Some of the First Footage from RED’s Epic Dragon
Recently director Moark Tola got the chance to spend 2 days testing out RED’s Epic Dragon and has shared the results with all of us. I’m not going to lie, I’ve always been afraid that the day would come when a videographer could pull any frame a video and call it photography. Now you are only $29k (the price of an Epic Dragon brain) away from being able to do just that. Then again, I suppose you could use it to make kick-ass videos. This video shows the capabilities of Red Dragon’s 6k sensor. Enjoy and drool.
“THIS STILL WAS PULLED FROM 6K EPIC DRAGON MOTION FOOTAGE”
“The Red Dragon sensor has 3 F STOPS more than before. 1 in the hight lights which rolls over wonderfully !, 2 solid extra stops in the darks…. maybe 3 once the colour science has been perfected.
But there is still noise, but nothing like before. I ran some 250d 2k film rushes next some of my 4000asa stuff, And silly as it sounds, it looks like film grain, not noise. Don’t ask me how, as I wouldn’t have a clue. But it looks great !
Red Dragon now has the best highlight fall off I have ever seen from any digital camera. Beating film! Big call I know, but after shooting film and pushing it around in telecine chains for more than a decade, I can categorically say that this new sensor has a better range than film ever had.
Single still frames compared to a top of the line professional 35mm Digital stills cameras, I’m going to say that the EPIC matches, if not betters most. Don’t ask me how they do it, but every single frame from the DRAGON is 109meg !! @16bit when saved as a tiff from RCX. and at 100 Frames per second, I tell you this… someone has sold there sole to the devil.
If you are a pro photographer, you are mad if you don’t have this camera in your tool box. You quite literally will never miss a single shot.
Is Dragon better than 65mm Film…. (with good lenses) YES. No shit…
The images out of the Dragon are so smooth now… so so smooth, like low asa large format film.
The Dragon is more stable than my current MX EPIC’s.
The SONY F65 I rate as having the best sensor in the market for a production cine camera. Yes.. it’s better than the EPIC- MX. (I’m not going to harp on about the size of it or the price comparisons).
Even Jim knows that Sony have done very well with the F65 sensor and that was obviously pissing him off, because his new Dragon sensor has just given the the F65 notice.
All the F65 SONY purists out there will dispute this. But I have Sony files here with me, and I’m looking at both side by side… and Dragons grain (noise) structure is cleaner and it has more range.
Dragon is now the King. (AND… I’m not going to harp on about the size of it or the price comparisons). or did I ..ha !
The single one sentence i can say that can sum up everything is this..
It’s the first camera ever that I have used that captures exactly what I see with my own eye.
Never have I seen this before. !”