More Posts in: Headshot Photography
Vintage Lens
Another visit to our garden using a vintage lens (Canon FD 50mm f/1.4) on my Canon R5.
"Reaching" - 'Sambucus nigra', as my wife calls it, or Black Lace Elderberry for the rest of us.
Any interest in this group?
Hi all, I was looking for such a group but see that although there are many members there hasn’t been a single post. Is there interest out there in getting this group going?
Vintage Lenses
I thought I would try out my 50 year old lenses: Canon FD 50mm f/1.5 SSC and Canon FD 28mm f/2.8 on my Canon R5 with the use of the appropriate adapter.
Atacama desert, Chile
Views from Atacama desert, Piedras Rojas and Valle de la Luna
Outside the tourist area photos.
These photos were taken just outside of a small town in central Portugal.
2 Comments
Pieter,
Firstly, it's got a lot going for it. The violin leads us to her face, you've then got some essential light in the eyes and nice focus all round.No real distractions to an engaging story......
Raising the bar? Well, here's my two bob's worth...
1. Her eyes need to 'pop' more, 'cos that's where you want us to go.
A well placed reflector maybe? If one of the group's experts could comment on this that would be instructive.
2. Not knowing what's out to camera left side in the background, the shot feels a little cramped to me. Maybe a 4:3 aspect ratio to the left would achieve this.A line from the movie, The Enemy At The Gates often plays through my mind when selecting the background:
"The hunter always chooses the killing ground"
In practise, I try to organise the non-subject elements in the frame on how well they enhance the sitter. Once in place, I now concentrate on the sitter and helping everything working together for that crucial moment when the best that's possible is in play... about 3 seconds I reckon!
Regards -Greg
I think your original non-cropped version, minus the headroom and desaturated colors, is stronger. It has better context.
I'd work on your use of lighting (natural or otherwise). Pay attention to the face. In this case, her eye sockets are in deep (sort of) shadow. I'd also learn some dodge and burn to correct and even out some of the transitions. But, it's best to get the lighting as correct as possible in the first place so there's less work.
Towards the bottom right has a piece of her finger(s). I'd crop in more so they don't show.