Every photographer knows that the eyes are the soul of a portrait. Besides the emotional aspect, there is one important technical factor that, if done right, will light up the eye of the portrait and enhance the connection with the viewer: the catch light. In this article we are not only going to understand catch light, but learn how to control it with this amazing video tip from Felix Kunze & Sue Bryce.
It's hard to look at our photography with objective eyes. We know how much planning went into the shoot. We know how complicated the shoot was. We know how many hours in Photoshop we spent. The sad truth is, none of that matters. Your image should speak for itself. Let me help you rate your photography fairly.
Buying expensive gear and mastering lighting and technique play an important role in photography but ultimately, these things are secondary in achieving a solid portrait when facial expressions are factored in. No matter the genre of photography, whether it's fashion, weddings or family portraits, connecting to the subject is far more important than any other detail in shooting portraits. When portraying a personality or specific mood, there is a necessity to connect and extract emotions and moods.
Rebecca Brown is a 21 years old filmmaker, artist and a Youtuber (100,000 subscribers and millions of views) from England. For the past 6.5 years she photographed herself (almost) everyday wherever she was each day, and recently compiled it all to one time-lapse video. Aside from showing mesmerizing physical changes, the video tells a touching and interesting story of a teen suffering from disorders and depression.
My buddy and DC photographer Willis Bretz has been busy working on a personal portrait series in honor of the 70th anniversary of D-Day. Mixing his history degree and his flourishing photography career, he wanted to create something that reflects his love for both. Learn more below about this personal series that was even picked up by The Washington Post for their coverage for the 70th Anniversary of D-Day.
Inverse Square Law of Light is something we all hear and know about, but don't always know how it really affects our photography. We always hear the math and the science behind it, but there is nothing like seeing it in a visual way to fully understand it. For people like me who find it hard to deal with math equations, those 2 great videos by photographer Karl Taylor will show you the important basics about the law you should know.
Last month we shared a really impressive project of an underwater shoot in Bali done by my friend and conceptual photographer Benjamin Von Wong. He stated then that was only part one and that part two would be coming soon. Well, soon is here and he's sharing more technical aspects of how he made the project come to life.
I’m a huge fan of Annie Leibovitz and the imagery she has captured over the past few decades. Being a self-taught photographer, I looked to her work time and time again for inspiration and motivation. Over the course of a year, I scoured the internet for information on her lighting setups, equipment and methodology. But, the more I dove in, the less concerned I became about equipment and the more I felt the need to simplify my style.
Twenty-eight year old photographer Antoine Bruy’s ongoing project “Scrublands” documents the lives of those who have chosen a tranquil, isolated existence far removed from developed society. Farming and foraging and living in handmade shelters made from recycled materials, the individuals in Bruy’s photographs have thrown off the comforts-and the expectations-of fast-paced modern life in favor of peace and simplicity.
A few weeks ago, I had the pleasure of testing out the Phase One IQ250, and so I thought I would put together a practical write up of my time spent the Phase One IQ250 Camera System, the Capture One software, and whether or not either one has found a permanent place in my workflow.
The work of Colombian photographer Daniel González combines unselfconsciously nude models and lush landscapes to present series that evoke a sense of untamed beauty and an almost religious reverence for the connection between the human form and the nature which surrounds it.
Lindsay Adler launched her new company this spring, Dream Shoot Rentals to provide couture dress, accessories, and props to give photographers a source to execute their visions and build their portfolios. Lindsay explained her new vision for this company: “While teaching across the United States, photographers are always asking how they can get a hold of gorgeous clothing for their shoots. Often pieces are too expensive or difficult to attain.
David Bailey is a master of portrait photography. His four month gallery exhibition “Stardust” just closed in London. It took 3 years of planning to put it together, and looked at his 50+ years as a photographer and artist. I got to see it before it closed, but if you didn’t get a chance to go, don’t worry – here are five things that I think made Bailey the success we celebrate today, and what we can learn from him.
Posing your subjects can be one of the most challenging tasks you have to face on shoot-day. If the person in front of your camera is not a supermodel who knows all the tricks, chances are you'll have to direct and pose that person (or people) in order to get pleasing images that make them look at their best. If you're in the business of photographing people, you should clear your schedule and watch this 2-hour B&H class as soon as possible.
I've been shooting professionally for just over four years now – “professional” as in starting a legitimate business where I charge money to take photographs of my clients. We could wax poetic on the distinctions between “amateur” and “professional” that don’t involve the exchange of money, but the area that I want to focus on has to do with the responsibilities and perceptions that come along with people hiring you as a business.