There are a zillion photographers out there, but there aren’t a zillion clients. How do you make your work stand out? Success comes when a client will book you because it's you and not because you are just another good photographer. In the process, having a recognizable style might also make you a happier photographer. But how can you get there?
The world’s best photographers are defined by their styles. For example, you can instantly look at an image by Martin Schoeller or Annie Leibovitz and recognize what you’re seeing. Their work is distinctly theirs. I believe that a big part of a photographer's success lies in finding this style. It may not come easily to everyone, however.
Veterans Day comes and goes each year and for many of us, it doesn’t extend too far beyond Facebook shout-outs to our friends and family who have served in the military. Perhaps it’s the introverted nature of our times, but it does seem like an adequate show of support. Or does it?
Nevada-based Photographer Tim Conzachi showed us this week that photographers can be doing so much more.
Film photography has made a comeback! Some would argue that just like Dre, its been here the whole time. But over the past few years, the aesthetic and cache of film photography has made a strong presence in the zeitgeist of contemporary digital photography. In this entertaining short film by Maison Carnot called "Disassembly," we see how to take an old non-functioning film camera and bring it back to life through a complete disassembly and repurposing of the old gear.
While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.
A simple Google search will turn up millions of results on what photographers should do/not do when working with models. However, nine times out of ten, these articles are written from a photographer’s perspective, and the model’s voice is rarely heard. Well, today is your lucky day! I have jumped in to give you the model perspective! Whether you are shooting underwater, commercial, fashion, conceptual, etc., some of the same rules of etiquette apply across the board.
So you want to travel with a model? I've been shooting portraits for around four years now, and have started to (finally!) add more traveling to my life. Unintentionally, it turns out that my travel partner, my friend Victoria, also happens to be a model. In a relatively short span of time, Victoria and I have shot together in multiple countries and states, including Florida, North Carolina, New York City, Ireland, Italy, and France. In my career up until this point, I had worked with a variety of models, choosing them based on how they fit a location or look. Here are some of the pros and cons of the experience.
Making its start as a wildly popular Tumblr blog, the “Black Dogs Project” was created by Massachusetts-based portrait photographer Fred Levy. The goal of Levy’s project is to bring to light the reality of black dog syndrome, which is an observance that black dogs tend to always be adopted last from shelters. Now made into an inspiring hardbound photo book, I’d like to share some of my favorite cute doggy photos from “The Black Dogs Project” and give an overview of the charming stories within.
As some of the world's biggest auction houses gear up to offer photographic pieces this week, statistics show that photographs are consistently lesser valued than their artistic counterparts. Take a look at why photographs have yet to find the same financial footing as other works of art.
Freelance videomaker and visual artist Julianna Thomas did something unique recently: she shot an entire series of black and white subjects, but in color. As a response to one of her greatest pet peeves, Thomas created "Black & White In Color" as a "personal response to treating black and white as an editing afterthought."
Brooke Shaden is an undeniable force of photographic nature. Not only is she well regarded as a pioneer of modern fine art photography with her dream-like compositions and self portraits, she is often as focused with helping us develop our own work as she is with her own. This week, Brooke throws open the doors to her “Promoting Passion Convention”, which aims to more than your ‘typical’ photo workshop. If you’ve been looking to spread your creative wings and be inspired to create by learning from some of the best in the industry, this could be exactly what you’ve been waiting for.
Five years ago I filmed the iPhone Fashion Shoot, a 10-minute video in which I take professional looking images with the iPhone 3GS. That video was supposed to inspire photographers who assumed that their work was suffering because their gear wasn't ultra expensive. The video became extremely popular and became very polarizing. The majority of people thought my images looked good because I used fancy lights.
For many years now since the digital revolution hit the mainstream, the continuing and growing complaint in the photography industry generally centers around two key points: Too many photographers out there and too many clients offering exposure in lieu of actual pay. The problem continues to worsen, but there is a way to possibly solve it, and it involves, plain and simple, revolution.
It's always impressive to see a subject that's shot so often used in a new and creative way. This conceptual shoot of the Milky Way by George Malamidis was beautifully conceived and executed. George picked two possible names for the image, both of which perfectly describe the outcome, "The Iris of God" or "The Peacock Milkyway." Want to know how he got the shot?
Recently, SmugMug featured the amazing artist Renee Robyn, based in Canada in a touching tribute video called "Dream Of A Digital Artist', and I recommend you take the 3 and a half minutes and check it out. If it doesn't leave you in awe and full of inspiration, then you must not have a pulse.