Embrace the Magnetic Timeline of Final Cut Pro X

The magnetic timeline is the source of both joy and frustration for newcomers to Final Cut Pro X. Before counting it out, make sure you know these seven tips to working with it.

In this video, Matthew O’Brien from Midland Pictures shares a number of tips and tricks for mastering the magnetic timeline. It’s true, working with Final Cut Pro X’s magnetic timeline can be extremely annoying in the beginning, especially when the program isn’t your first NLE. The first step here may be to just keep an open mind. After you’ve got these seven tools, functions, and shortcuts down, everything will work much more pleasantly.

If there’s one super fast takeaway you need here, it’s to learn about clip connections. Speaking from experience, so many early problems with Final Cut Pro X stem from not knowing they exist. They are unique to this video editor, powerful in the way they interact with the timeline, yet easy to miss because the graphical representation doesn’t offer a very good clue for beginners.

Check out the video above to learn how to utilize clip connections, slugs, compound clips, secondary story lines, and more for peace and tranquility within magnetic timeline.

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Ryan Mense is a wildlife cameraperson specializing in birds. Alongside gear reviews and news, Ryan heads selection for the Fstoppers Photo of the Day.

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2 Comments

Never understood how Premier DIDN‘T have a magnetic timeline... if I‘m cutting something out between two sequential it is 99.9% to, well, “cut something out in between two sequences“!

So in Premiere I’m constantly shifting sequences back together and it’s getting my head in!

I should really get Final Cut, huh?!

Or even better, why don’t they treat this the way every single DAW does, and allow you to turn off/on the slipping behavior before making an edit. Call me crazy.