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              annie-leibovitz-disney-ursula

              Annie Leibovitz’s Lighting, from the eyes of a Photo Assistant

              fsnewslogo Annie Leibovitzs Lighting, from the eyes of a Photo Assistant

              Assistants, aka “voice activated light stands”, can be a wealth of knowledge and experience if you are fortunate enough to have access to one that’s been around. It’s not entirely unheard of, to meet an assistant that knows their lighting better than the photographer they are working for. If only one of them would create a blog about their behind the scenes exploits… wait a minute. What do we have here?
               
              Melanie Mann is the author of a blog called: Confessions Of A Mad Photo Assistant, the good, the bad, and the ugly. Where she post really insightful articles, detailing the lighting set ups for shoots like the one below. But she doesn’t stop there. She also promises to share with us “…the stories no one gets to hear from the view of the lowly photo assistant–from plucking the gray stress hairs off of your boss’s wife’s head to chatting with John Paul Jones about smoked salmon eggs benedict.”
               
              Melanie Mann:
              “Tell me these aren’t the most stunning rendition of Disney art to date! LOVE! Alright before I start getting carried away and prattle on about how epic I feel these images are, let’s examine one…”


              dis1 Annie Leibovitzs Lighting, from the eyes of a Photo Assistant

              “Here is Queen Latifah portrayed as Ursula from the Little Mermaid. Amazingly I stumbled upon some behind the scenes photos of the set from different angles, so I think this diagram is a pretty good representation of the set up.”
               
              “The Breakdown:
              To camera right, a large octobank shooting through a large diffusion panel toward the Queen. Two large strip banks on either side of the camera, low, illuminating the underside of the tentacles. Two large octobanks, one above and slightly behind the Queen camera left, and the other handheld by an assistant at 45 degree angle to Queen also camera left. Another large octobank is boomed overhead, an umbrella illuminates the background, and a reflector held by an assistant camera right. Quite an impressive set up! Understandably as there are several moving parts and awkwardly twisting tentacles. Overall beautifully soft soft illumination.”


              dis2 Annie Leibovitzs Lighting, from the eyes of a Photo Assistant
               
              dis3 Annie Leibovitzs Lighting, from the eyes of a Photo Assistant
               
              dis4 Annie Leibovitzs Lighting, from the eyes of a Photo Assistant

              “Here’s a behind the scenes video you can see the whole thing in action:”



              “How fun would it be to climb into that get-up!! And Queen Latifah makes the perfect Ursula! Beautiful lighting, amazing final image.”
               
              via [Confessions Of A Mad Photo Assistant]
               
               
              I have to thank Corey for turning me on to this oh-so-fun blog. And if you get a chance you should too, by either: friending him on Facebook, following him on Twitter, or joining him on the Fstoppers Flickr group. Heck you should do them all.
               
              From Kenn:
              Do you like what we are doing? Then show us some love. Tweet and Like your favorite articles and be sure to leave your comments below. Heck leave a comment even if you don’t like what we are doing. We can take it. ;)

              If you want to receive the best of the month’s news articles in a convenient newsletter with added features such as Easter eggs, upcoming contests, great deals and more… then don’t forget to subscribe now.
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              August 8, 2011
              Kenn Tam
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              • http://www.facebook.com/profile.php?id=506432237 Corey Melton

                LOL, nice find and nice plugs!

              • Anthony luke

                The assistant is holding a Photek Softlighter. Annie uses them all the time.
                http://www.photekusa.com/Softlighter.html

                Cheers!
                Anthony

                check out my kick A** photo blog folks! :)
                http://anthonylukephotography.blogspot.com

              • http://www.facebook.com/profile.php?id=506432237 Corey Melton

                actually, it’s not a Photek. Annie does use one all the time, but this particular one is a Profoto Giant Umbrella Reflector ( http://www.bhphotovideo.com/c/product/584945-REG/Profoto_100314_505_450_Giant_Umbrella.html ) that they have put a diffusion cloth over. She rigged this one up herself for whatever reason.

              • http://www.aputure.com/blog Aputure

                Massive lighting setup. Queen Latifah is great. 

              • http://www.facebook.com/nicholas.gonzalez3 Nicholas Gonzalez

                As abundant as this setup appears, what I love about Annie Leibowitz, is how she keeps her approach simple. Basically, she used the big light sources to create one big wrap-around light source. One light could not have lit the tentacles properly. What an inspiring force she is, as well as this post! Thanks for posting it.

              • Anonymous

                Sometimes i can’t help but think if there is going to be that much post anyway then why the need for elaborate lighting and expense.

              • Jeremy VanNorman

                8 or so lights, a couple fans, a giant rubber octopus suit… simple… right ;-)

              • http://kenntam.com Kenn Tam

                I am putting that one on Disney cause I totally agree.  If you look at the set and all the detail they put into it, like the charred, rocky surface the Queen is on and then look it at the final… meh.  Honestly I bet Annie’s finals are far more compelling before the retoucher layered on the effects.  It’s a shame really.

              • http://pulse.yahoo.com/_R42BXCOGVHNPCKDUH6BDNNTCSA Ma

                Oh, look at that… Finally, a picture from Annie Leibovitz that I don’t like, even the tiniest bit :P Then again, I really am more of her early work fan.
                I agree with Crusty here, what a waste of money and talent this whole setup was! Sure, fun to play with, but did it serve the image at all? Queen Latifah’s expression is really not here nor there, so you can’t say that it helped her get in character or whatever. To create the whole scene digitally would be a challenge… But wait, don’t you have people who already do that, Disney?
                So, it seems like the whole point was have a BTS that shows how fun they are.
                AND, to show us how to light quite a complicated set. Which is really nice of them.
                Seriously tho, I think I just found my new favourite blog. Or second favourite :P

              • http://www.facebook.com/profile.php?id=687531541 Kris Armstead

                I seriously can’t help but think “overkill”, especially with the large scrim with the octobank behind it. I love Annie. Her work inspires me a lot. I’m honestly not really feeling the final image that got produced from this setup shot. I was expecting something MUCH more intricate. The tentacles in the final shot look fake, and like they were added in post. It’s a shame to have such a GREAT production on set, but then have it PS’d away. Like Kenn pointed out… WHERE IS THE ROCKY GROUND? lololol

              • http://www.facebook.com/profile.php?id=37514348 Pratik Naik

                I agree with Ken. I’m also surprised they didn’t use the rocky surface they created in the final composite. I guess the crashing waves to cover it up came from direction afterwards. Also, is there a link to a higher resolution version of the final composite? It would be nice to see some of the detail work. 

              • Eric Filson

                I also agree with Ken… Not only that but look at the final image… the lighting doesn’t even match the scenery, not even in the slightest. The tentacles are lit completely wrong. I get the feeling that the final image was not the image that was planned for but instead they just used Annie’s original shots and shoe horned them into a new “vision”. Maybe it’s just the size of the image available here but I also feel as if the shot would have been better if it was closer up on Ursula’s face. Disney characters are about… character… not tentacles and waves.

              • http://www.facebook.com/profile.php?id=1001685477 Rick Lewis

                What a beautiful image and what a lighting set up!  Great work!!

              • http://twitter.com/MorningRoad Joop van Roy

                http://img231.imageshack.us/img231/1281/disneyqueenlatifah.jpg

              • Guy McLoughlin

                Amazing Photoshop work, and the original photos are OK too…

              • http://www.facebook.com/profile.php?id=506432237 Corey Melton

                lol, i read this backwards. “Lighting setup is great. Queen Latifah is massive” HAHA

              • http://www.facebook.com/people/Donna-Munshi/528165057 Donna Munshi

                love it !!!

              • http://twitter.com/NeileGibbs Neil e Gibbs

                I guess that’s how it goes you shoot some frames, if you don’t like it shoot some more I’m guessing that’s the case here. Then PS that mother lol. well I can’t get down on her she’s in a place I’m not.

              • http://twitter.com/wallisphoto William Jason Wallis

                just lots of lights basically…

              • http://profile.yahoo.com/QXQXR3WCEVW3WBCQ23BEVKWUTE RickC

                Initially impressive but upon further inspection feels disjointed and full of seams. Looks like Queen Latifah was plopped into the octopus. They should have painted her arms and skin purple – ar at least have faded are arms into the purple so it seems her flesh and the octopus were one. In terms of posing, her arms are out of place, she should have at least made her arms more sinous-looking – she looks like she’s just at rest but the octopus arms are flailing and dynamic. Same for her bustier, it should have looked like octopus skin melding with her own flesh but looks like a bustier on an octopus LOL. Love Latifah and Annie but this was a failure, despite the beautiful lighting.

              • spoonsacola

                I think the biggest problem in this image is the fact that the (overdone) lighting doesn’t actually match the final image.  You can see where the moon ‘would’ have been in the sky they used.  It matches up well enough with the waves camera left and right.  Almost back lighting them, diagonally from the left.  The lighting on Latifah is left, but way too forward and from the front.  It just doesn’t look right and is jarring.  Basic digital compositing mistake really – the lighting always has to fit the final image and, in this shot, it doesn’t.  Latifah should have been lit way more from the back, with some general fill from the front.  This is a FAIL for me.  All the talent in the world can’t save sloppy work.  I’ve seen FAR better stuff on deviantArt from no-namers.  Still, as has been said – Annie is doing things and getting gigs I’ll never get to do.  But that’s the way the industry is…

              • http://twitter.com/IAM_THE_KGB KGB

                My God has she sold out.
                Her early [read RS work] showed something original, now nothing but overblown schmaltz…
                Shoot an expensive set, not that well btw, then send it out to the retoucher.
                Her work is overpriced, overrated, overblown nothing.
                Why do they keep hiring her?
                Annie Who?

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