Photojournalist, humanitarian and former marine Anthony Karen spent a decade documenting the lives of Ku Klux Klan members, gaining unprecedented access to a rarely-seen world. Karen’s interest in documenting this society required months of reaching out to Klan members before he was eventually allowed access to an event. First in rural Tennessee, Karen’s work eventually brought him to document groups across the United States. His resulting series, Ku Klux Klan, is fascinating and surprisingly intimate. [more]
Daniel Arnold may already be known to some of you. With over 30,000 followers on Instagram he has certainly built an audience for his work. He has even been called the best photographer on Instagram…after his account was shutdown when he uploaded a topless photo of sunbathers one fateful day. Arnold has since returned and it seems his plans for notoriety on Instagram may have hit a new high when it was reported he made $15,000 in a single day using the platform. [more]
In this fantastic video from National Geographic Live!, documentary photography Chris Rainier talks about his adventures around the world, the myriad cultures he’s encountered and the power of photography to translate an emotional response to the art that exists all around us. Rainer began his career as the last assistant to Ansel Adams – a position he doesn’t take lightly and one that helpe define is way of seeing. [more]
The Democratic Republic of Congo, often referred to simply as “DRC”, is a country steeped in reports of extreme violence, corruption and unrest. Citing ethnic conflict and the pursuit of control over abundant mineral resources, The New York Times referred to the country as “one of the biggest battlefields in Africa’s history.” [more]
“All good things must come to an end.” It’s a common theme throughout this special by National Geographic in which we follow Steve McCurry on his quest of shooting the last roll of Kodak Kodachrome film ever made. It’s a pretty daunting and heavy assignment to be sure – one McCurry is no stranger to. That fact is even more apparent when we learn that it was McCurry who asked for the final roll. [more]
Conjuring memories of the now arguably-infamous decision by The Chicago Sun-Times to lay off its entire photography staff, The Orlando Sentinel has informed its staff photographers that, soon, their jobs will no longer exist. As part of a restructuring plan to attract increased readership, the paper is shifting to a more “videocentric” approach. [more]
One does not often associate violent protests and the threat of sniper fire with portrait studios. However, photojournalist Anastasia Taylor-Lind’s recent portraits of protestors and fighters in Kiev, Ukraine make us question this apparent disconnect. Taylor-Lind’s stunning and revealing portraits were taken with a medium-format film camera between outbursts of violence, documenting the men and women fighting for their freedom in Kiev. [more]
Thomy Keat is a photographer based in Paris. Although corporate photography makes up much of his job, Keat says street photography is “the thing that makes me want to keep doing what I do as a professional photographer.” Pulling strong stylistic influence from his commercial work, Keat’s street photography is full of contrast, bold lines and repeated colors. [more]
Over the last two days, Kiev, Ukraine has seen its worst violence since the Soviet era, with the death toll now at 75. Fighting between police and protesters escalated when protesters used Molotov cocktails and lit several fires in the city square. This video – shot on a drone – shows the epic devastation from above, and I believe this may mark a very significant turning point in photojournalism. Has the public’s desire for the theatrical become too large a part of journalism? [more]
Publications allowing individual photographers access to their Instagram accounts is an increasingly common practice, and helps to foster a more intimate look at a photographer’s process. For example, Time Magazine allowed several photographers access to its Instagram account after Hurricane Sandy, enabling the magazine to update its almost 600k followers in real time. [more]
“When I first shot the Olympics, my contract allowed me 12 hours to go through the photos and get them back to the team. When I photographed the Summer Olympics in London, my deadline was shortened to 2 hours. . . Now, with the ever increasing immediacy of the Internet age, they want me posting images at each break. [more]
In 1985 there were approximately 40 recorded felonies on the New York City subway system. Every single day. It’s a wonder how young photographer Chris Morris mustered the courage to set off on to the mean (subterranean) streets and begin months of personal project work documenting the New York subway. [more]
According to Wikipedia lifestyle photography is “a style of portrait / people photography which aims to capture and document real-life events, situations, or milestones in an artistic manner and the art of the everyday.” Photographers every day are advertising sessions as lifestyle photography, but in reality, are totally missing the mark.
We often look at photojournalists and think, how could you do what they do. How could you stand around taking photos while people are suffering or could benefit from your help? On the other hand, we rarely think about transfering that realm into something tragic that happens in our own eyes, but that is exactly what Abe did.
Last week John Dominis, one of the most prolific photographers for LIFE Magazine, passed away aged 92. His work was celebrated not just for the strength of his image making, but because of the sheer breadth of what he shot. Today, when we’re told to “focus and specialize” let’s take a moment to look back and remember one of the most consistent and diverse photographers of the 20th Century.