Watch as Josh Connolly tests out the slow motion explosion he bought off Amazon Prime (ya, you heard me) and then learn how to create your very own. OK, they won't actually teach you how to blow things up, but they will entertain you while walking you through the process they used to create a slow-motion explosion effect. So, even though you may go to Film Riot to learn filmmaking techniques and how to create kick-ass visual effects, you'll go back for the sketches.
Articles written by Kenn Tam
We first saw the trailer for "The Boy with a Camera for a Face" some three years ago. And while it may seem like director and writer Spencer Brown took his good old time, (at least for those of us who were waiting with bated breath), you'll be glad he did. The resulting satirical fairy tale, narrated by Steven Berkoff, is beautiful, humorous, and grim and speaks to how we live our lives in today's media-driven society.
Have you ever wondered what motivates all those successful, high-end professional photographers you look up to? Chances are, if you're a fan of this site, you already have a lot in common with them but Nikon Ambassador Corey Rich helps put that drive into words as he goes behind the scenes with five of Nikon's heavy hitters. "Inspired" is the second installment in a series that “explores what drives today's most diverse and interesting professional photographers and filmmakers, and captures the commitment it takes to tell truly meaningful stories.”
So I get this message from Chelsey, "Kenn I know how much you love these guys!" with a link to a trailer for a new series, to premiere exclusively on Hulu. And as usual, Chelsey wasn't wrong. I do love these guys. Who other than the fantastically spirited and dedicated crew of RocketJump would attempt to make (and chronicle the creation of!) eight of the best shorts on the Internet. You'll be able to watch a new short every Wednesday, starting December 2.
It is no small thing to know how to pose your clients. In fact I don't feel like it's unreasonable to say that it is the hallmark of a competent, professional photographer. Especially when dealing with couples. Most client take comfort in being directed. It helps remove doubt and awkwardness while yielding a far more professional end product. For this reason, posing can be just as important to your final images as knowing what camera settings to use. Besides, it's always more fun for everyone when you can keep the atmosphere carefree, through confident direction and fluid action.
With over 40 years of portrait work under his belt, American Photographer Will Shively has become one of the most successful commercial fashion shooters in Columbus. Will found himself at a crossroads when he first decided to pursue his passion for photography. He got his BFA in painting from Ohio State University and was working for a design firm before being let go with a newborn on the way. But despite the risks involved, Will worked nights as a janitor at a local manufacturing plant while teaching himself the art of photography.
Have you ever wondered how baby photographers (no, not babies that are photographers) pose newborns? Have you wondered how they got those little writhing, crying, flailing bundles of joy to stay the heck still for at least 1/200th of a second? Well, the crew over at Redhead Photography seems to have found the right combination. In fact, the babies in this video are so malleable that it's a little bit unnerving.
I'm not even sure they existed five months ago but since then the prolific crew over at RocketJump Film School have pumped out some really great educational (and often funny) content, quickly becoming one of my personal favorite crews out there. In this humorous short, "Droneward Bound," Ashly and Lauren (both adored) have to chase down a super sexy Inspire 1 drone as it takes on a life of its own. From there, director Kevin Senzaki jumps in on the second video to show us how they went about repairing the audio for the video. Senzaki jumps in on the second video to show us how they went about repairing the audio for the video.
Thank god for the interwebs right? Not just because it brings us badgers and cat videos but because sometimes it allows us to be places we couldn't other wise go. I'm of course talking about the 2015 Adobe MAX conference that just went down in Los Angeles. If you, like me, were not one of the "5000 most creative minds" fortunate enough to make it, then you may appreciate this glimpse from the conference floor. Adobe set up a display consisting of several mock bedrooms. Each room being representative of a time period and pivotal moment within Photoshop's 25 years.
Nine-time Emmy award-winning TV producer and writer John Marshall found himself on Maine's Frye Island with too much time, talent and imagination. The result photo series, which he calls Sunset Selfies, is creative, whimsical and inspiring. I'd be ridiculously surprised if this doesn't spawn a whole slew of creative projects within our community, as enthusiastic shooters start cutting out their own cardboard silhouette to use during magic hour.
In this video we see Antwerp, Belgium-based commercial photographer Andy Van den Eynde tackling color correction on location. Andy starts by dropping his base temperature down to a cool 2800K and then recreates the warm glowing effect of torch light using gels from his Rosco Color Correction Filter Kit. What I found interesting was how he actually builds torches out of strobes and gels, which provide the rim light and the glow that would be thrown off from actual torches.
This is one of the best lighting tutorials I've ever seen, being both educational and entertaining. The German-based production company, Dugly Habits, has created this lighting tutorial for the Dedolight International Competition 2015. Using the Dedolight SPS5E Lighting Kit and a handful of other lights they construct three entirely different atmospheres in one room along with a wide variety of lighting tricks to create the illusions of car headlights, candle flicker, lightening and more. What's even cooler is how they deliver this educationally rich tutorial.
No doubt you are familiar with some of Lewis Wickes Hine's work. He is the guys who took the iconic photographs of the workers who constructed the Empire State Building in New York City. But what you may not know is that he first shot for the National Child Labor Committee, documenting the child workforce of America during the industrial revolution. And that his work went on to influence politicians and law makers by drawing national attention to the harsh realities of child labor.
Have you ever had aspirations to shoot for the movie industry? To travel to some of the most notable cities in the world? To rock the streets of New York City, Shanghai, Detroit, LA, London, San Francisco, Philadelphia, Paris? Well I hate to burst your bubble (actually I kind of get off on it) but chances are you're going to end up in my new hood, Vancouver, BC, Canada.
Ryan and Josh Connolly of Film Riot always brings us the coolest do-it-yourself filmmaking and special effects tutorials. In this "rewind" episode (read: old) they show us how to create the killer effect of throwing someone clear across the room. What's doubly cool is how easily this can be done with just a still camera and software that most of us already have (Photoshop and After Effects).
Have you ever found yourself questioning which file format to use, when it comes to displaying, storing or printing your images? Are you curious about what JPG, PNG, GIF, TIFF and BMP actually stands for? Do you want to know how each format deals with compression and data loss? If so then this crazy informative infographic is just what you've been looking for.
What do iconic movies like Dr. Stranglove, Alien, Psycho and Star Wars all have in common? They all knew how to create that, "Oh f**k" moment. You know the one I'm talking about. Every thing is fine. All good here. Wait a minute. What's that? BAM! Well Director Joey Scoma of RocketJump Film School shows us how to recreate those nail biting, butt clenching, knee jerking moments using tried and true video editing techniques.
We here at Fstoppers can forgive our beloved Trevor Dayley for jumping ship and joined the crew over at SLRLounge as long as he keeps turning us on to useful tools and tips like the Adobe Color CC app. This thing is so cool and it's free. Adobe never seems to stop enriching it's eco systems with improved connectivity and functionality. The Color CC app allows you to sample real world colors (you'll see what I mean by that in Trevor's video) or create color palettes from photos straight from your mobile device.
It's surprising how many friends I know that live in wine country. And yet not surprising how many of them have taken up the camera. They all ask me the same thing. "Do you know of any good resources for how to photograph wine bottles?" Well now I feel like I can say that I do, as I point to this video by instructional photographer Karl Taylor and Broncolor photographer Urs Recher.