Having just started in photography two years ago I have a strong passion for creatives willing to share their passion and tips with the community. Fstoppers included, its one of the reasons I found all the information I needed with little to no cost starting out. Skillshare is launching an exciting series of classes highlighting how some of the best photographers in the world do what they do best, take incredible photos and share them with the world.
Retouching problems start well before we sit down in front of the computer and begin pushing pixels around. I know this because as I reflect on my past work, I realize that I’m as guilty of making countless mistakes as much as anyone else. Rather than talk about techniques like dodging and burning, frequency separation, etc. let’s focus on more high level problems that might be leading you in the wrong direction.
If you follow any of my work, you know I am a sucker for anything Back To The Future. I even recreated my own BTTF image using a real DeLorean awhile back, so I HAD to share this video. The guys over at Shanks FX have created another inventive tutorial on how you can create your own time travel scene on a budget using a DSLR, simple time lapse software, a toy DeLorean, and some LED lights. Think you may want to try something like this at home?
Dirty backgrounds are something that most of us have had to deal with at some point. Sometimes, all we need to do is clean the background. Other times, it's actually better to do a full background replacement. The full replacement can be as subtle as eliminating shadows and sensor dust or something as drastic as changing the background color. In this tutorial, we go over an easy, but precise, way to do this.
Social commentary showing up in the photography medium is hardly a new concept. But when photographer and retoucher Joel Parés set out to make a statement with his latest portrait series, he knew he wanted to showcase the images in a unique way. The shots, therefore, ended up being simple, two frame GIF animations, allowing you to absorb the initial impact first, and then its correspending follow up message for each image. And you know what? It works very well.
So many times people post cropped photos on social media in order to get rid of their ex or someone they don't care about anymore. While cropping gets rid of the unwanted face, it still leaves other body parts in the frame, and makes the photo look weird - and makes people focus on the fact someone was cropped out instead of focusing on that great photo of you. This very informative and easy to follow video shows a very easy way to get rid of a person in just few minutes, and how to leave no trace behind.
For the last month I have shared a useful tip in Lightroom each week and I look forward to continuing the series. For this week I show you how to use the often overlooked color sliders to control the hue, saturation and luminance of each color in your photo. In the short video I also show how to get those mint saturated greens that are currently very popular.
Phase One has officially announced the release of Capture One Pro version 8 with a host of new features and a new purchasing model option. More than just minor enhancements, version 8 brings with it truly useful features that allow you to perform more of your work within it and not have to turn to Photoshop or additional plug-ins.
Along side the announcements of the PL mounted Cinema and Production Cameras, Blackmagic has also supplied some updates and new software for videographers everywhere, including an update to their DaVinci Resolve system - a multi track color correction system for videographers. Alongside the announcement of the update to DaVinci Resolve, is an all new software suite, entitled Blackmagic Videohub.
What are certain photographers doing that make them popular? Surprisingly enough, things like gear, location, social media skills and post production have very little to do with it. Believe it or not, it's something far more important and it's not often discussed. Here is the common secret all five photographers shared that makes their work stand out.
Like Photoshop, Lightroom is a powerful piece of software. Sadly most of us learn the basics and don't take advantage of all that is has to offer. One powerful feature is called the "Survey View." Are you taking advantage of it? If not, take a couple minutes to watch this two minute video where I go over how to use the tool and the shortcut to get there.
Back in August, while preparing for my latest trip - Seattle on this particular weekend - I found myself casually scrolling through Instagram to kill some time while taking a short break. After just a couple of minutes of this, something I had known quite well for years suddenly became clearer than ever: photographer's images are routinely modified by their clients, with the various filters and image manipulation tools Instagram offers, before they post them. I decided I was going to do what little I could do to speak out against it that afternoon because, by golly, I was all self righteous at that moment, and I was going to be heard. Well, at least on my Facebook anyway.
Martin Melnick is a Portland-based director and colorist. His studio, Tree House Post, specializes in color, VFX, editing, and motion graphics. Recently he along with his team put together an amazing music video for the band Adventure Galley based on classic 50s and 60s scifi shows such as Men into Space, Destination Moon, and Dr. Strangelove. The video has already received quite a bit of attention from various film and music video festivals and Martin was kind enough to share a behind-the-scenes look at the creation of the video in a brief interview.
A common issue that we're often faced with when using hard light modifiers such as a beauty dish or open reflector, is that of over-exposed highlights on our subject's forehead, nose and under eye areas, which also results in lost skin texture in those regions. While raw processors offer up the ability to recover highlight detail, this rarely leads to satisfactory results. In this tutorial I'll show you how to recover the texture while leaving the overall luminosity in-tact to produce a well-balanced result.