We Review the Meike 12mm For Fujifilm: A Budget Lens That May Be Worth Your Investment

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Fujifilm X-T5 mirrorless camera with attached wide-angle lens and hood, silver and black finish.

Photography is an expensive game, especially when you are just starting out. Sometimes, what you are seeking is just a little bit out of reach for now. Third-party manufacturers offer many different options for your brand and sometimes at a greatly reduced price, but are they worth the investment?

The Meike 12mm f/2 lens is an inexpensive, manual lens, with no autofocus or image stabilization. It's perfect for landscape, architecture, tourism, and interiors. Yes, it has its flaws, but considering the price of under $190, is this inexpensive alternative lens worth your hard-earned cash? We review it to find out.

Meike ultra-wide-angle lens with hood and Fujifilm X-Pro 3 camera body displayed side by side.

Build Quality

Two Fujifilm X-T5 mirrorless cameras with different lenses and lens caps side by side.

An 18mm full frame equivalent, this solidly constructed metal f/2 prime lens is comprised of 12 elements in 9 groups, including 2 aspherical lenses, and weighs a mere 277 g. With an aperture range of f/2 to f/16 and a filter thread size of 62mm, it ticks all the boxes for a wide angle lens except for weather-sealing, but considering the price, that is to be expected. The lens feels and is solid and includes a metal lens hood.

Out of the box, the metal lens hood was a little difficult to remove; I couldn't release it from the lens, so I had to attach it to the body of the camera and then release it. Once it was off, however, it worked ok, releasing and reversing; perhaps it had been too tightly attached when packaging.

Wide-angle prime lens with black barrel, aperture markings, and lens hood mounted on white background.

Markings on the lens are clearly visible. The lens has a close focusing distance of around 20cm. The aperture ring doesn't click, but is dampened enough that you shouldn't knock it.

Two wide-angle camera lenses shown from front and rear views, displaying optical elements and mount connections.

The lens is and feels solidly constructed considering the price, with the knurling on the aperture and focusing rings providing good friction and good dampened rotation.

Meike 12mm f/2.8 ultra-wide lens with matching lens hood displayed separately.

Performance and Handling

For this article, I decided only to use the Fuji Classic Chrome film simulation and auto settings in Lightroom so that you are able to see the images uncropped and as they are, with no converging verticals corrected either. I felt that the wide angle of the lens would allow you to see what could be contained within your frame and to what degree. Being a fully manual lens, I enabled focus peaking for my focusing and photographed away.

The lens is sharp in the center at most of the apertures, beginning to drop above f/11 due to diffraction. It's not the sharpest of lenses, but considering the price, it did perform very well, which I really didn't expect. With a wide-angle lens, there is stretching at the corners, again more so than with more expensive lenses. There is vignetting at the widest apertures, which begins to lessen quite considerably by the time you reach f/5.6. The purple fringing in some shots was heavy, but was easily corrected in Lightroom.

Wooden bench facing uphill through bare trees and evergreens on a leaf-covered forest floor.
Medieval stone castle on elevated grounds surrounded by manicured lawns and specimen trees.

Split-screen comparison of a woodland path and gnarled tree trunk covered in moss.
Stone archway framing a distant castle and grounds on an overcast day.
Due to the size of the lens and the size of my hands, I would capture the tip of my finger quite easily in shots. Once I noticed this, I ensured for other photographs that this wouldn't happen.
Split composition showing lush green foliage on the left and a brick building entrance with wooden door on the right.

Wetland landscape with dead reeds and shallow water in winter, divided into two compositional views.
Black dog walking through a forest floor carpeted with small white flowering plants and brown leaf litter.
Gothic Revival brick structure with crenellated towers and tall arched windows, surrounded by bare trees and manicured lawn.

Lens flare is my main comment with the lens. Every lens will have flares at some point. Manufacturing processes and coatings help reduce this considerably and I understand that the manufacturing costs of this lens will be less than higher-end lenses. At first, I thought it was the lens needing to be cleaned, then, after inspecting the glass, I realized that it was the lens hood design that was enabling the flare to be so apparent. Rotating the hood allowed me to compensate, but then, on the opposite side, the flare would reappear, meaning the lens hood design needs to be addressed in my opinion. 

Understandably, a majority of the images in this article were photographed in the direction of the sun on an overcast day, but I felt that avoiding the flaring would lessen the opportunity for photographs in various situations.

Side-by-side comparison showing a twisted vine sculpture with enhanced saturation and color correction applied in post-processing.
Side-by-side comparison of a wooden picnic table by a pond, with red circles highlighting differences between the two versions.

Pros

  • The price
  • Solidly built
  • Sharpness for the price

Cons

  • The lens flare 
  • No EXIF data

Conclusion

I have mixed thoughts about this lens. On the one hand, it's very affordable and would allow someone just starting out in photography to be able to produce decent-quality images and provide them with a good understanding of different focal lengths, as other lenses from Meike are also relatively inexpensive. The caveat with this one for me, however, is the lens flare. I haven't tried any other lenses from the range, so I cannot make comment on them. Would a different style of lens hood be a better option for this lens? I think it might. On the other hand, would it be worth it if you are just starting out to look at other brands in the similar and a bit higher price range if you cannot afford currently the lens you are wanting? It may just be.

So, answering the question: is this budget lens worth the investment? If you were just starting out and on a very strict budget, yes, the Meike 12mm f/2 wide angle is worth considering as it works well. It's not as sharp as some of the other lenses I've tried, but those other lenses are considerably more expensive. If you would like to check out this lens for yourself, you can purchase one here.

Gary McIntyre is a landscape photographer and digital artist based on the west coast of Scotland. As well as running photography workshops in the Glencoe region, providing online editing workshops, Gary also teaches photography and image editing at Ayrshire college.

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4 Comments

You can't really compare these lenses to their "pro" competitors but for the price... they are an incredible value.

I was pleasantly surprised with the quality considering the cost. An option for those just starting.

My first thought was: is this a clone of the Samyang / Rokinon 12mm f/2.0?

It does have a different filter size though so it's not a direct clone.

The Samyang 12mm has horrible lens flare.
How many aperture blades does this lens have? How do sunstars look?

To me the examples are terribly unsharp, is this just due to compression of the format for publication. It would be good to have some links to full resolution images on Flickr etc for future lens reviews