
For the last 2 years I've made my living shooting architecture with DSLRs, mostly short videos of California's fanciest multifamily apartment communities. When my client Synergy Corporate Housing asked me to continue that mission with all of their international properties in 10 major cities across 8 European countries, the first thing I thought when I saw the 32-day itinerary was, "bring a Hasselblad."
A new photo series on display at the Madison Museum of Contemporary Arts explores the handful of countries that have declared sovereignty that no one knows about. In his “Lands in Limbo” project, photographer Narayan Mahon documents the seemingly non-existent countries of Abkhazia, Transnistria, Nagorno-Karabakh, Somaliland, and Northern Cyprus, all share one thing in common - the lack of international recognition. In many cases, he was surprised to find that many of them actually functioned better than he thought. “It’s not chaos. It’s not lawless,” he tells Slate .
Ralph Morse was perhaps one of the greatest American photojournalists that has ever picked up a camera. Covering some of history's greatest events, there is no arguing that Morse had an eclectic and varied career in photography. Some of the most iconic images in American History were created by Ralph Morse, and splashed in vibrant fashion on the covers and pages of magazines.
Bryan Bedder is a freelance celebrity photographer based in NYC. This week Bryan was hired to shoot few key events during Art Basel in Miami, which ended yesterday. Three days ago, while on a break from assignments, Bryan had a horrible accident: w hile at the beach, he dove into a sand bar which caused his C5 vertebrae to fracture and slip, which pinched his spinal cord. Bryan is now in ICU, totally immobile, far from home and really needs your help .
While it’s a part of life most people try to avoid, for her latest project, Danish photographer Cathrine Ertmann decided to put death right in the spotlight. “About Dying,” a photo essay she created in collaboration with journalist Lise Hornung, takes on the subject of immortality in an anonymous and universal tone rather than through the stories of the specific subjects she photographed. In a sense, by doing this, it comfortably helps bring the viewer much closer to the intimacy of their own fates.
I’ve just read a comment from a photographer who said it’s time to stop shooting in black and white. He claimed we don’t see the world in black and white and it was something only done in the past due to the limitations at the time and it’s time to move on. Here’s a number of reasons why I think it’s critical to shoot black and white from time to time, and how it can help nurture your photographic eye.
Layoffs of photo staff continue at one of the world's largest news companies. Thomas Szlukovenyi, the Picture Editor for North America, and Peter Jones, the chief photographer for Canada and the Canada and North American Sports Photo Editor, were axed this week in a move of continued downsizing at Thomson Reuters that gained significant media attention during its first round of major layoffs that began last summer. There is speculation that Europe and the Middle East East could be next.
Cinematographer Danny Cooke spent a week with his guide Yevgein, known as the Stalker, exploring Chernobyl and the city of Prypiat, Ukraine. He came back with a haunting and beautiful video which is essentially a time capsule of the city, frozen by a devastating nuclear disaster that occurred nearly 30 years ago. His aerial shots are especially quite stunning.
It was just over 20 years ago that photographer Jesse Frohman was assigned to photograph one of the most popular bands in world, Nirvana, for the London Observer. While no one knew it at the time, this would prove to be one of Kurt Cobain’s final photoshoots as the troubled Nirvana frontman took his own life just a few months later. Frohman has now put together a book of that final photoshoot, entitled “ Kurt Cobain: The Last Session .”