For the technically curious, the full lighting setup consisted essentially of 3 speedlights and some color gels to complement the key white light with some color accents on the edges. The camera body used was a Fujifilm X-T3, and the Fujinon 80mm F2.8 Macro was the lens of choice. The whole shoot was done tethered to Capture 1, which greatly helped simplify the capture and review process.