The only nitpic (and it is a tiny one) is the little dab of soft blue lighting on the dude on the left is less pronounced than the dude on the right. I prefer the soft blue 'halo' from the right side, and a assume it's coming from the window, which is why it's not on the left side of the image. Groups are hard to light evenly, let alone pose naturally, and you've done a really good job of both.
Yeah. I agree. I had a hard time balancing the light from the window with the speedlite (single Canon 430EX II) and still keep it sharp. The guys on the sides got easily blurry because of the continuous light from the window.
I had the same problem with my 430EX II - I solved it by selling the Canon and buying 2 Yongnuo YN 560 II strobes with the money I got from selling the Canon. I now have 3 YN560's and they're better (for me) than the Canon in a few respects - but the most important aspect is that I could afford 3 of them and triggers :)
The only nitpic (and it is a tiny one) is the little dab of soft blue lighting on the dude on the left is less pronounced than the dude on the right. I prefer the soft blue 'halo' from the right side, and a assume it's coming from the window, which is why it's not on the left side of the image. Groups are hard to light evenly, let alone pose naturally, and you've done a really good job of both.
Yeah. I agree. I had a hard time balancing the light from the window with the speedlite (single Canon 430EX II) and still keep it sharp. The guys on the sides got easily blurry because of the continuous light from the window.
I had the same problem with my 430EX II - I solved it by selling the Canon and buying 2 Yongnuo YN 560 II strobes with the money I got from selling the Canon. I now have 3 YN560's and they're better (for me) than the Canon in a few respects - but the most important aspect is that I could afford 3 of them and triggers :)