Few cameras are more highly anticipated than the Sony a7S III, and Sony users are hoping it will leapfrog the current crop of highly capable cameras and reestablish the S line as a leader in video. What are you hoping to see in the camera? This great video discusses what creatives would like to see and what we can actually expect in the camera.
More and more people get infected every day, and I’m a victim of it, too. Yes, I’m talking about GAS, which usually hits me when spring is coming. For this reason, I am focusing a little on purchase decisions lately.
Macro photography has such a draw for beginner photographers because it opens up a world we can’t see with the naked eye. Most camera stores will tell you that you need a macro lens to do this kind of work, but don’t believe the hype. There are plenty of ways to do macro with the kit you already have.
It was all the way back in 2018 when Leica first announced the development of the S3. I had a brief chance to take a look at the camera during my visit to Photokina, and I was quite impressed. And now, it's finally here.
It is surely the simplest of operations — instructing the camera when to take a photo. Surprisingly, for such a straight forward task, there are a myriad of ways to actuate the shutter. What are they and what is the best?
If you’re just new to photography and just bought your first camera, here are some important things to know about taking care of it.
Do you know about the different sensor sizes you can get in cameras and how one sensor size might be better than another in certain situations, regardless of what some people might tell you?
If you haven't yet taken the mirrorless camera plunge, before you buy, ask yourself if you've given the Nikon Z 50 enough thought. If you haven't, this video offers some reasons to do so before you make a move.
There are amazing lenses available. It is tempting to buy a special lens, because it can open doors to a whole different kind of images. But there are lenses which you probably won’t need anytime soon. Here are six of them.
Today, I’ll share a few words of wisdom. Or, more accurately, I’ll let you learn from, and possibly laugh at, a few mistakes I’ve made along the way.
On the road today, but got a bit of news that should make fellow Capture One and Fuji users quite happy.
If you're looking for a lens that's super sharp, incredibly versatile, remarkably cheap, and able to cover almost every scenario you want from a walk-around lens, then this 35-150mm lens from Tamron is perfect. These images testify to that.
When pondering my move away from Canon almost 18 months ago, the two main contenders were Fujifilm and Sony. Despite the announcement of the incredible-looking X-T4, Fujifilm still hasn’t done enough to drag me on board, and it has nothing to do with sensor size.
Buying a beautiful f/2.8 lens zoom is tempting. Large apertures are always better. If you’re using primes, a f/1.8 or f/1.4 is even better. But is that expensive large aperture lens really necessary for your photography?
There is no doubt that digital has surpassed the quality of 35mm film, but medium format film still offers tremendous quality and is significantly cheaper than digital medium format. How does it compare to a modern medium format camera? This great video takes a look at the two and the results you can expect from them.
Remember when Pentax released the K-1 Mark II? In hindsight, that wasn't too bad.
If you think that there are too many options today when considering buying a digital camera, then spare a thought for those who are interested in buying a film camera. Thankfully, this video can give those who are new to the format a better idea of what's on offer.
Fujifilm has officially announced the X-T4 and to me it looks like a brilliant camera. Fuji has implemented most of the major requests made by many within the community. My initial reaction in London was extremely positive towards the camera. Unfortunately, there are still a few reasons that hold me back from upgrading.
As every photographer who’s suffering from GAS (Gear Acquisition Syndrome), I am currently searching for a new lens. While trawling through popular online shops, I couldn’t help myself, but laugh about some useless review images of the products.
Sigma's Art series of lenses is loved by many photographers for its combination of great optical quality and relatively affordable prices that often undercut first party manufacturers by around 50 percent. Their 35mm f/1.2 DG DN Art lens for Sony E and L mounts pushes boundaries a bit, as it is the first in the series with a maximum aperture of f/1.2. How does it hold up in practice? This great video takes a look to answer that question.
Any bokeh fanatic knows that to push the boundaries of background blur further and further, you need ultra-wide aperture lenses. But it is not just a wide aperture that can produce that buttery smooth bokeh. Lenses with an apodization filter can also make bokeh much nicer. This great video review takes a look at Fujifilm's version of such a lens and if it is worth the extra price.
I love longer focal lengths for portraiture, but how is the X-T4 and a 200mm f/2 for it?
Getting started in astrophotography doesn't have to be expensive or complicated, and there is no better time to give it a try.
One of the biggest misconceptions I have come across in the industry is that tilt-shift lenses are just for people who shoot architecture. Once you understand how these specialist lenses work, you'll realize how big of a deal they can be for almost any genre of photography.
A few days ago Sony announced the 20mm f/1.8 for full frame E-mount and I must admit, my ears pricked up.
The two heavyweights when it comes to flagship sports and wildlife cameras are the Sony a9 II and the recently released Canon 1D X Mark III. The ability of the autofocus to track a subject is critical, so how do the two compare when placed side by side?
Portable drives are getting better and faster all the time, while the cost of high-capacity drives has finally started to come down. Yet, new technologies always develop faster than the leading brands can get products to market. That's where DIY solutions shine.
You read that right: ARRI makes compromises in order to make good lenses. The logic behind those decisions is similar to the one behind making digital camera sensors carry more information in the green channel than the other two. It's about image perception, not about mathematical perfection.
The L-Mount Alliance marked the culmination of a remarkable period in the history of the (digital) camera. However in five years time, will we look back and see this as the beginning of the end? Was the L-Mount Alliance simply too little, too late?
Fujifilm recently announced the X-T4, and it contains a bevy of improvements and new features sure to excite photographers and videographers alike. This excellent video takes a first look at the new camera and what you can expect from it in usage.
Lenses are not cheap, and you can potentially save thousands of dollars by buying used, but of course, you assume certain risks in doing so. If you are thinking of buying a used lens, this helpful video will give you seven things to check to ensure that you get a high quality optic that will give you years of good performance.
I love seeing weird and quirky lenses and this one from Samyang certainly ticks those boxes. Is it any good though?
The launch of the new Olympus O-MD E-M1 Mark III has reminded the world that micro four-thirds is not dead, and right now, it’s almost exactly the same price as the Sony a7 III. If you were in the market, which would you buy?
Most macro lenses provide 1:1 magnification. However, if you want even more powerful capabilities, the Venus Optics Laowa 65mm f/2.8 2x Ultra Macro APO lens can offer double the magnification of standard macro lenses, and it comes in at quite an affordable price as well. How does it perform in practice? This great video review answers that question.
Elinchrom has always been known for its superb light modifiers. But the strobes designed by the Swiss flash manufacturer are just as good. Now marks a new direction for the brand with the introduction of the ELC 125 and ELC 500.
The number of things I have learned, unlearned, and relearned all over again along the road from hobbyist to professional photographer would require something of a short novella to recount in their entirety. So today, I want to share just one of them.
When it comes to buying a new camera, the big question is: "How much should I spend?"
Fujifilm's beloved line of X Series cameras just got its newest member: the X-T4. Check out what's new in this powerful body.
Focal plane shutters are by far the most common mechanism for controlling exposure times, but leaf shutters are still around and preferred by some photographers, particularly when it comes to working with flash. This excellent video will show you the advantages of a leaf shutter when working with a strobe.
Pretty much everybody learns how to edit photos using a mouse, but as a photographer becomes more advanced, they will often switch to using a pen tablet to work on their images. If you have not yet made the switch, this helpful video will show you seven reasons why you might want to consider picking up a tablet for your editing work.
Canon's L lenses are considered some of the best out there by many professionals, but they are also on the more expensive side of things. On the other hand, Sigma's Art lenses typically come in at about half the price of their Canon equivalents, making them an intriguing alternative for many shooters. How do they compare to their Canon counterparts? This great video takes a look at a few common focal lengths to answer that question.
Sony has unveiled its thirty-fourth full-frame E-mount lens, the FE 20mm f/1.8 G.
At $16,000 for the camera body only, the Canon C500 Mark II is an impressive 6K camera that meets the needs of independent filmmakers and videographers alike. What happens if you can't afford a B camera at the same level as the C500 Mark II? Can the Canon EOS R keep up and deliver with its 4K footage?
Canon seems to be a little bit shy about announcing the lenses for the new RF mount that are due to appear in 2020. The official roadmap is still a little thin, but rumors are emerging, and we could see a total of seven lenses in the next ten months.
The Nikon NIKKOR Z 58mm f/0.95 S Noct is a fantastic lens with a stratospheric price tag to match. What is it like to shoot with, and is the image quality worth the price? This great video answers those questions.
The Panasonic S1 is the company's first full-frame camera, and it offers a bevy of high-quality features in a rugged body, along with the benefits of the L mount alliance. This excellent video review takes a look at how the camera has held up after a year of use.
There is no doubt that Sony's cameras have some of the most advanced and exciting technology out there today, and now, users will be able to experience some of those features in their phone, as Sony has announced the Xperia 1 Mark II, which boasts specs like real-time Eye AF and 20 fps burst shooting with continuous autofocus.
I had considered writing an article to advertise this auction, and now I’m so glad I didn’t.
The Nikon D780 is fresh on the scene, and it brings with it a bevy of improvements and new features over its predecessor that are sure to intrigue a lot of Nikon shooters looking for a reasonably priced full frame camera that can handle a range of scenarios competently. If you are considering purchasing one, this great video review will tell you what you can expect.
The Canon 1D X Mark III made quite the splash when it was announced, with numerous head-turning features sure to please many professionals. Perhaps one of the most impressive is the new 5.5K raw video capability (at 60 fps no less) using the full width of the sensor. This great video takes a look at using the new feature in a low-light scenario.
