More Posts in: Headshot Photography
A seeds eater
Nothing more.
Athens photos
A few shots from the winter of 2025. The last one was inside of the Acropolis Museum. (Unfortunately, I could get everyone to walk exactly where I wanted them to. hahaha)
New version of Bluristic available
For iPhone users - a new version of Bluristic has dropped (v1.8) which offers new features and significant improvements in stability & useability.
Focus Stacking ~ New to Me
I am interested in learning Macro/Closeup photography and understanding that Focus Bracketing is a good part of the process, I thought I would give focus stacking a try.
Vintage Lens
Another visit to our garden using a vintage lens (Canon FD 50mm f/1.4) on my Canon R5. NOTE: With this lens the minimum focusing distance is 18" at which point you have 1/4" depth of field.
6 Comments
I prefer Photo #1. Feel there is a story being told.
Thanks Stefan
You are on the right path simply because you recognize the need to practice lighting and composition. It is something that all photographers continue to practice, it never ends. Suggestion: photo #1 have you model elevate her head a bit - her arms seem to be too dominate in the photo. Photo #2 Try to fill the frame with your model and be sure to take horizontal and vertical shots. Photo #3 Be careful with fingers in your photos - they can sometimes detract from your subject. As for lighting - it appears that you are using a single softbox, camera right for photos 1 & 2 and photo 3 looks like mixed lighting (natural light and a small flash unit). Try adding a reflector to your lighting kit. It is a cheap and effective way for you to extend your lighting kit. Think of it as an extra light. I hope this helps. Good luck to you.
Thanks Samuel, I actually went on to get the reflector, can't wait to see how the next couple shots turn out.
Hi Dennis.
Hey I really agree with Samuel's points. I use a reflector a lot. Needs no batteries, $30.00 to replace. Great kit. A technical consideration.
On the asthetic side, I'd like to suggest that shot three is the money shot here, simply because it's engaging. No#1 is a gaze with simple effective construction and a pleasing symmetry. Technically the best of them. Shot #2, to me, seems forced, like she's acting out something for the camera. She could easily be thinking about paying the power bill.... or something else just as boring.
However in No#3 , she's engaged with the lens, and something has obviously humoured her. The look, the pose, it's easily the most natural and plausible. In my opinion, that's what it's all about. The story, the vibe, something that draws me into the moment. It's the x factor that turns nice photos into captivating ones. Much harder of course, but that's why we love it!
Regards
-Greg
Hi Greg, I am really trying to get a hold of how to direct the model to pose, still getting a hang of it. I want to focus more on headshots and your input will help alot, so thanks for the advice, I have to keep practicing.