Ahhh…..rejection! Everyone has experienced rejection many times in their life, but it is especially prevalent in the fashion and photography industries. I’m sure you have been rejected as a photographer before, whether it was by a gallery, publication, or model you have wanted to work with. I can safely say that if I had a dollar for every time I experienced rejection as a model, well, you get the picture. I have been rejected by some of the sweetest photographers, who unintentionally made me feel like I should never have reached out. Similarly, some photographer’s rejection tactics needed some major fine tuning and left me feeling fed up with how some people in the industry tend to act. As a model, I 100% understand that I will be rejected 9 times out of 10. It is completely okay to say no! Saying no is healthy! But it should be done with professionalism, tact, and respect.
When I was younger, my dad took a class on photography at a local community college. To this day, he says that the biggest thing he learned from the class was that to take interesting pictures, you have to go to interesting places. I suppose that if you are a travel, landscape, or nature photographer, that is true. What a lot of people don’t realize is that interesting places are all around us. Having grown up in Ohio, I always thought that I was stuck in a dreary, featureless landscape of corn and soybeans.
A couple of weeks ago, Elinchrom released the Skyport HS, a new iteration of the very old and rudimentary Skyport. The Skyport HS seems to have everything a strobist could hope for, from the laser grid to focus in low-light conditions to the Hi-Sync mode. This new radio trigger is a welcome addition to Elinchrom's product line. At least, it is on paper. The Swiss company was kind enough to lend me a unit before it was even released so that I could play with it and review it for you.
While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.
Periscope is a social media app that turns your life into a live broadcast. Instead of updating your Facebook status or sending a tweet, with this app, you start a live broadcast similar to any live broadcast you see on TV. The difference is that you get live interaction with the people that are tuning in to watch you. Now that the app is available on both Android and iOS, it’s starting to pick up some steam, and like any social media platform, it’s good to get in on the ground floor. Before you do, I have a list of positives and negative you may want to consider.
Last month we had the three highest megapixel cameras by Nikon, Sony, and Canon in our office, and we filmed a pretty polarizing review pitting them against each other. Many viewers pointed out an unfair bias in our studio test so we redid the test again using the same lens on all three cameras. We then asked our readers to pick the best looking image from the 3 cameras without telling them which camera took which photo. The results from this test were pretty alarming.
Working in the creative arts world has always involved the struggle of conveying value to clients and educating them that our time has value and that exposure doesn't pay the bills. It's nothing new, and it will likely continue, especially as the barrier to entry in the industry continues to fall, but we all have the power to change it.
Leroy Bellet is a 16-year-old freelance surf photographer from Australia who has recently been featured in several major surf publications because of his experimentation with artificial lighting in the water. Using a flash in the water allows the subject to still be illuminated while taking advantage of times when the natural light is most unique, like early morning, sunset, and night. We recently got the chance to talk to Leroy and learn a little bit about him and his technique.
Each week, we get contacted by a range of different companies asking us to review their products. Normally, we don't accept the majority of these products, but for your entertainment, we've decided to review every single one of these products in some sort of entertaining (and unfair) way. Today, I got the BOOMR camera strap in the mail and put it through a stress test.
A few weeks ago we offered to critique a handful of headshot photographs from the Fstoppers Community. I was able to sit down with professional headshot photographer Peter Hurley for his advice on how you guys can help improve your own headshot photos. Since there were so many submissions we were only able to get to about 18 images, but don't worry because next week Lee and David will tackle many of the images that did not make this episode of Critique the Community.
First off, some Fstoppers readers who follow my articles may be confused right now because I am posting an automotive retouching tutorial. For those who don't know, I used to do quite a lot of automotive photography work from 2011-2013 or so, and these days I still take the occasional car job here and there. But what I was so grateful for in 2011, when I started in this direction of editing, was that I was already very familiar and comfortable with Photoshop's pen tool - the ultimate weapon in automotive retouching (and more).
Like it or not, 2016 is going to be a huge year for virtual reality content and technology. It seems like every major brand is dipping their toe in one way or another. Even Pixar is creating their own movie studio in order to create 360-degree films. Magazines are no exception for desiring and creating this content. It's a perfect way to immerse their readers into their content. Recently Hearst Publishing's Car and Driver Magazine hired my company, 8112 Studios, to help create their first ever virtual reality car reviews.
Having the right gear for the job is essential in being able to handle the barrage of lighting scenarios that a wedding photographer will encounter on each outing. I, like many others, am constantly thinking about the next piece of gear. What lens, what camera, or what lighting system will allow me to take higher quality images and provide a better experience to my client? This led me to think, what do I really need to shoot a wedding? I mean in reality, to walk out my door and provide my bride with the images she expects, what are the bare essentials I really need?
While some photographers stay close to home, others travel quite regularly. I’ve been traveling my entire life for one reason or another. And whether it was for a newspaper job I was essentially commuting to (living four days in Southern California and three days in Northern California every week) or a short trip on a personal photographic exploration, I quickly learned that it’s great to have some creature comforts to keep you company along the ride once whatever glamour of traveling that’s left these days fades away.