Weapons of Choice is a powerful visual series that demonstrates, through painfully jaw-dropping imagery, the damage verbal abuse has on a person. I found myself saddened yet amazed while looking through the photos. Richard Johnson takes the power of a photo to a whole new level by eloquently illustrating the invisible and eternal scars victims of emotional, sexual and verbal abuse endure.
New York-based photographer Brian Finke’s ‘Flight Attendants’ series is the product of two years of travel crisscrossing the United States as well as numerous trips abroad. Photographing flight attendants in action, as well as at a training school, Finke’s series documents the lives of those who travel for a living.
During an initial meeting with local publication NFocus Magazine , the Editor-In-Chief asked for a unique aesthetic on Louisville's theater and arts community and wanted a massive group shot, but not your traditional group shot. I threw out the idea to shoot actors and their "characters" from directly overhead on a theater floor, as if they were action figures laid out and organized. Two seconds after I uttered the idea, I realized I had no clue how I would pull it all off.
Former Fstoppers writer and Columbus, Ohio based portrait and fashion photographer, Nick Fancher has recently been working on a series he calls Studio Anywhere in which he photographs models in their own homes. Nick's an avid strobist; meticulously lighting every shoot with a small army of speed lights. He has kindly agreed to give us a sneak peek into his lighting setups from two images in the series.
I’m half Mexican, and if you’re anything like me, you celebrated Cinco de Mayo a few days ago by watching some of your favorite Mexican American films from the ‘80s & ‘90s and eventually made your way to Allison Anders’ 1994 classic, Mi Vida Loca – falling in love all over again with the tough yet endearing cholas, Mousie and Sad Girl. Thanks to artist Michael Jason Enriquez, my inner 16 year old is crushing pretty hard over all the celebrities he has Cholafied. (I'm looking your way Amy Poehler !)
Tom Atwood, a photographer and professor of broadcast journalism at Southern Illinois University Edwardsville, went about taking photographs of models for a project he described as a series of “industrial landscape portraits” near the Phillips 66 Wood River Refinery in Roxana, Illinois. His shoot put him up against resistance and alleged serious threats.
Artist Erik Ravelo ’s controversial series “Los Intocables” (The Untouchables) aims to “preserve and defend the right to a childhood” in a world that often threatens the safety and innocence of its most vulnerable citizens. Featuring photographs of children posed as if crucified on the backs of surgeons, priests, soldiers and others, the series forces its viewers to confront unspeakable hardship facing many children.
Photography-related groups on Facebook are growing exponentially along with the exploding industry. As with many things in life, there are pros and cons when participating in these groups. One can experience valuable feedback, expertise and positive reinforcement from peers, while also experiencing nitpickers and people who pull you down. There are far more important elements often missed when discussing groups that could change the way you benefit from them... forever.
French photographer Christine Muraton’s series 'Inversed Metaphysics' features hauntingly beautiful portraits which evoke a sense of solitude and restlessness. Muraton states that the series is intended to address issues of transcendence, the search for truth, and the nature of consciousness.
Photographer Sam Hurd is sharing yet another one of his artistic photography techniques with his followers. He mastered The Brenizer Method , he basically had all of Amazon on backorder for Prisming , he ripped the lens mount right off his 50mm for Freelensing , and then he did some convex Lens Chimping . This time around, Sam attached an old anamorphic movie lens to his 85mm in order to shoot a very cinematic wide field of view. Take a look at how it works!
There's something special about taking a picture on film. That said, film also lent itself to a lot of error: a botched exposure, missed focus and light leaks could all serve to ruin an otherwise lovely image. There are few things more frustrating then getting a roll back from the lab with an error note on the envelope. Occasionally the results were a novelty, perhaps adding interest to an otherwise boring image but all too often light leak was nothing but a bother. So why would anyone want to replicate it in Lightroom?
I always tether. Whether it's for a client or fashion editorial, the CamRanger has played a very important role in capturing rock solid images. But, before the wonderful technology of wireless tethering came into the picture, I always tethered to a workstation. However, that came with the annoyance of a long tether cable dangling off your camera. I always felt the sense of being trapped or held back from moving freely, I was always concerned and it was always a distraction.
It's easy to dismiss the amount of difficulty involved in location shoots. A few years ago, Joey Lawrence ( JoeyL ) shot a personal project of portraits in Ethiopia. Whether traveling by van, boat or Indiana Jones plane, it's great to have the opportunity to see how hard the literal journey was on the way to the figurative photographic destination. Just handling the equipment was a pretty substantial undertaking.
Every photographer, at some point in their career, will have an internal debate to accept or decline a job because they may feel insecure about having the right skill sets or gear to complete the job. Personally, I have found myself accepting certain jobs and a few hours later, I wonder if I made a mistake in accepting the job since I may muck up a huge opportunity. A few days ago, I was offered a job that, at first, I did not think I could execute. Luckily though, I talked myself down the ledge and remembered I was in fact prepared for it.
Chinese photographer Zhang Xiao ’s “Shanxi” series captures the otherworldly rituals of a lunar New Year festival in China’s Shanxi province. The series’ ethereal photographs were taken with a simple Holga film camera, creating a haziness and sense of mysticism that emphasizes the integrity of the festival’s rituals despite cultural reform and modern influence.