More Posts in: Headshot Photography
Vintage Lens
Another visit to our garden using a vintage lens (Canon FD 50mm f/1.4) on my Canon R5.
"Reaching" - 'Sambucus nigra', as my wife calls it, or Black Lace Elderberry for the rest of us.
Any interest in this group?
Hi all, I was looking for such a group but see that although there are many members there hasn’t been a single post. Is there interest out there in getting this group going?
Vintage Lenses
I thought I would try out my 50 year old lenses: Canon FD 50mm f/1.5 SSC and Canon FD 28mm f/2.8 on my Canon R5 with the use of the appropriate adapter.
Atacama desert, Chile
Views from Atacama desert, Piedras Rojas and Valle de la Luna
Outside the tourist area photos.
These photos were taken just outside of a small town in central Portugal.
1 Comment
The first thing that occurred to me was that the subject has fullness under her chin. No one looks good from an "under-the-chin" perspective. I always elevate the camera so that the lens is level with the eyes. Sometimes even higher. (On a Skype call, I always elevate my laptop so you're not looking up my nose. Not my best side!)
Next thing, I would try to elicit some expression, some sign of emotion. Doesn't matter which emotion. Love, hate, anger, tranquility. I always view images as a record of the photographer's relationship with the subject. This relationship is "Blah." Try to engage the subject at some level. I might say something like, "Think of a time when you were: happy, sad, in love, fearful." Take it from there. I don't manipulate subjects. I engage them.
Finally, lens choice. For portraits, a longer lens seems to work better. If you have one, try a 90mm, 135mm.