I’m a bit of a dreamer. I’m also a huge aviation geek, and I often catch myself browsing the web at 2am looking up articles on aviation and aviation history. So when I found Anthony Toth and learned more about his life’s work, I knew that I had my next personal photography project in mind. As I'm mostly an architectural photographer, I got bored of waiting around for an airline to hire me to photograph their next ad campaign, so I decided to hire myself into my dream gig.
Whether you’re a fan of social media or not, it’s definitely here to stay and constantly evolving at lightning speed. It’s completely changed the fabric of how we (photographers) do business: from publicizing images to marketing tactics and communication, our daily life is inundated with a constant barrage of notifications and a conditioned head-down-to-phone routine. Unfortunately, if you aren't using social media to its fullest, then you may be left behind.
"It is not about getting as close as possible, but to capture the feeling of being there. I don't want to just look into their world, I want to be a part of it." Asgeir Helgestad is a photographer from Norway whose wildlife imagery seems to step inside the world of the animal. In this short video, Asegir explains why he chose this pursuit, and what he hopes to convey with his work. Worth the watch in HD and fullscreen.
The iconic Windows XP wallpaper "Bliss" is widely considered to be the world's most viewed image. Though most of us are familiar with the beautiful image that has graced our computers at one point or another, not many are familiar with the story of how it came to be, and fewer yet that it is in fact a real image captured on film! Photographer Charles O'Rear shares with us the story behind how he created the image with nothing more than his Mamiya RZ67 and a roll of Fuji Film.
When it comes to putting together a photo shoot, if there is anything that I’ve learned (and continue to learn), is that the time spent working out the smallest details will save you from at best a tremendous amount of work after the fact, and at worst, the horror of having to scrap the shoot entirely. That’s why when you’re putting together a photo shoot, no detail should be overlooked, least of all the talent that you choose to work with.
Brandon Cawood, from Dalton GA, has taken appreciating first responders to the next level. What began as a personal project to photograph local EMS personnel, soon blew up and went viral. Cawood captures priceless moments in the daily lives of firefighters, police and other public safety personnel. He has a movie poster style and pulls it off in a flawless manner.
I'm pretty excited about this behind the scenes video. Not because it's anything spectacularly informative, but because for whatever reason, people in my industry don't generally produce them. I couldn't tell you why that is. It's not like fitness photography is anything revolutionary. In fact, I would venture to say that rendering the human body is one of the most basic exercises in art.
Anyway, to the point...
Check yourself Lytro, Google's new Lens Blur mode is coming through! Today the Google Research blog introduced a new mode in the Google Camera app that allows Android phone and tablet users to take photos and change the focus after the photo is taken. By changing the depth-of-field slider, you can simulate different aperture sizes, to achieve bokeh effects ranging from subtle to surreal. According to the blog post the new image is rendered instantly, allowing you to see your changes in real time. Click more to see examples of this new mode that could be a serious game-changer for phone photography.
Monte Isom, NYC-based sports, entertainment, and advertising photographer just shared a look behind-the-scenes at his most recent shoot for the World Cup. The video takes you all the way through his preproduction and makeup, to shooting with a pretty good look at his lighting setup.
Zoom, focus, spray and pray. That seems to be the M.O. of many photographers who shoot runway. I admit, I was one of those photographers. The one who scours through thousands of images at the end of the night, wishing they had shot more strategically. And, after two hours of culling, flagging three images per look, they’d be lucky if only one was tack sharp. After many shows, I’d criticize my every move and would long for a time machine to do it all over again.
We might be focused primarily on photography here at Fstoppers, but many of us shoot video and many more are heading to the dark side and getting into the world of motion. This gorgeous little animation from the guys over at Inside The Edit details what a video editor does, and why editing is both misunderstood and yet so critical in the narrative process.
Cinescapes Collective is a Saskatchewan, Canada based production group that has been putting together unique documentary content that has a dramatic and cinematic aesthetic. Their most recent short tells the story of Kessler, the creators of popular video production gear like sliders, cranes, and now motion control products.
As a working photographer, my gear is obviously very important to me. My most-used lenses, Canon’s 35L and 50L, are both long time favorites and are glued to my camera almost 24/7. For many reasons, I’ve been a fan of Canon’s prime lenses for a number of years, taking both the good, the bad, and the price tag that they each have to offer. When something new like the Sigma 50mm f/1.4 comes up I, like most of us, give it a quick once-over and then head back to the comfort of our expensive name brand gear.
Peter Menzel is an award winning photojournalist whose work has appeared in many national and international publications such as: National Geographic, Time, Wired, Geo, Stern, Paris Match, Life, Le Figaro and Forbes. Today his new project: Waste in Focus. A documentary project that profiles eight families in four different cities with one weeks worth of trash.