Utter the words "16mm" when talking about focal length, and the first thing we think of is the dreaded distortion. But it doesn't always need to be such a bad thing! All-encompassing images can be an incredibly satisfying way of shooting. So, why do we fear the dreaded distortion in our images?
The 85mm prime is a pretty highly regarded focal length for a lot of portrait photographers, with most boasting a deliciously wide maximum aperture. But is it simply too awkward a focal length?
In the land of the photographer, times are harder than ever before, with companies ending their contracts at lower levels and shoots being less available, with budgets cut and a huge number of working photographers facing hard times. With all this uncertainty in the world, can we really survive doing what we love and live comfortably?
Street photography is a realm of photography that carries enormous weight. A genre derived from some of the world's photographic pioneers — the big names. The generations taking cameras to the front lines of war, documenting death, destruction, humility, and the human spirit, and bringing it home to document the everyday. It’s a genre of photography like no other, and here’s why you should be shooting it.
It's annoying, I know. You thought you had it figured out. You thought you'd ticked every box, but I guarantee you didn't. I certainly didn't and haven't to this day! The amount of gear we use as photographers is ridiculous. It makes even the smallest of shoots a test in organization, packing, loading, unloading, setting up, packing down, and remembering to do it all again. But there are some items that simply can't be ignored.
DSLR fashion has plummeted in recent years. The perks of mirrorless tech continue to exceed expectations, pushing boundaries and leaving their clunky, slower siblings in their shiny, space-age wake. But does any of that really matter in the commercial photographic world? Well, no, not really. In 2023, £250 will still have your images contending with ones from bodies 10 times the price.
What does it really take to get by in an industry where any Tom, Dick, and Harry has it in them to harvest likes on images like basking sharks devouring krill? Who’s doing it better? Well, everyone, right? What’s happening, day to day, week to week in the life of an active professional photographer? Well, I’m laying it all on the line. Telling it like it is. Here’s a desperately honest account of what happens in an average week for me, an honestly average photographer.
Addiction. Hedonism. Chasing the dopamine hit. Just another taste. Just one more like. Ok, maybe 10, then I’m done. I swear it’s all I need! Here’s what I’m doing. Here’s what I’ve done. Here’s who’s doing this and hey, look, I’m present. Lifting the lid on the banality of everyday life. Journalists of the quotidian. Instagram is not what it used to be. We can all agree to that. And no truer is that than from the perspective of the humble photographer. Surely, it’s time to grow up, isn’t it?
Street photography is one of those wonderful genres that encourages us to break convention and what we know to be "right" in the big bad, world of the still image. It's one of the few genres, I feel at least, that can encompass all manner of emotions, from humor and lightheartedness to tone, shape, ambiguity, surrealism, and hard-hitting realism at any time.
A couple of weeks ago, I published a piece on the Jack of All Trades Photographer, which covered the plight of the gigging photographer just starting out, doing what he or she can to build portfolio content and generally begin to make a living from it. Imagine my surprise when just a few days later, the topic was covered by straight-talking, commercial super talent and formerly of this parish, Scott Choucino!
Our allegiance to the big camera companies is weird, isn't it? Sometimes, it's a real badge of honor. Other times, well, I'm a little "meh" about the whole thing. Nikon reds pitched up against Canon reds, in a technical tug-of-war? Stripped to the waist and battling it out to the death? Side-by-side comparisons and sensor wars? Not for me, my friend. If you think I'm going to type out 300+ words on as painfully contrived a topic as Canon versus Nikon, you're wrong. Kind of.
I ate it. I ate it with my partner and made soup out of it the next day. Damn, I hate spoilers. Nevertheless here’s the full lowdown on how to orchestrate a simple food shoot when you’re technically meant to be cooking dinner in a pokey kitchen.
Identifying trends in commercial photography is important. It helps you develop your practice and keeps you on your toes! One of those trends right now is hard light. Hit that subject hard, cast some shadows, and make it look like we're all shooting poolside, sipping piña coladas!
They say variety is the spice of life and in the world of the freelance photographer, a broad and knowledgable skill set goes a long way. So, why does knowing your way around a multitude of photographic genres breed so much disrespect in the professional world?
I’ve spent a long time trying not to cringe when I announce myself as a professional photographer. I’m not quite sure why this is.
