In this tutorial, Photoshop guru Aaron Nace of Phlearn.com shows you an easy yet effective way to take branding your images to another level. By placing logos or other branding elements into a scene's already existing spaces (such as billboards, truck trailers, or even clothing) you can really drive home the message you are trying to deliver. Follow Nace's simple step-by-step instructions to recreate this effect in your images.
Post-Production and Retouching is just as much an integral part of creating a great image or series of images as pre-production and the actual shoot, especially when you are shooting for a client and not just for yourself. Each genre of imagery, advertising, beauty, fashion, etc. has a slightly different set of rules and parameters when it comes to retouching. In this tutorial we will look at the complete start to finish of a fashion editorial image. Last week I posted the complete gear list for this exact shoot. This week we will look at the first part of retouching, including cleaning up our white seamless and correcting distractions in our image.
Dana Pennington is a Los Angeles-based Fashion photographer. He recently moved to become a permanent resident in Los Angeles, from his home town Denver, Colorado. I had the chance to sit down with Pennington during my first trip to L.A., over the past weekend, and talk to him about his journey into the fashion photography industry.
Some of our Fstoppers readers may have noticed that for nearly a month, specifically after March 28, I dropped off the map in terms of posting new articles. Some have asked why, and in the interest of transparency, I have opted to write this article today explaining this near-tragedy and subsequent fallout from it, as well thanking the photo and video community for their continued generosity and support during this difficult time. On top of that, I have a special offer (in the form of your donation) for my video tutorials.
As mentioned in my previous article reviewing “Street Photography: The Art of Capturing the Candid Moment” by Gordon Lewis, the digital photography book publisher Rocky Nook has recently released some new titles that I was eager to check out. In this article, I take a look at “The Art, Science, and Craft of Great Landscape Photography” by Glenn Randall which offers an interesting take on the classic genre. In addition to the review, we are giving away two copies of this book to two lucky Fstoppers readers.
There is that spark in all of us. For some it's the first press of the shutter. For others it's that first dollar we make for creating art while doing something we love. It's that spark in our mind, in our very souls, that sprinkles us with those day dreaming thoughts about persuing photography full time. Everyone who has ever picked up a camera has had the "I could make a living doing this" moment.
In the digital age you as a photographer are expected to be familiar and knowledgeable with Photoshop. It can be argued back and forth if this is right or wrong and whether Photoshop is ruining photography. But I see Photoshop as a tool, just as the darkroom was a tool to manipulate images. I have put together this list of 10 techniques that helps me get the most out of my images.
Photography book publisher Rocky Nook recently released several new titles which join their now expansive library of topics. I checked out two of these new books, and in this article I review “Street Photography: The Art of Capturing the Candid Moment” by Gordon Lewis. In addition to the review, we are giving away two free copies of “Street Photography” to two lucky readers.
For many centuries, scientists fought vehemently about the nature of light. Two sides debated a question pivotal to the development of physics: is light a particle or a wave? It wasn't until the 20th century that one of the most startling revelations about our universe came to prominence: light is both.
Bruce Gilden is one straight talker. The no-nonsense Brooklyn born, Guggenheim-awarded, Magnum photographer does not mince his words, that’s for sure. There is so much to learn from him in this interview, in between his quips and comments. Listen in as he shares more than 45 years worth of experience as he critiques a selection of images of street photographs in this VICE interview.
Getting perfect skin tones can be quite time consuming and difficult. Because everyone's skin complexion is different, the corrections needed will be different every time. Even so, there are some recurring problems such as over-saturated reds in darker tones. A great makeup goes a long way in helping with redness, but sometimes it is not enough. The best example is the red seen in the ears when the model is backlit. Because of the nature of skin and the human body, the ears are going to turn red and no makeup will totally solve that. So let’s see how we can correct that very effectively and quickly using Photoshop.
LinkedIn has announced its acquisition of Lynda.com, a popular online education platform that teaches technology skills such as how to use Photoshop or how to code in Java or use CSS. The $1.5 billion move will enable the company to offer a broad range of education services as it transitions from simply identifying skills needed for a position to also offering ways to gain those skills quickly and efficiently from with a trusted and proven method.
How do you tell a better, stronger, more compelling story through your photos or video work? How do you get booked for the work you want to do? Film makers and story tellers, Jared Levy and Justin Hamilton, will today share some secrets. Their new, beautiful, compelling mini-documentary entitled ‘Updating Philosophies’, helped them realize much of this, and we can all learn from their experiences.
I, like many photographers out there, don't have a studio, or don't have the money to rent out studio space every time I want to do a shoot. While shooting inside my house or garage is always an option, I found myself wanting to experiment more with ambient and natural light. Although I love shooting in a studio, a completely controlled environment, I learned shooting outside with backdrops was a great experience and taught me a lot about light.
If you are like me, you have always bought a UV filter for each of your lens because that's what you are supposed to do, right? With today's lenses having built-in UV protection and high quality coatings, are UV filters even needed anymore? Check out this video by Karl Taylor as he weighs in on his personal thoughts about UV filters.