More Posts in: Concert Photography
Vintage Lenses
I thought I would try out my 50 year old lenses: Canon FD 50mm f/1.5 SSC and Canon FD 28mm f/2.8 on my Canon R5 with the use of the appropriate adapter.
Atacama desert, Chile
Views from Atacama desert, Piedras Rojas and Valle de la Luna
Outside the tourist area photos.
These photos were taken just outside of a small town in central Portugal.
Sand Porn
I really enjoy creating something different with drones. I've had the Mavic now for about four weeks and I absolutely love it.
Single Light Headshot
Client came and needed headshots immediately. Set up a single Broncolor Para 133 in the dining room. Delivered 20 pics. Setup, Shoot, Edit and delivered within 30 minutes.
3 Comments
This is how I started and see no problem with it. If you have a good lens - crop vs. ff discussion is not the most important one.
I used to do it ( alot) with an 80d.
hopless with the kit lens, possible with fast primes like 55mm 1.8 or 85mm 1.8
also possible with the 17 50 by sigma (2.8)
now I have a A7iii. the thing is: at same aperture and speed, you get 4 times the same light. what used to be a hard fight is now just a matter of not forcing the shot.
and it's not about the A7iii: ANY full frame gets that advantage.
long story short: you can do it with a crop sensor, but... damn...
I've shot concerts with a crop sensor before I could afford full frame. If it's a very low light event you will need at least a 1.8 lens to prevent blur and keep your ISO at a decent level. 50mm 1.4 is what I believe I was using at the time. I've compared my current concert pics with full frame to the crop body and they really do not compare. Much less grain, better depth of field, etc.