More Posts in: Architectural Photography
try something new: Deepscape
...was the challenge some weeks / months ago. I did: approaching the topic "deepscape".
Iria sitting on my car
As we were planning our shoot, Iria said she needed a swimwear look. I wanted lifestyle with my car. We compromised. I think it turned out great. Hope you like it.
Secret Canyon
Sand falling in Secret Canyon
Eagles on Lake Winnipesaukee
Shot these while cruising on the lake with friends.
Von der Decken's Hornbill
A bird I have not come across before. In my ignorance I just assumed it was a variety of Toucan.
I feel fortunate to have ben able to capture it with my lens.
8 Comments
I love the lighting, color and sense of depth. "Majesty" is a great title for the image. Obviously, you didn't want an image with vertical verticals (otherwise you wouldn't have used an ultra-wide lens and shot from floor level). I just wonder what this same space would look like with vertical verticals and maybe a narrower crop. Would it lose the impact -- the majesty -- that this photo has? Would it lose the wonderfully vaulted ceiling? I ask because I tend to default to vertical verticals unless I'm trying to turn a piece of architecture into an abstraction. Maybe that's because I'm too rule-bound. I'll bet a structure this beautiful has been photographed many times from more routine angles, but a less-common angle such as yours creates a spectacular perspective. What's the name of this structure?
Hey John, thanks for the interesting comment! The structure is the Notre-Dame Cathedral in Ottawa, Canada. I took a look online for the same location with vertical verticals and it keeps the ceiling and the impressive look. But, I personnally prefer to use the lenses distortion (especially when shoot from low) to create a totally different perspective of location that, as you said, has been photographed many times. I also think that non-vertical verticals provide a better sense of majesty than basic verticals. Thanks again John
I'm not sure about the lighting and the shadows. I like the angle of view and the one point perspective but I miss the clear focal point.
Beautiful picture!
I'm looking for a lens to take similar pictures in my upcoming trip to Europe, specially in the Vatican.
I'm between the Sony 12-24, Sony 16-35 or the Rokinon 14mm... Do you think the 12mm in the Sony 12-24 will be overkill?
I'm curently using the Sigma 8-16mm which is the equivalent of a 12-24mm. I would really go with the Sony 12-24, as it covers 14mm. If you also want to do street photography, I would then suggest the 16-35mm (16 is excellent for architecture while 35 is perfect for street). You can also rent them instead of buying :) Hope that helps
Thanks!!!
You had a beautiful structure. To me a wide angle lens is not fair to it. I would have used a 50 mm or higher and taken several shots and stitched them all together. To me this is a snapshot any tourist might take. Sorry if I am too honest but I make my living photographing and I am giving you constructive criticism. Try going back with a different lens and shoot 20 shots using a tripod and combining them.
I don't think any tourists would get that low and work with symmetry that much. Most people would also use a longer focal length, that's why I used a wide angle, to show a different perspective. I was also limited in time for this shot.
I would like to see some of your work too, if you don't mind sending me a link.
Thanks.
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