I wanted to basically steal Chase Jarvis's aesthetic. Blow out the upper half, put all the focus on the product. Three things that accounted for shooting 667 in order to get this 1. Just getting a runner in the perfect stride is hard enough. Getting a runner in the perfect stride with the sun in the perfect spot makes it doubly as tough. Combine those two things with also making sure the shoes are in focus, and it now becomes clear that to do the job I HAD to reach for my D500.
November 2, 2017